Answer the following questions

Anonymous
timer Asked: Feb 4th, 2019
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Question Description

What interpretation of Girodet's portrait of Belley is Weston attempting to refute? What interpretation is she positing in its place? What evidence does she rely on in making her case?

How do runaway slave advertisements use visual and textual media to construct an image of the black slave in 18th-19th century America? Is there tension between image and text? What different roles do they (image and text) play?

What does Stendhal mean when he states that "the time has come for good painters to try and be modern instead"? (p. 31)

What do Géricault and Stendhal criticize about the Academy and how does this criticism of the Academy and Neoclassicism compare (differences or similarities) to the earlier criticism of La Font or Diderot against Rococo?

Tutor Answer

SIMPLIFIED
School: Boston College

Attached.

OUTLINE

1. INTRODUCTION
2. BODY
3. CONCLUSION
4. REFERENCE


Running head: ART & DESIGN

1

Art & Design Questions
Student:
Institutional Affiliation:
Instructor:
Date:

ART & DESIGN

2
Art & Design Questions
Question One

The Girodet's portrait represents the figure of Belley, who was a noble person and a
completely assimilated Frenchman. In Girodet's piece of artwork, Weston tried to refute the
Girodet's interpretation of depicting Belley as a dignified Frenchman that permits this black
French executive to become immortalized as the gracious person that Belly really was (Weston,
1994). Additionally, in the representation, Girodet wanted to visually establish the public figure
who embodies the independent ethics of liberty, fraternity and equality instilled by the French
Revolution and must get extended to blacks. However, Weston disputes the Girodet's ideo...

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Review

Anonymous
Tutor went the extra mile to help me with this essay. Citations were a bit shaky but I appreciated how well he handled APA styles and how ok he was to change them even though I didnt specify. Got a B+ which is believable and acceptable.

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