ENG225 Ashford Auteur theory in Bonnie and Clyde 1967 Film Analysis

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Oevgnva11

Humanities

ENG225

ashford university

Description

Prior to beginning work on this assignment, read Chapter 8 of Film: From Watching to Seeing, as well as your instructor’s guidance and lecture materials, and Chapter 7 from Film Genre Reader IV. The ENG225 Research Guide in the Ashford University Library will be particularly helpful in locating required sources. This assignment is your opportunity to apply the auteur theory to the work of one selected director. To do that, you will watch at least two feature-length films by the same director as the basis for your analysis and argument.

Note: You should watch any chosen film twice—once to ensure that you have grasped the storytelling and once to take more specific notes on aspects of the film you wish to discuss. You may choose any appropriate director, but be sure to consider the three criteria of auteur theory before making your selection. Reflect on the film you chose in your Week 2 written assignment and look ahead to the Week 5 Final Paper guidelines to ensure that you choose a film for this assignment that will work with the requirements on the Week 5 Final Paper. You may opt to write about the same film in your Week 2 written assignment and Week 5 Final Paper, and applicable pieces of this assignment can be used to write both. If you do this, you should reflect on and revise this assignment based on the instructor’s feedback before you incorporate it into any future writing assignments.

Your paper should be organized around a thesis statement that focuses on how your chosen director and his/her films meet the criteria posed by auteur theory and advance the possibilities of storytelling through the medium of film. Review the Week 3 Sample Outline, which provides a clear guide for developing a solid analysis as well as insight on composition.

In your paper,

  • Explain auteur theory.
    • Describe, using Chapter 8 of the text as a reference, the criteria for what makes a director an auteur.
  • Identify a director who meets the criteria posed by auteur theory
    • Summarize briefly the ways in which this director meets those criteria using examples from at least two of the director’s films.
  • Apply the lens of auteur theory in breaking down the director’s technical competence, distinguishable personality, and interior meaning using specific examples of his/her work (e.g., particular scenes or plot components).
  • Analyze the specific ways in which filmmaking techniques, consistent themes, and storytelling distinguish your chosen director as an auteur among his/her peers.

The Directors and Auteur Theory paper

  • Must be 900 to 1200 words in length and formatted according to APA style as outlined in the Ashford Writing Center’s APA Style (Links to an external site.) resource.
  • Must include a separate title page with the following:
    • Title of paper
    • Student’s name
    • Course name and number
    • Instructor’s name
    • Date submitted

For further assistance with the formatting and the title page, refer to APA Formatting for Word 2013 (Links to an external site.).

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Explanation & Answer

please find the attached files. i look forward to working with you again. good bye

Running head: AUTEUR THEORY

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Auteur theory
Name
Tutor
Institution
Course
Date

AUTEUR THEORY

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Auteur theory
Introduction

In filmmaking, directors get ideas from different sources. Some use imaginations, other
facts, while others could use their personal experiences. According to the auteur theory, a
director directs a movie that portrays his character and passion. In such an instance, films
directed by the same director have consistency in themes and filmmaking techniques. The
audience can quickly tell movies that are of the same director. This paper shows explicitly how
Arthur Penn was an auteur and how he used his personal experience and knowledge to his
advantage in directing among the best movies in the 1900s.
Explaining the theory
Auteur theory is a theory in filmmaking, whereby the director is seen to be the
principaldriving force in a motion picture. The theory originated from Alexandre Austruc who
compared directors to film writers in his essay “The birth of a new avant-garde: la camerastylo”, which is translated to camera-pen supporting the notion of writer-director. Austruc was
the first to recognize filmmakers who could write and direct films. According to the theme, the
film reflects the director's artistic visions. Thus the film will have recurring themes and visual
cues that give the audience a hint as per who is the director. The films display consistency in
artistic identity throughout the filmographies of that specific director. Thus for a director to be
termed an auteur, his character and personal style must be projec...


Anonymous
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