Description
What were the most salient differences between the Royal Academies and their respective salons in Paris and London?
How did the popularity of the Salons begin to change art? What were some of the tensions between the ideals of high art and the new "public sphere" opened up by the Salons?
How did Benjamin West and/or Jacques Louis David change "history painting"?
What effect(s) did the French Revolution have on the artistic output of David? What does this suggest about the role of the artist in society in that context?
What is the relationship between nature and the ideal for Winckelmann, and how should an artist properly approach those two concepts?
Explanation & Answer
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Running Head: ART AND DESIGN
1
Institutional Affiliation
Art and Design
Date
1st February 2019
ART AND DESIGN
2
The art academies in France and England we responsible for running the schools of
instruction, held exhibitions and availed venues for artists to display and cultivate their works. In
these art academies, the young artists had the opportunity to get promoted. They also protected
the interests of the artists and had a virtual monopoly on the tastes of the public. On the other
side, for an artist to be shown at the salon, the young artist had to be accepted by the Academy
through a process of submitting their artwork to a panel of jury. If the art...
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