Consumers and Their Brands: Developing Relationship Theory in Consumer Research
Author(s): Susan Fournier
Source: The Journal of Consumer Research, Vol. 24, No. 4 (Mar., 1998), pp. 343-373
Published by: The University of Chicago Press
Stable URL: http://www.jstor.org/stable/2489622
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Consumers
and
Brands:
Their
Relationship Theory
in
Consumer
eve
lopin
esearch
SUSAN FOURNIER*
Although the relationship metaphor dominates contemporary marketing thought
and practice, surprisingly little empirical work has been conducted on relational
phenomena in the consumer products domain, particularly at the level of the
brand. In this article, the author: (1 ) argues for the validity of the relationship
proposition in the consumer-brand context, including a debate as to the legitimacy of the brand as an active relationship partner and empirical support for
the phenomenological significance of consumer-brand bonds; (2) provides a
framework for characterizing and better understanding the types of relationships
consumers form with brands; and (3) inducts from the data the concept of brand
relationship quality, a diagnostic tool for conceptualizing and evaluating relationship strength. Three in-depth case studies inform this agenda, their interpretation
guided by an integrative review of the literatureon person-to-person relationships.
Insights offered through application of inducted concepts to two relevant research
domains-brand
loyalty and brand personality-are advanced in closing. The
exercise is intended to urge fellow researchers to refine, test, and augment the
working hypotheses suggested herein and to progress toward these goals with
confidence in the validity of the relationship premise at the level of consumers'
lived experiences with their brands.
has focused on bona fide partnerships formed between
persons, with the bulk of published studies concerninig
manufacturer-supplierand service-provider partnerships
as a result (Berry 1983; Dwyer, Schurr, and Oh 1987).
The brand loyalty literatureis perhaps most capable of
informing theory concerning consumer-brand relationships. This research stream has stagnatedof late, however
(Lehmann 1996), with the majorityof insights and contributions generated before the emergence of methods capable of truly informing the phenomenology of consumerbrand bonds (SherTy 1987). Although "loyalty" itself is
a fertile relationship concept, its nuances have been lost
in traditional brand loyalty research. Operationalizations
relying on sequence or proportion of purchase perhaps
better reflect a notion of inertia than loyalty with its full
relational significance. Even well-intentioned attempts to
consider loyalty as more than repeat purchase (Jacoby and
Chestnut 1978) reduce the process to "narrowly cognitive
utilitariandecision-making," thus failing to capture "the
talismanic relationships consumers form with that which
is consumed" (Belk, Wallendorf, and Sherry 1989, p.
31). Conceptualizing loyalty as a long-term, committed,
and affect-laden partnershiphas also constrainedrelationship-inspired insight by implicitly encouraging ignorance
of the many other potentially valuable relationship forms
that may characterize consumer-brandbonds.
As a result, the basic questions of whether, why, and
in what forms consumers seek and value ongoing relationships with brands remain largely unanswered (Webster
elationship principles have virtually replaced shortterm exchange notions in both marketing thought
(Webster 1992) and practice (Peppers and Rogers 1993),
precipitati'ngwhat has been considered a paradigm shift
for the field as a whole (Deighton 1996). Despite increased acceptance and relevance, it can be argued that
the relationshipperspective has been vastly underTealized
in the marketing literature. The limited work that exists
largely informs relationship marketing practice as opposed to the development of relationshipmarketingtheory
(Sheth and Parvatiyar 1995). In a sense, the field has
leapt ahead to application of relationship ideas and the
assumption of relationship benefits without proper development of the core construct involved.
Particularlylacking are relationship-inspiredstudies in
consumer as opposed to business markets, especially
those concerning the consumer product domain (Sheth
and Parvatiyar 1995). Empirical research concerning relationships formed at the level of the brand has been
especially scant. Understandably, relationship research
*Susan Fournier is assistant professor of business administration at
HarvardUniversity GraduateSchool of Business Administration, Cambridge, MA 02163. This article evolved from the author's dissertation
at the University of Florida. Special thanks are extended to the author's
thesis committee (Richard J. Lutz, chair; Greg Neimeyer; Alan Sawyer;
and Barton Weitz), to David Mick, to the JCR reviewers and editors
who helped shape the manuscript, and, above all, to the three women
who shared the stories that inspired this work.
343
? 1998 by JOURNAL OF CONSUMER RESEARCH, Inic. 0 Vol. 24 * March 1998
All rights reserved. 0093-5301/98/2404-0001$03.00
344
1992). Valuable exceptions exist (see, e.g., Blackston
1993; McCracken 1993; Olsen 1993, 1995; Schouten and
McAlexander 1995), yet existing work stops short of
developing a grounded and fully articulatedrelationshipbased frameworkfor the study of consumer-brandinteractions. The interpersonalrelationships literaturecapable of
informing this task has been scarcely used in the consumer behavior field. While a significant literature on
people and their special possessions has evolved (Ahuvia
1993; Belk 1988; Csikszentmihalyi and Rochberg-Halton
1981; Douglas and Isherwood 1979; Richins 1994; Wallendorf and Arnould 1988), this work concerns relationship theory only indirectly, if at all. Construct labels are
borrowed from the relationship paradigmwithout explicit
consideration of interpersonal theory to develop those
constructs (see, e.g., Ball and Tasaki [1992] and Kleine,
Kleine, and Allen [1995] on attachment). Others capitalize upon fundamental relationship tenets without explicit
development of theoretic relationship implications per se
(e.g., Blackston's [1993] treatment of the brand as relationship partner). Researcherswho have applied interpersonal relationshiptheories to the study of consumer-object
interactionshave been highly selective in their treatments.
Theories of love (Shimp and Madden 1988), commitment
(Dick 1988), and trust (Hess 1995) receive the bulk of
researchers' attention to the exclusion of other important
relationship constructs. None have yet offered a comprehensive relationship-orientedview of consumer-brandinteractions one that starts with basic relationship principles and builds an integrative framework to explain and
explore the form and dynamics of those interactions in
everyday life.
The present article provides a framework for better
understandingthe relationships consumers form with the
brands they know and use. The intent of the exercise is to
develop a solid conceptual foundation from which brand
relationship theory can be cultivated and to illustrate portions of this framework as a way of demonstratingutility
of the consumer-brandrelationship idea as a whole. Toward this end, the author argues that (1) brands can and
do serve as viable relationship partners; (2) consumerbrand relationships are valid at the level of lived experience; and (3) consumer-brandrelationships can be specified in many ways using a rich conceptual vocabulary
that is both theoretically and managerially useful. Collectively, the argumentssupportthe potential of theoretically
sound relationship applications in the brand context. The
thick descriptions contained herein yield insight not only
into theories of symbolic consumption but into those of
brand loyalty and brand personality as well, generating
many productive avenues for future research. The exercise is intended to urge fellow researchers to, refine, test,
and augment the relationship-inspired working hypotheses (Guba 1981) presented herein and to progress toward
these goals with confidence in the validity of the relationship premise in the consumer-branddomain.
True to its discovery-oriented task (Wells 1993), the
investigation is exploratory and descriptive in flavor.
JOURNAL OF CONSUMER RESEARCH
Three purposively selected case studies inform the research agenda. Four core conditions that qualify relationships in the interpersonaldomain (Hinde 1995) serve as
broadly construed, a priori themes by which the study is
designed, analysis is guided, and arguments are structured: (1) relationships involve reciprocal exchange between active and interdependentrelationshippartners;(2)
relationships are purposive, involving at their core the
provision of meanings to the persons who engage them;
(3) relationships are multiplex phenomena: they range
across several dimensions and take many forms, providing a range of possible benefits for their participants;and
(4) relationships are process phenomena:they evolve and
change over a series of interactions and in response to
fluctuations in the contextual environment.
The sections below provide a selective review of the
literaturethat informs the a priori themes of reciprocity,
meaning provision, multiplicity, and temporality. First,
theories of animism and impression formation are marshaled in support of an argumentfor the brand as a reciprocating relationshippartner.This argumentis instrumental to the article: it grantslicense to pursue the relationship
proposition to its fullest conclusion and provides an anchor around which a framework relationship strength is
later structured.The literaturereview for conditions 2-4
exposes the reader to important relational concepts and
propositions, grounding study design and analysis procedures. Case stories are analyzed around these central tenets, the exposition of which reveals the phenomenology
of relationships in the consumer-branddomain.
CONCEPTUAL FOUNDATIONS
The Brand as Relationship Partner
For a relationship to truly exist, interdependence between partnersmust be evident: that is, the partnersmust
collectively affect, define, and redefine the relationship
(Hinde 1979). The premise that consumer actions affect
relationship form and dynamics is easily accepted. Comfort in thinking about the brand not as a passive object
of marketing transactions but as an active, contributing
member of the relationship dyad is a matter more deserving of note.
One way to legitimize the brand-as-partneris to highlight ways in which brands are animated, humanized, or
somehow personalized. The human activity of anthropomorphizing inanimate objects has been identified as a
universal in virtually all societies (Brown 1991). Theories of animism (Gilmore 1919; McDougall 1911; Nida
and Smalley 1959; Tylor 1874) suggest that there exists a
felt need to anthropomorphizeobjects in orderto facilitate
interactionswith the nonmaterialworld. Consumers show
no difficulty in consistently assigning personality qualities
to inanimate brand objects (Aaker 1997), in thinking
about brands as if they were human characters (Levy
1985; Plummer 1985), or in assuming the perspective of
the brand in order to articulate their own relationship
CONSUMERS AND THEIR BRANDS
views (Blackston 1993). Consumers' acceptance of advertisers' attempts to humanize brands and their tendencies to animate products of their own accord suggest a
willingness to entertain brands as vital members of the
relationship dyad.
Theories of animism provide insight into the specific
ways in which the vitality of the brand can be realized
in the relationship.Three process mechanisms are implied
in these earlier writings, each varying in the degree to
which the humnancondition is approximated. The first
animistic form involves instances in which the brand is
somehow possessed by the spirit of a past or present other.
The use of spokespeople in advertising (e.g., Bill Cosby
for Jell-O) qualifies here as an example. Spokespersons
may have personalities that so strongly fit those of the
brands they advertise that the brand, in a sense, becomes
the spokesperson with repeated association over time.
McCracken's (1989) idea that spokespersons are effective because they deliver the spirit of the endorserthrough
product usage reflects this theory. Brand-person associations of a more personal natureare also common. A brand
of air freshener that grandmotherkept in her bathroom,
a floor cleaner that an ex-husband always used-these
brands can become so strongly associated with the pastother that the person's spirit comes to dwell in the brand
and is evoked reliably with each use. Brands originally
received as gifts (McGrath and Sherry 1993) are likely
infused with the spirit of the giver as well, with these
person associations again serving to animate the brand as
a vital entity in the consumer's mind.
Another form of animism involves complete anthropomorphization of the brand object itself, with transference
of the human qualities of emotionality, thought, and volition. Anthropomorphizedbrandcharactersserve as examples. Charlie the Tuna and the Pillsbury Doughboy are
identifiable characters endowed with the capacity to
laugh, joke, scheme, and conspire. In a variation on this
animistic form, limited human qualities are attributedto
the brand, though the brand itself is not enlivened as a
thinking, feeling entity. Research on person-object relations reveals thatpeople assign selective humanproperties
to a range of consumer goods (Belk 1988; Rook 1985,
1987), most notable among them tools, food, drink,clothing, weaponry (Gilmore 1919), and household technologies (Mick and Fournier 1998).
For the brandto serve as legitimate relationshippartner,
it must surpass the personification qualification and actually behave as an active, contributingmember of the dyad.
Marketing actions conducted under the rubric of interactive and addressablecommunications qualify the brand
as a reciprocatingpartner.Animated brandcharactersalso
satisfy the activity criterion through their performances.
It is argued, however, that the brand need not engage
these blatant strategies to qualify as active relationship
partner. At a broad level of abstraction, the everyday
execution of marketingplans and tactics can be construed
as behaviors performedby the brandacting in its relationship role. Research on impression formation (Srull and
345
Wyer 1989) suggests that all observed behaviors are
translated into trait language and that these traits form
the basis for the evaluative concept of the person. Olson
and Allen (1995) applied this theory to explain how brand
personality develops from the actions of brand characters
in advertising. A logical extension of this thinking is to
view all marketingactions as a set of behavioral incidents
from which trait inferences about the brand are made and
through which the brand's personality is actualized. This
importantconceptual point-that the everyday execution
of marketing mix decisions constitutes a set of behaviors
enacted on behalf of the brand-forms a cornerstone of
the relationship argument. With a focus on brand behavior, one can articulate a theory of how the brand relationship role is constructedand begin to see ways in which the
brand, acting as an enlivened partnerin the relationship,
contributes to the initiation, maintenance, and destruction
of consumer-brandrelationship bonds.
Undoubtedly, there exists a lack of parallelism in
applying the reciprocity criterion to an inanimate brand
object. A brand may enjoy selected animistic properties,
but it is not a vital entity. In fact, the brand has no objective existence at all: it is simply a collection of perceptions
held in the mind of the consumer. The brand cannot act
or think or feel except throughthe activities of the manager that administers it. In accepting the behavioral significance of marketingactions, one accepts the legitimacy
of the brand as contributing relationship partner. A
weaker form of the argumentdraws comparisons between
consumer-brandrelationships and human relationships involving partnersthat lack tangible vitality or mortal status
(see, e.g., Caughey [1984] on relationships between fans
and movie stars; Buber [1946] on relationships with God
or mortal status; Hirschman [1994] on people's relationships with pets). These works lend credibility to the idea
of extending the partnershipanalogue into the brand domain as well.
Relationships: ProvidinrgMeanings in
Psycho-Socio-Cultural Context
At their core, relationships are purposive: they add and
structuremeaning,sin a person's life (Berscheid and Peplau 1983; Hinde 1995). The development of per-sonality
depends in large part on relationships forged with others
(Kelley 1986). Meaningful relationships can change selfconcept through expansion into new domains (Aron and
Aron 1996) or reinforce self-concept throughmechanisms
of self-worth and self-esteem (Aron, Paris, and Aron
1995). This meaning-provision notion is accepted by consumer researcherswho study possessions and their broad
consequences for self-definition (Belk 1988; Holt 1995;
Kleine et al. 1995; McCracken 1988; Richins 1994; Sirgy
1982; Wallendorf and Arnould 1988).
Since the relationship is, in essence, what the relationship means, understanding a given relationship requires
a mastery of the meanings the relationship provides to
the person who engages it. Three important sources of
346
meaning the psychological, the sociocultural, and the
relational are identified, each serving as a context that
shapes the significance of the relationship for the person
involved. Relationships both affect, and are affected by,
the contexts in which they are embedded.
A fruitful way to map the psychological context of a
given relationship is to specify the identity activity in
which the relationship is grounded. Considering the work
of Mick and Buhl (1992) and others (Cantor and Zirkel
1990), three central connection points in a goal-based
personality framework can be specified. First, relationships may help resolve life themes-profound existential
concerns or tensions that individuals address in daily life
(Csikszentmihalyi and Beattie 1979). Though they may
operate below the level of conscious awareness, life
themes are deeply rooted in personal history and are thus
highly central to one's core concept of self. A relationship
may also deliver on importantlife projects or tasks (Cantor et al. 1987; Caspi 1987; Erikson 1950). Life projects
involve the construction, maintenance, and dissolution of
key life roles that significantly alter one's concept of self,
as with role-changing events (e.g., college graduation),
age-graded undertakings(e.g., retirement), or stage transitions (e.g., midlife crisis). Most concrete and temporally bounded are relationshipsrooted in currentconcerns,
a series of discrete, interrelatedactivities directed toward
completion of daily tasks (Klinger 1987; Little 1989). It
is easy to conjecture how relationships can connect at
different levels of the goal hierarchy:a parent-childrelation may help resolve an existential life theme of marginality versus significance, for example, while a functional
relationship with one's day-care provider may service a
career project or current concern. It is important to note
that relationships may add significant meanings to the
lives of the persons who engage them at each level or
depth of the operative goal connection.
Prior research highlights five broad sociocultural contexts circumscribing relationship attitudes and behaviors:
age/cohort, life cycle, gender, family/social network, and
culture (Dion and Dion 1996; Gilligan, Lyons, and
Hanmer 1990; Levinger 1995; Milardo and Wellman
1992; Stueve and Gerson 1977). These factors systematically influence the strength of relationship drives, the
types of relationships desired, the nature and experience
of emotional expression in relationships, styles of interacting within relationships, the ease with which relationships are initiated and terminatedand the degree to which
enduring commitments are sought. The importance of sociocultural context is mirroredin consumer research concerning the socially embedded character of consumption
meanings and preferences (Holbrook 1993; Holt 1997;
Olsen 1995; Sherry 1991; Thompson 1996).
In thinking about the significance of an individual relationship it is also important to consider the networked
nature of the phenomenon. Relationships exist within the
context of other relationships (Parks and Eggert 1991 ).
The idea that the meaning of a given relationship is inextricably entwined with other relationships in the portfolio
JOURNAL OF CONSUMER RESEARCH
is echoed in consumer research concerning the complementarity of consumption constellations (McCracken
1988; Solomon and Assael 1988) and the cultural meaning of "brandscapes" in materialist society (SherTy
1987).
Relationships as Multiplex Phenomena
Relationship research must be acutely sensitive to variations in form (Berscheid and Peplau 1983). The distinctions between relationship classes in the interpersonal
sphere are so profound that specialists dedicated to the
study of specific relationship types have emerged (e.g.,
Hayes [1988] on friendship and Kelley et al. [1983] on
close relationships). Some have found it useful to collapse across forms to study core relationship dimensions.
Relationships are frequently distinguished by the nature
of the benefits they furnish to their participants (Weiss
1974; Wright 1974). Socioemotional provisions include
psychosocial identity functions (e.g., reassurance of selfworth, announcement of image, and social integration)
as well as the rewards of stimulation, security, guidance,
nurturance, assistance, and social support; instrumental
provisions are functionally tied to the attainmentof'objective, short-term goals. Relationships are also distinguished by the types of bonds that join parties together.
These may be substantively grounded (as with task, obligation, or investment bonds) or emotionally based, the
latter ranging in intensity from superficial affect to simple
liking, friendly affection, passionate love, and addictive
obsession (Fehr and Russell 1991; Sternberg 1986).
Otherdominantrelationshipdimensions include kin (nonvoluntary) versus nonkin (voluntary), formal (role-related) versus informal, equal versus unequal, and friendly
versus hostile (Wish, Deutsch, and Kaplan 1976).
Relationships in Dynamic Perspective
Temporalitydistinguishes the relationshipfrom the isolated transaction(Berscheid and Peplau 1983). Relationships are constituted of a series of repeated exchanges
between two parties known to each other; they evolve in
response to these interactions and to fluctuations in the
contextual environment. For purposes of study, researchers generally decompose the continuous process of relationship development into manageable growth segments.
Most adopt a five-phased model of initiation, growth,
maintenance, deterioration, and dissolution (Levinger
1983), wherein each stage is one interval in a sequence
of changes in type (e.g., evolution from friends to lovers)
or level. of intensity (e.g., an increase or decrease in emotional involvement). Theories differ in the number of
stages that are posited, the nature of the processes presumed critical for development at each stage (e.g., intimacy, love, commitment, trust, behavioral interdependence, self-other integration), and the mechanisms
governing transitions between stages (e.g., novelty and
CONSUMERS AND THEIR BRANDS
arousal, comparison versus available alternatives, stress
accumulation).
METHEOlDOLOGY
Study Design and Data Collection
Discovery-oriented project goals dictated the use of
phenomenological interviewing (Thompson, Locander,
and Pollio 1989) over more structuredapproaches to inquiry. By permitting an understandinigof the subjective
meanings of consumers' lived experiences with brands,
the technique was also better suited to the task of establishing consumer validity of the brandrelationshipproposition as a whole. Modified life-history case studies (Denzin 1978) were conducted for three women in different
life situations, two of these involving stage-relatedtransitions: Jean, a 59-year-old barmaid living with her husband; Karen, a recently divorced 39-year-old working
mother of two; and Vicki, a 23-year-old graduate student
in her final year of study at a majoruniversity. Informaints
were interviewed for a total of 12-15 hours each in a
series of four to five in-home interviews conducted over
a three--nonthperiod. Informanitsreceived specially tailored gifts valued at $100 in exchange for their participation.
Informants were purposively selected to maximize
chances of uncovering insight on important brand relationship phenomena, a legitimate goal in this founidational
researchphase (Erlandson et al. 1993). The gender qualification recognized previous research suggesting that
women exhibit more and stronger interpersonalrelationships and brand involvements (Guest 1964; Sherrod
1989). Variations in age/cohort and life cycle allowed
attention to sociocultural factors driving relationship behaviors in both interpersonaland consumer behavior domains. Transitional cases permitted analysis of brand behaviors in periods of heightened identity negotiation
(Schouten 1991) and relationship development activity
(Andreasen 1984; Stueve and Gerson 1977). Size restrictions on the informantpool ensured the depth concerning
life worlds and brandrelationship portfolios necessar-yfor
thick description (Erlandson et al. 1993; Mick and Buhl
1992). All interviews and analyses were conducted by
the author to permit the holistic perspective sought
through the method.
Interviews were designed to yield two complementary
types of information: (1) a first-persondescription of the
informant's brandusage history and (2) contextual details
concerning the informant's life world. Stories describing
the genesis, evolution, and usage of brands in the informant's repertoire were elicited. Brands in this study included packaged goods as well as durables, semidurables,
and services, each discussed as informants saw fit and as
time allowed. To stimulate discussion, kitchen cabinets
were opened and informants were instructed to "'tellthe
story' behind any brand in the inventory. The remaining
course of the interview was set by informants. Specific
347
relationishipconiceptswere not promupted,and an explicit
attem-ptat avoiding relationslip referenicesin probes was
made. In the traditioniof emergent design (Erlandson et
al. 1993) visual tools including developmental time lines
and dimensional maps were included as adlhoc discussion
aids to clarify temporal and meaning-based aspects of
chosen brand relationslhips.Life-history informationiwas
gathered from a closing interview session anida followup survey focusing on major life experiences, core decisions, and key transitionpoints in informanits'lives (Tagg
1985).
Data Analysis
Understanding braindrelationships at the level of felt
experience requiredtwo types of interpretationof the verbatim transcripts,both following the general procedures
of grounded theory (Strauss and Corbin 1990). Idiographic analysis (Mick and Buhl 1992; Thompson, Locander, and Pollio 1990; Thompson et al. 1994) started
with an impressioniisticreading of transcriptsand identification of recurrenitbehavioral and psychological tendencies maniifest therein. Identity issues were sunmmuarized
within the framiieworkof life themes, projects, and coIncerns described earlier. Brancdstories were then considered individually and collectively for their manifestation
of personialitythemes such that a holistic understanding
of brandrelationishipswithin the context of the consumner
emerged. The second level of interpretationiinvolved
across-person analysis?the goal of which was to discover
patterns across brand episodes and individuals that could
help structure an understandingof consumer-brandrelationship phenomena. Collectively, informants generated
112 brand stories for analysis. Theoretical properties of
the brand relationships represented in these stories were
identified through the constant comparative method using
axial and selective coding procedures (Strauss and Corbin
1990). The analyst sought an understanidingof the range
of types in the relationishipcategory, the processes by
which relationslhipsdeveloped over time, the conditions
under whiclh relational phenomena were pronounicedor
minimized, and the major consequences of relationship
engagem-ient,especially those concerning other noteworthy brand phenomena (e.g., satisfaction and loyalty). As
per the foregoing literaturereview, a priori codes included
dimensionality (voluntary vs. imposed, friendly vs. hostile, intense vs. superficial, equal vs. unequal), affective
character (strength, direction, and type of tie), relationship provisionis(socioemotional vs. functional rewards),
and stage of relationship development (initiation, growth,
maintenance, decline). Basic relationship descriptors
were also coded (e.g., relationslhipduration,frequency of
interaction, category exclusivity, initiation source), and
consumers' use of interpersonal relationship analogues
was noted. Coding schemes were modified as anialysis
progressed and new concepts were uncovered. In both the
idiographic and across-person analyses, the focus was on
relationships formed with specific brands as opposed to
JOURNAL OF CONSUMER RESEARCH
348
product categories, as identified through evidence of
meaning transfer to the level of the brand (McCracken
1993).
Issues of Trustworthiness
Several techniques were employed to elevate the trustworthiness of this inquiry (Erlandson et al. 1993). Member checks gauged the credibility of the author's interpretive claims against the views of those sharingtheir stories.
Three colleagues reviewed interview transcriptsand interpretive summaries in a peer debriefing process. These
procedures caused reanalysis of the data on several occasions toward the goals of mutual comfort, objectivity, and
recognizability in interpretation.Triangulationof multiple
stories from the same person, of interviews conducted
with the same persons at multiple points in time, of concepts reflected in alternatebrand stories, and of information from multiple data sources (e.g., grocery lists, shelf
contents, stories of other household members) also lent
confidence to the credibility of results. Purposive sampling of informants possessing distinctly different experiences and understandings of the phenomena of interest
allows for transferabilityjudgments of the insights obtained, as does the thick description offered herein.
IDIOGRAPHIC ANALYSIS
Informant interviews are interpreted below, first in
terms of the personal and sociocultural contexts defining
each informant's life world, then in terms of the brand
relationships collectively occupying that world. Especially meaningful brandrelationships are highlighted, and
threads tying those relations together are identified. An
attempt to link the person's overall brand relationship
portfolio to identity issues salient at the time of interviewing is made such that a coherent picture of the role of
brandrelationships in the consumer's life world emerges.
Descriptive analyses of relational phenomena are seeded
throughoutthese stories for development in the later section on cross-case findings.
Case I: Jean
Jean's Life Story. Jean is 59 years old. She lives with
her husband of 40 years in a middle-class suburb of a
northeastern city not 10 miles from the town in which
both she and he (and their mothers and fathers before
them) were born. Jean and Henry reluctantlymoved "way
out in the country" back in 1963 so that Henry would
have a shorter commute to his manufacturingjob. While
Henry will soon retire from this job after 40 years, Jean
still works-60 hours and six days a week-tending a
small neighborhoodbar in her blue-collar hometown. Jean
has had this job for 13 years. She likes keeping a "base"
in the town where all of her brothers and most of her
nieces and nephews still live. Before the presentjob, Jean
worked as a waitress at an ethnic social club down the
street from her present establishment, serving food and
drink to "the locals" as they played cards and celebrated
their birthdays and weddings. Jean worked only weekend
nights duling the 20-some-odd years she was with the
social club. She thought it importantto be home to raise
her girls, aged 30 (Lizzie), 35 (Linda), and 40 (Laurie),
now "scattered all across the country."
Jean grew up in the house her Italian grandfatherbuilt.
He carefully crafted the inlaid wood floors, constructed
the masonry walls and fireplaces, and painted dogwood
blossoms across the dining and living room ceilings. Jean
was born in this house, as was her mother before her. It
is the house her brother, his wife, and two of their three
grown children now occupy. The house is a symbol of
all Jean believes in: it is at once family, independence,
and hard work. Jean gave 10 years of her life to the
consuming care of her critically ill mother so that the
nursing home would not take this house, her mother's
only asset. Jean's sacrifices paid off: when her mother
died and appointed her executrix of the will, Jean signed
the house over to her brother. Over the last three years,
Jean depleted her "entire life savings" covering his mortgage payments so he would not lose the house to the bank
("His credit's so bad, he could only get a short-term 18
percent builder's loan. It's real tough for him to come up
with the money."). She would give more if she had it:
"After how hard I worked for that house, I can't let him
lose it now."
Jean lived with her mother, stepfather, and three half
brothers until the age of 19 when she married her high
school sweetheart in the Catholic church across the street.
A strong believer in God ("I pray everyday") and his
protection of those who "sacrifice and work hard," Jean
is no longer a practicing Catholic. Barred over 30 years
ago for confessing the use of birth control to her priest
("We could not afford anotherbaby. . . . We had nothing . . . Henry was only making $40 a week"), Jean
never approachedthe church for reconsideration.Honesty
and integrity are very important to her: "They wouldn't
let me stay, but they forgive people for adultery? I can't
have communion but they can? That's not right. I could
go back now, I guess, but I don't. I believe in God my
way."
Jean "didn't grow up with very much," both in the
way of money or family support. The illegitimate child
of a father she would never know, Jean was somewhat
an outsider in her own home. Many aunts and uncles
were against her remaining in the family at all, pleading
unsuccessfully with Jean's mom and grandmotherto put
her up for adoption. This battle for acceptance got tougher
with the sudden death of her grandmotherat age 50. But
Jean soon discovered that superiorperformanceof household tasks offered a surefire mechanism through which
she could fit in with her family and garner their support.
I thinkmy mom treatedme that way becauseI stood for
what she would never have. She was so beautiful.The
partygirl. Look at this picture:the Gibsongirl. Whenshe
got pregnantshe was sent awayfor awhileandeverything
349
CONSLJMERSAND THEIR BRANDS
changed. She marriedFrankie;I don't know if anyone else
would have her. She never loved him. And, he never really
cared for me because I was not his. So, I spent most of
mnytime doing things for him and her, cleaning the houLse.
taking care of them, my brothers, because at least that was
something that I really knew how to do right.
Such was born the purpose that would organize the
rest of Jean's life: resolution of a cenitral life theme
of marginality versus significance through successful
performance of the traditional gendered tasks of mother
and wife. To this day, Jean wants desperately to be
affirmed by society in these, the roles she values most.
Accomplishment as a cook and housekeeper remain a
major source of happiness, pride, and satisfaction in
Jean's life.
What do I do everyday'?I cook. I cleani.My white clothes
are white. You can pick up a sheet of miniethat is 10 years
old and people think they are brandnew. I iron them. I don't
dry them. I never dry my sheets. Never. To me, they are
rags when you do that. "Why do you do that," people say,
"You're weird.'" Because I like to sleep on a sheet that is
ironed. That's my preference.I've always done it. Like Lizzie will say, "Mom, you don't lhaveto iron my sheets when
I brin,gthem over to do the laundry." But Allan (her husband) goes, "Oh, your mother did the sheets, huh?" So, it
must make a difference. Everybody always says what a
beautiful house I have. That makes me feel good.
Jean's tough childhood taught her a lot of lessons. She
learned that if you want something, you do it yourself
"'cause nobody is gonna do it for you." With no more
than a high school education, Jean discovered the value of
diligence and hard work. She lives by one of her mother' s
credos: "You want, you work, you get." These beliefs
keep Jean from retiring despite her husband's urgings:
"If I retire, he'll give me five bucks a week. Forget that!
I want my own money so I can do. Do what I want to
do."' Jean's self-appointed "theme song,'' "She Works
Hard for the Money" by Donna Summer, captures her
feelings: "She works hard for the money; So hard for the
money. She works hard for the money but they never
treat her right."'
Jean's attitudes toward work are deeply utilitarian. She
learned the powerful enabling capabilities of money anid
the way it helps remove vulnerabilities. Jean reflects upon
the possessions she has acquired as tangible evidence of
her sacrifices and hard work. These possessioins demonstrate that one can indeed rise above circumstances and
"be somebody."
Why do I like this house so much? I like to see my things
that I like, that I worked so hard for. Makes me feel good.
Look at Henry's brotherDavid. He never did anything with
his life. Nothin-g!Fifty years old and lhedoesni't eveni owni
a house. The only thing he's got is an apartmentbecause
his brother lets him live there, a car because his motlher
gave it to him, anida job because his brotherownls the place.
Everybody always says, "Oh, poor David." Bullshit. lHe
has notling because he does nothing. Period. These people
spend their money on drinking and scratch cards and they
have nothinig to show for it. Well, I do. I have all these
nice thllngs.
Jean is a second-generation Italian from a town where
over half the people are Italian. For years, Jean limited the
expression of her ethnic identity to negotiate her marriage
"across the tracks" to a boy whose mother not only
hated 'Guiineas,'' but warned that if he marriedone, 'his
kitchen would smell like garlic all the time." Althougl
Jean still ''doesn't allow garlic in her house' ( 'It makes
me sick . . . just the smell of it''),
she has recently
taken to speaking Italian with tlheold metnin the bar. She
even talks of visiting Italy someday, a big step for someone who has only twice been on a planie.It is with Italians
that Jean finds much-needed comfort and acceptance.
I like to be Italian. Italianisare nice, friendly people. If I
ever get the chance to travel -and I hate to go anywhereI'd like to go to Italy. I thinlkI would feel really com'fortable there. Italians care about people. About family....
Not that I am just f'orItalianipeople, buLt. . . . Take Henry's family. They don't give a slhitabouLtaniybody.Somebody dies there anidthey are gonie. He used to say, "Well,
somebody dies in your fa-mily and they get professionial
In hiis family, someonie dies anidthey have a
mouLrniers!''
party! I'll nieverforget the first time I wenit to a wake in
his family. Nobody evein cared. It was . . . ai different
feeling. .. Italian people miss you wlheniyou are gone.
They are closer. I thilnk.
Jean's love of Italians also stems from their mutual
love of the concept of family, broadly construed. The
celebration of personal relationships organizes much of
Jean's life. Sundays are reserved for informal dinners
among extended family memubers.Saturdays are spenlt
caring for her nephew's three-year-old ("the family's
only baby" ). Weeknights after work often include "a
quick trip to her brother's on the way home.' But every
day in the bar. Jean is part of a "family"
as well. Jean
is a meimiberof a closely knit commiunitywhere everyone
of the
has intimate knowledge of the other. All mem-nbers
community are observers and participants in a vibrant
network that ties them to a common heritage and binds
them to a future that will be shared by all. Through her
work as barmaicldJean has found not only legitimacy
through finanicial security, but also the affiliative meanings her life lacked as a youth.
I like this towin. I kniow everybody; the cops, the firemiien,
their kids. I know what is goinlg on1, who lives in wlhose
lhouse,who is, haviniga baby, who is screwing wlho.I know
everybody that comiiesinito the bar. Their parenits.Their
like that too. I always
kids. I like that. And the custome-ers
ask themn,'"How is your motlher-doing'?How is your-job?
Did you make out all right at the doctors?" I treat the
like people anidthey kniow I am inter-estedin
customner-s
just gives
themnanid their problems. The other barteniderthem a drink and nieversays anything to them. They doni't
like that.
Withini this social structure, Jean is expectecl to be loyal
and to share resources that becomne available. These are
350
JOURNAL OF CONSUMER RESEARCH
requirements she fulfills all too well. Jean will leave her
mark on the world by being thought of and felt in the
lives of those she has touched and helped. Compassion
and sacrifice: this is the stuff Jean is made of.
I can't tell you how manypeopleowe me money.Lots of
money.SomeI'll probablyneversee again.Butthat'sokay.
I want to give it to them. I like to share.If you want it,
I've got it. If I can give it to you, I will. If I can help you,
I will. I don't do it for people to like me becauseI don't
careone way or the other.I don'tgive a shit.I do it because
I can.No matterwhatit is, I will alwaysofferit. Peoplesay
I give awayeverything.I don'tcare.I will give anythingI
haveto someoneto help themout.Money,food, whatever.
Jean's group connectedness is a source of both joy and
anxiety. Strong connections within the network subject
her to peer approval, normative expectations, and reciprocity demands. Jean is sometimes torn between following tradition ("They say that you are supposed to
. . ") and asserting her personal freedom ("I am my
own person. I like what I like. I don't do something just
because somebody else does."). Jean stirugglesto lise
above the meaninglessness that characterizesmany lives
at the bar ("They're all on unemployment,collecting from
the government one way or another.They drink and gamble away everything") while at the same time remaining
connected to the people she knows and loves. In response,
Jean creates a private self, sheltering sacred experiences
that are uniquely hers. Quietly, Jean accommodates the
sometimes contradictoryideas and false expectations that
othersimpose on her as she battlesto resolve her secondary
life theme of affiliation versus independence.
I lovejewelry.I havelots of nicejewelry.ButI don'twear
it to the bar. No way! They all get so jealous, so I just
don't wearit. Henrygave me a fur coat and I neverwear
that there either. They make me laugh. They think I'm
richbecauseI am alwaysgivingeverybodyeverythingand
'causeourhouse is so nice. But I wearstuff off the markdown rack! Hand-me-downs!That's all right. Let them
thinkthat.I don't care.
*
Jean's daily life enjoys little variation on a theme: she
cleans, works, plays cribbage and dominoes, and listens
to and passes on the tales of others. She lives and will
likely die within a few miles of where her mother lived
and died, and her mother before her. She knows of and
about everyone that makes up her life world. This grounding lends a sense of predictability, security, and constancy
to Jean's life. It provides her with balance in a world
that is constantly evolving. This suggests Jean's third life
theme of stability versus change.
I don't like to makechanges!I am happybeing the way I
am. I have lived in this house for 33 years,and I wantto
stayhereafterI retire.I workwhereI grew up andI know
everybodythere.I don't want to go somewherewhereI
don'tknowanybody.Everybodykeepsaskingme, "What
are you gonnado when you retire?Go to Florida?"The
hell with that!I wannalive here! I'm doing what I want
to do! I like my house.I wannastayhere!I just like. . ..
I am comfortable,I guess.
Jean's Brand Relationship Portfolio. Jean's life
themes of marginality/significance, affiliation/independence, and stability/change are clearly reflected in her
brandbehaviors. These themes suggest product categories
in which relationships are likely to develop, influence the
depth and breadth of chosen brand attachments, and define the criteria by which relationships are maintained.
While Jean's identity themes organize her brandportfolio,
that portfolio in turn helps her negotiate life themes toward a concept of self that is both valid and rewarding.
Jean's brandrelationship portfolio is best distinguished
by the sheer number of close relationships in it and the
enduring natureof her attachments.It was hardto identify
brands in Jean's repertoire that were not specified as
deeply held commitments, many of which have survived
for decades. Jean's most powerful brand attachments appear in food categories connected to her core identity
as Italian wife and mother. Spaghetti sauce provides an
excellent case in point. This direct extension of Jean's
concept of self (Belk 1988) provides tangible evidence
of ethnic heritage and a stream of compliments to assuage
a challenged sense of worth.
My mother always used to make the sauce too. All Italians
do. When you make sauce, it's like your trademark.(My
youngest brother) Johnny always says that he can tell people by the sauce that they make. Everybody loves my sauce.
My brother Frankie used to sit with a bowl of just my
sauce and eat it like soup. He says I make the best sauce
he ever had, and he is a gourmet. Goes to a lot of nice
restaurants.His ex-wife always cooked really fancy suppers.
Jean exhibits especially strong relationships with all
of the brands that enable her "trademark." Loyalties to
Pastene tomatoes, Hunt's Sauce, Bertolli Olive Oil, Contadina tomato paste, Progresso bread crumbs, and even
the Revere Ware pan she uses to cook stand strong
in intensely competitive environments. Jean's highly
scripted sauce-making ritual provides continual reinforcement of the brand meanings that empower the enactment
of her core identity.
When I make the sauce, it takes all day. I let it cook on
the stove for 8 hours. I have a really big pot. Stainless steel
from Revere Ware. 12 quarts. The best pot I ever had. I
bought one for my daughter too. The sauce doesn't bum
in it and stick to the bottom like it used to with my old
one. Anyway, like I told you, I blend the Pastene tomatoes
in the blender. Whole tomatoes. "Kitchen Ready" it says
on the can. Now I use three at least, maybe four cans
usually. And I add a little can of the Hunts special sauce.
Not much, just the little can. Then I fry up the sausage in
a frying pan with the Bertolli olive oil and a little bit of
onion, pepper. And sometimes I make the meatballs. I
make big meatballs. But I like them that way. Why bother
with small meatballs? They get hard that way when you
cook them. This way, a meatball, a sausage and you have
a full meal. I make the meatballs with an egg and a little
milk mixed into the bread crumbs. That keeps them moist
when they are cooking in the sauce. I use the Italian Fla-
CONSUMERS AND THEIR BRANDS
voredbreadcrurnbs,Progresso,andI buythe meatat Johnnie's, they have the best. I fry the meatballsin the pan
with the olive oil and onion,just a little bit to get them
brownedon all sidesso theywon'tbreakapartin thesauce.
ThenI takethe Contadinatomatopaste,just the small
can, one can, andI put thatin the fryingpan andfry it up
with the olive oil and greasefiom the meatballsand sauI
sages. Frying the paste takes the strong taste out....
just put all that in the big pot, a little salt and pepper,
maybe basil if I have some from someone's garden in my
freezer, and I let it cook all day. I stir it every 15 minutes
so it doesn't stick on the bottom.By the time it's done,
it's two incheslower fromeveryonetastingit.
351
Jean develops deeply held convictions about product
performanceto supporther perceptions of surviving "best
brands". Oftentimes beliefs in utilitarianfunctioning are
bolstered by myths that evolve over the course of the
usage experience. These ancillary beliefs mark the brand
as superiorand irreplaceable,affording resistance to competitive attack.
Pastenewhole tomatoesin the can are the best. They use
the good tomatoes,the ones thatare perfectand nice and
ripe. The other brandsuse the tomatoesthat can't pass
inspection.
. .
. Those other shampoos have chemicals
thatinteractwiththe waterin my houseso theydon'twork
right.They makemy hairflat.This one (Aussie Miracle)
Jean also remains true to the cleaning products that
supporther performancein the homemaker role she takes
so seriously. Windex ("no streaks"), Bounty ("I buy
them by the case"), Spic 'n Span ("no residue"), Zest
soap ("no tub ring"): each of these brands has demonstrated superior performance capabilities that are rewarded through loyal purchase behaviors and heartfelt
commitments. Appliances too (e.g., Electrolux, Frigidaire, Maytag, General Electric, Krups) are afforded loyalty in exchange for reliable assistance in homemaker
roles. Many of these relationships have survived 20 years
or more. Some serve an ego-defensive function (Katz
1960) by protecting Jean from her fear of being tagged
a "dirty Guinea."
Part of Jean's job upon entry into the homemaker role
was to master the new world of consumer products put
before her. This was a job she performed quite well.
Virtually all of the brands Jean uses, from appliances to
glass cleaners, have earned distinction as "the best" options available. Jean's credo of "buying the best" removes uncertainty in the performance of valued social
roles. It can also be interpreted as a manifestation of
Jean's quest for tangible markers of success. By surrounding herself with proven performers, Jean demonstrates to herself and others that her hard work had paid
off. "Best brands" provide evidence that Jean has "made
it.'"
Jean's beliefs in tradition and heritage help circumscribe likely candidates for her "best brands" portfolio.
She prefers "the old way of doing things" and has no
doubt that "things made 20 years ago are better than the
junk they sell you today." Accordingly, many of Jean's
commitments are to classic brandsthat have demonstrated
their reliability over time. Long-standing brands are respected for the wisdom of their experience, a wisdom for
which there is no substitute. A classic brand also represents truthfulness, for with long-standing brands there is
no hiding behind falsity or pretension. Finally, classics
provide prima facie evidence of permanence and constancy-important themes dating back to Jean's childhood. Jean anticipates the predictability offered in her
classic brands for the welcomed stability this adds in her
life.
Pastene tomatoes, I always buy those, they are the best.
They make the best sauce. You can tell the difference.
I buy the best vinegar. Progresso . . . Bounty paper towels,
but I thinkthe smartestones are the ones thatlearnfrom
they are the best . . . Maytag, they say that is the best
makes the best fridge . . . Krups makes
.Frigidaire
the best coffee . . . Electrolux is the best vacuum. It's
expensive, yeah, but . . .
Jean bestows the "best" label only after an involved
and diligent process reveals one of an array of brand
alternatives as the ultimate performer. Once a victor, however, not always the champion. Because of their significance to her sense of self, Jean' s chosen brands are tested
against able competitors throughout time and are ousted
from the portfolio if performance appears lacking.
I always used the Bon Ami but then I noticed that it started
scratching the, sink. They must have put particles in there
or something. I tried the Comet and that really is better.
doesn't have that.
. .
. The Tide detergent is better be-
causeof the way they maketheirpowders.They do something so the powderdissolves in the washer.The other
ones aremadedifferentandthey don'tdissolve.They stay
on yourclothes.
I have threeirons rightnow; one that someonejust gave
me that is a hundred years old and that works better! General Electric I think. I really think that the things they made
a long time ago were better quality. . . The stuff that
has been around the longest is usually the best, that is why
they are there. . . The people think that because they
are newer maybe the people that make them are smarter,
experience. They have been around a long time and know
what is going on. Like Henr-yat work. He's been there 40
years. Knows the shop inside out. He don't know business
like the MBAs from Harvard they hire as his bosses. To
them, Henry's stupid because he don't know the things
they teach in school. To me, he knows the most.
A thread of personal relationships runs through Jean's
brand portfolio as well. At one level, these relationship
associations tap into Jean's life theme of affiliation/independence. Jean uses several brands that remind her of
favored others, and she enjoys the pleasant memories
evoked during product use. She talks of being affected
by personal contacts in product and brand choice. For
services, Jean tends to deal with people she knows, either
through personal involvement or the second-hand familiarity of a respected friend. These contacts also add an
352
JOURNAL OF CONSUMER RESEARCH
element of trust that reinforces Jean's theme of stability/
change and provides a guarantee of performance in important social roles, helping to balance Jean's life theme
of marginality versus significance.
I always hated Est6e Lauder.Just hated the smell. My
motheralways used it but not me, I hatedit. (My aunt's
daughter)Paulagave me someEst6eLauderfor Christmas
one yearaftermy Motherpassedaway,oh thatwas so bad,
and I thought,"Oh!" It remindedme of her so much.I
kept thatbottleand have been buyingit ever since.
If I needelectricwork,I knowan electrician.I knowsomeone whopaintscars.Someonewhopaintshouses,someone
who paintsceilings and walls. They say to use Allan for
the carpets.He uses Chem-Dry,that'sthe best.
After 40 years of shopping, cooking, and cleaning, Jean
has become somewhat of an expert consumer ("You ask
me how I know it is good tomatoes? I've been making
the sauce for 40 years and you ask me how I know?").
This instills in her a confidence in judgment that is not
often displayed ("I always feel so stupid when I talk to
people from college"). Still, Jean feels constantly challenged on her selection of favorites. Some of this pressure
is real, as when friends give her this and that bran.dfor
trial comparison. Jean will always try something that a
friend has personally recommended, even if this creates
conflict from being untrue to her loyal brands. She also
feels compelled to stick with manufacturers'brandrecommendations ("I use the Murphy's Oil because they say
that's the one that works best for their cabinets. . . . The
Ford dealer says to use Valvoline"). Other times the
pressure is from some imaginary other, the infamous
"they" who appoint "best options" in the marketplace.
These incidents bring into play a group-versus-self conflict that often leaves Jean in possession of multiple
brands competing for her loyalty. Interestingly, in all of
the episodes discussed, these moments of seeming infidelity served only to strengthen Jean's beliefs and expressed feelings of attachment to her loyal brands.
They said, "Buy the Kohlerstainlesssteel sink, it is the
best." So I did. But I hate it. Never buy a stainlesssteel
sink, it's too hard to keep clean. . . . (My sister-in-law)
Darlene bought a ham and she says, "I don't know why
you pay six dollars a pound at the ham store, I bought this
one next door and it is the best." She gave me a piece of
it. Well, I wouldn't give you two cents for it! It's garbage!
If I buy a ham, I want to buy a good ham. So, I pay
three dollars more from the Honey-Ham store, but it was
definitely better. . . . They say that Jif is better and Natural
is better and blah, blah, blah. Well, Skippy is the best
peanut butter. I have had all the other ones because someone says, you know, "Try it! It has less fat grams or
whatever." But, I always, I go back to Skippy every time.
Case II: Karen
Karen's Life Story. Karen is a recently divorced 39year-old raising two girls aged 8 and 12 while working
full-time as an office manager. Karen's demographics
in large part speak to her current life situation: money
is tight and Karen is busy. Her day starts at 5:00 A.M.
to give her time for exercise while still getting the kids
off to school and herself to work before the 8:00 checkin. Afternoons are crazy, with Karen running the kids
back and forth to dance classes (young Missy takes
tap; Jennifer is advanced in her study of Jazz and ballet), music lessons (Missy plays piano), and Girl
Scouts. In her "spare time," Karen is trying to fix up
the new apartment she just rented, meet new friends
(preferably male), and decide on a car to replace her
broken-down Ford. Karen's life is governed by the immediacy of a host of pressing current concerns. It is a
life that requires constant juggling and creative flexibility (Crosby 1991; Thompson 1996).
What's my life like? A blur. A rush. A rush from the
minuteI get up in the morning.I go from one thing to
anotherall day long. If it's not one thing, it's another.
TodayI hadto leaveworkearlyto takeMissyto thedentist,
and then to swimming.I have clothes over there to fold
andput away, andthe food shoppingis still out. The kids
have homeworkto do. You wannahelp?
Karen is also involved in two major stage-related life
transitions. Recently divorced, Karen is caught between
two points of stability, and she is facing decisions that
will drastically affect the remaining course of her life
(Levinson and Levinson 1996). Karenhas the addedproject of negotiating a prominent midlife crisis (Levinson
1977; Rubin 1979). She experiences a sense of disparity
between what she has attained and what she "really
wants" and is in the process of reviewing the many voices
of "self" she left unattendedall these years. A powerful
sense tells her that the 40-year mark is a last chance
opportunityfor pursuing significant paths of change. Another strong voice tells her to focus on raising her children
in this new single-parent world. Karen's reassessment of
her self-definition along inner versus outer-directedlines
constitutes a central life task at this time.
Should I go back to school and get the degree I never
finished?ShouldI moveoutof thistownandgo somewhere
else? MaybeI shouldpursuemy dreamof being a professional tennis player.I know that's crazy, silly, but it's a
I dunno.
thought.Youknow,taketimeforme fora change'?
The kids . . .
Not knowing exactly what it is that she wants to become, Karen finds herself strongly motivated by the
avoidance of a self she does not want to becorne (Ogilvie
1987). Like Jean, Karen has spent her life within the
limits of the city in which she was born. Unlike Jean,
however, Karen feels constrained by her familiar surroundings. She senses that her family and social class
heritage have circumscribed the options now open to her.
She feels somewhat embarrassedby her job since it is "a
clear expression of her failure to rise above her station
in life." She wants to escape the fate that trapped her
mother, a woman divorced at 23, never to marry again.
353
CONSUMERS AND THEIR BRANDS
And, perhaps most important, she wants desperately to
provide her kids with the options and encouragement she
never received herself as a child.
My Momneverreallyencouragedme to do anything.And
thatis just one thingthatI am determinedabout!I don't
wantto be like my Mom!.
If thereis one thingI do,
just ONEthing,I will save my kids fromfeeling the same
way I do whenthey reach40.
The concerns of this caring woman (Thompson 1996)
create serious conflicts. Karen is torn between doing
something for herself and sacrificing herself for her kids.
Both goals are of central importance, yet the two are
incommensurate.Karen also finds herself torn between a
desire for change and a longing for stability. She is at
once excited by the potential for growth and overwhelmed
by the prospect. At times she finds herself desperate for
the returnof order and predictabilitythat can help assuage
what she often experiences as an "out-of-control life"
(Thompson et al. 1990).
Sometimes I just want to STOP! All this goings on, it's
gettingto be, it's overwhelming.I am alwaysjust going.
Eachday I just get throughit and look for the next day to
come. I just keep going. Everything is going on but nothing
Wherever am I going to find a man, where'?I never thought
that I would be the one left alone after the divorce. Never.
I am turning 40, and there aren't that many available meni
that age in general left anymore, let alone good ones, and
God forbid they live in this small town. Wherever am I
going to find a man?
One of the few areas of life satisfaction that Karen
culTentlyenjoys concerns her presentation of self in relation to others in her age cohort. While those around her
experience the sense of bodily decline that accompanies
approach of the 40-year mark, Karen has managed to
maintain a youthful appearance.She adheres closely to a
regular exercise routine ("I run three miles every day at
5:30. no matterwhat) and a highly scripted personal care
regimen, and strongly believes that these activities have
slowed the deleterious effects of time.
People always tell me that I do not look my age. I mean,
I work hard not to, so that's good. I did just go to my
reunioni, you know, and I swear . . . you know, everybody there is the same age and I did feel younger than
almost every womanl in that place. I really did! I mean, I
was just looking at everybody and how they changed. It's
good to know that I haven't been getting up everyday at
5 A.M. and taking care of myself for nothinc.
is reallyhappening.You know?
Karen recognizes that this turmoil must be managed.
To help her cope with this period of unsettling change,
Karen seizes the familiarity of routines, the structure of
organized schedules, and the predictability of welllearned habits. These allow her to manage risks and unnecessary sources of uncertainty in an already overcomplicated life.
I prettywell stick with the same thingsweek afterweek,
I mean, in my life. That's sort of how my life is....
routine.Everyweek is sortof the same thing.I am pretty
structured.You know, this gets done at this time and that
type of thing.It's the only way to survive.Routine,umm,
just kind of keeps my mind off of things. It helps me
managemore.I just feel thatI have to be, just to manage
things,I just have to have a calendar,you know?
I findthatif you like something,thenyou stickto it. That's
I like, I might
how I am. If I findsomethingin a restaurant
go backand get thatover andover againinsteadof trying
somethingelse thatmightsoundgood.That'sjust how my
life seems to be.
Karen struggles through daily life armed with her routines, taking what she describes as the "alcoholics oneday-at-a-time approach to living." She is caught in the
whirlwind of a hectic schedule, a condition that often
leaves her lamenting the passage of time ("I can't believe
it is August already and another summer is over"). For
Karen, time is a resource that grows scarcer with each
passing day. It slowly diminishes her vitality and closes
chapters of opportunities with its passing, leaving her in
a somewhat melancholy state questioning how it will all
end.
Karetn's BrcanidRelationiship Portfolio.
Clear connec-
tions between the identity themes uncovered above and
the pattern of Karen's brand behaviors can be made,
albeit in different ways and at different levels of personal significance than observed in the case of Jean.
Of the three women interviewed, Karen expresses the
lowest levels of emotional attachment to brands in general and the fewest total brand commitments overall.
Most of Karen's brand behaviors are understood within
the context of her day-to-day life and the current concerns driving it a context that on close inspection
imbues greater significance to these apparently casual
and sporadic behaviors than is typically granted. Several emotionally vested brand relationships transcend
this pattern, however, by delivering squarely on Karen's transition-related life projects and bolstering the
self-side of me-verssus-them valuation equation commanding attention at this time.
The bulk of Karen's brandbehaviors make a statement
that there are indeed more importantthings than consumer
products occupying her thoughts. Karenexpresses general
difficulty in recounting stories related to her brands and
colors her entire consumer experience with levels of low
involvement.
I don't really know what all I buy. I am thinking about it,
and it seems I don't buy many brands. . . . Especially
during the school year, our life is so busy that I come home
and make very simple meals. I don't spend a lot of time
at the store.
I don't really remember when all I started using that
(brand). I guess it just really didn't, it just really does not
matter to me that much.
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JOURNAL OF CONSUMER RESEARCH
A lot of these things are just here because I never tried
anything else and I just use that brand out of habit. It
works. It gets me through.
Clearly, the objective features of Karen's current circumstance act as forces against the thoughtful formation,
deepening, and active maintenance of individual brand
bonds. Single-mother status has sensitized Karento issues
of finance never experienced before. Now more attentive
to sales, considerate of coupons, and willing to stockpile
bargains, Karen has broadened her brand consideration
sets to maximize chances of saving money. To meet increasingly overwhelming demands on her time, Karen
adopts a satisficing approachto brand choice, a "settling
for this brand or that," a form of strategic inertia on her
part. Karen has adapted the structureof her brand beliefs
to support her now common multibrand purchasing behaviors: although she used to think that differences between brands were meaningful, she is now prone to believe that all national contenders in a product category
are basically alike.
Detergent seems to be one thing that, I am not very good,
hardly ever use coupons, but usually with detergents, sometimes dishwashing liquid, I will use coupons. I have maybe
five brands of detergent that I pick between. That way if
there is something I like, if there was a great deal on Cheer,
then I can go ahead and pick that. With five brands you
like, something's always going to be on sale. I used to
always buy Tide. To get the kid dirt out. But now I'll use
Tide, Cheer, Surf. Whatever is on sale. The big brands are
all alike.
Again a likely function of her "day-at-a-time" life
situation, Karen's temporal perspective on brands has become narrowly focused on the present. In-store promotions, store flyers, and end-of-aisle displays now affect
Karen's brand choice behaviors dramatically. Many of
the brandsto which Karen was once "loyal" have moved
from being "friends of commitment" to something better
considered "friends of convenience."
There aren't many brands, I am sitting here now thinking,
that I will absolutely not leave the store without, that I
would not switch to some other brand. I think maybe, I
guess, I probably used to have more favorite brands than
I seem to now. I never really thought of that before. It
wasn't conscious or anything, you know, like I said "I do
not care about such and such brand anymore" or anything
like that. It just seems to have sort of happened now that
I am thinking about it and noticing it. I just buy what's on
sale or what I have the coupon for. Whatever is convenient.
I am just not going to go out of my way to get one brand
over another. It's just not worth the trouble.
Even exceptions to this rule of passive brand detachment are at times misleading. On close inspection, many
of Karen's claimed loyalties are in actuality avoidances
from certain brands rather than attractions to others. Some
stated preferences reflect the inherited choices of family
members rather than felt insistence on her part. The majority of Karen's claimed loyalties seem more accurately
classified as habits than as deeply held convictions. These
habits are far from mindless, however. They are "pait of
a tool chest of strategies for survival during critical life
passages" (Olsen 1995, p. 274). They help Karen cope
with the currentconcerns that dominate her day. Karen's
habits attain deep meaning by delivering on needs for
structure,predictability,and routine that only stable brand
relationships can provide.
I always buy Comet.
. .
. I hate Ajax.
. .
. At work I
use Gateway.I don't reallycare thatit is a Gateway,but
we only hadthe choicebetweenan Appleandthe Gateway
and I am definitely not an Apple person.
. .
. I buy Suc-
cess Rice. SuccessRice is the only one in the kindof rice
thatI want.Readyin five minutes.The otherstaketwentyfive.
MopandGlo?Thatwas my ex-husbandJim.I neverreally
did like that. . . . Palmolive? That was Jim. . . . The
Dove started with him. . . . Mayonnaise? I just bought
the brand Jim told me. . . . Cereals? I just buy what is
demandedof me.
Karen's stories also reveal several "loyalties" that
would escape detection under a temporally bounded microscope. These appear as sporadic and relatively shortlived monogamous cycles (Sherry 1987) rotating within
a given use occasion. Individual brand episodes end
abruptly with the onset of satiation and are quickly replaced by anotherbrand cycle that is embraced for a time
before it, too, is subsequently discarded. The Lender's
bagel stage, for example, is replaced by the Eggo waffle
stage, which is followed by the Kix or Cheerios phase,
and again the Lender's bagel stage, and so on. Candy
brands cycle the same way as Snickers alternate with
Sourballs and Tootsie Pops within the treat occasion ("I
love those. I used to eat them when I was a kid. I hide
them in my desk and sneak them during work." ).
A parallel between Karen's current life situation and
her tendencies to discard and rotate among brands can be
made. Both are attemptsto seek new stimulation,to "start
over." In the face of this apparent disruption, however,
the cycling of brand "sets" in resurgent and multibrand
loyalties allows Karen to maintain some sense of connection to the past and continuity into the future. Embedded
in the familiar, these brand behavior patterns add a sense
of stability and predictability to an otherwise turbulent
life.
Despite a propensity for emotionally inexpressive and
cyclical brand involvements, five brands in Karen's portfolio emerge as affect-laden, committed partnerships.
Karen's transition-relatedlife tasks of self-(re)definition
and ego enhancement provide the threads uniting these
strong brand relationships. It is interesting to note that
each of these relationshipshas been structuredby detailed
ritual processes. As with her habits, the rituals involving
Karen's loyal brands provide a needed sense of stability
amid change and chaos. These rituals also provide continual affirmation of the meaning of the brand to the point
where each partneris viewed as unique versus competing
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CONSUMERS AND THEIR BRANDS
alternatives. Through reinforcing rituals, Karen's brand
beliefs have deepened into. feelings of obsessive dependency that serve to maintain her brand relationships over
time and at high levels of affective intensity.
Perhaps the strongest of Karen's relationships is with
the Mary Kay brand. Karen believes the various Mary
Kay products in her daily regimen are centrally responsible for her youthful appearance and openly admits a dependency on the brand as a result. Occasional slips in
brandperformanceare tolerated, and an otherwise inflexible and stretched schedule is willfully modified to prevent the "unimaginable experience" of withdrawal from
the brand.
I use MaryKay everything.Makeup,lipstick,moisturizer,
toner. I think Mary Kay is responsible for how my skin
looks now. I do, I really do. I do not think that my skin
would be this, so young today if I had used any other
brand. I mean, I do see it. I really can tell the difference.
. . .My feelings for Mary Kay have increased too. Over
time, I think maybe I have come to appreciate the product
more. I feel that I just really, like I have really come to
depend on it more. And, I, uh, just as I have aged, like, I
depend on it more and need it more. I can't live without
it now. . . Well you run out of items at different times.
That happened to me once and it was awful. An unimaginable experience! I did not know where to go and I had to
wait so long before I got the products I needed. It was my
own fault. Now I mnakesure that I know a representative,
and I build into my schedule in advance the time it takes
for themto orderwhatyou wantand get it to you andall.
I even buy two sometimesso thatI don'trunout. I'll even
make a special trip to the representative's house to get
what I need. Whatever it takes. The worst is if they pull
one of yourfavoritecolorsfromthe line. They did thatto
me with the lipstick. My favorite, absolute favorite shade.
I went to buy it and they said it was discontinued. I remember feeling, "how could they do that to me?"
Karen expresses similar feelings for Dove soap, another
product that occupies a central place in her daily skin care
ritual. As with Mary Kay, Dove is seen as instrum-ientalin
the retention of Karen's youthful appearance. Dove also
helps Karen negotiate her struggle for an inner versus
other-defined self. Since Dove is a brand that others in
her household reject, Karen's brand loyalty offers a rare
opportunityto exert a sense of independence. This signaling of independent concerns is a crucial step in Karen' s
inner-self development task.
I started using Dove when I married Jim. I probably used
Dial before that because that was what my mother used.
But, I started using Dove and I really liked it. I wouldn't
use Dial anymore. Dove is just really good for my skin. It
is the, you know, one-quartercleansing cream. I can really
tell the difference in how it makes my skin feel. I use it
everyday morniingand night when I do mnymakeup and I
can definitely tell the difference. Jim still used the Dial
because he thought the Dove was too, I dunno, he did not
like how it felt. But I wouldn't use anything else. That was
a pain: one sink, two soaps. But I did it anyway and listened
to him complain about it all the time.
Other realignments in Karen's brandportfolio send this
same message of independence. As Karen abruptlysevers
many of her inherited brand ties, she lays claim to her
own desires in the face of others' preferences. In this
small way, Karen is winning a contest that has typically
seen losses on her side in the past.
Well, we were using the Hellman'sbecausethat was the
brandJim wanted.He hatedthe MiracleWhip. It seems
peopleusuallylike one andhatetheother.Anyway,I didn't
care much but now that I am alone we're back with the
MiracleWhip.No moreHellman's.
Karen also embraces Reebok, the brandof running shoe
she dons each morning at 5:30 A.M. Running has acquired
a very special meaning in Karen's life. It symbolizes the
first conscious step taken away from marriage. It represents the beginning of a new definition of self. It is a
tangible markerof a past, youthful self. Throughrepeated,
ritualized use occasions, Karenhas transferredthe powerful meanings of runningto the Reebok brand(McCracken
1993). Reebok is a symbol of Karen's vitality, her independence, and her overall self-efficacy.
I startedrunningagainwhenumm,rightafterI decidedto
leave Jim.I used to runin college whenI was trainingfor
I was quitegood at distancerunning.
tennistournaments.
So, I picked it back up. I run alone mostly. It's hardto
convince my fiiends to get up that early and do it every
I wearReebokruLnning
day. But I do....
shoes.Me and
my Reeboks.They arebeatup by now. Wantto see them?
Like a favoritepairof jeans, you know?You go through
so MLIlch together.
Another brand entwined in the morning running ritual
is Gatorade. Symbolizing accomplishment and self-adequacy and marking a celebration of her "time alone,"
Gatorade is another product that makes Karen feel good
about herself. In exchange for these ego benefits, the
brand is rewarded with strong feelings of attachmentand
commitment. Unlike the beliefs of parity that generally
characterize her brands, Karen rejects the very thought
of adding another sports beverage to her portfolio despite
the potential cost savings at hand.
Gatoradedefinitelystartedwith the kids. I know I was
neverinto thatstuff myself before.But the kids wouldget
sick and the doctorwould say, "Give them this and this
and this, and Gatorade."I tried it myself one time and
eventuallyadopteda taste for it. Now I drinkit all the
time.I have it everymorningafterI come in frommy run.
I drinkit afterI clean the house.I alwayshave a glass of
it in my lhand.That's me. I am very loyal to Gatorade.I
would say thatI am very loyal to that.I know they have
otherbrandsof thatnow, I see couponsall the time, but I
have never even picked up a bottle of them. Never even
triedthem.BecauseI like Gatoradea lot. I reallydo.
A final example of deeply felt loyalty is found in Karen's relationshipwith Coca-Cola Classic. Unlike the more
privately consumed products mentioned above, Karen
mentions Coke Classic as a brandthat others readily associate with her. One could argue that Karen's brand com-
JOURNAL OF CONSUMER RESEARCH
356
mitment is driven more by the perceptions others hold of
her as a non-Diet Coke consumer that by her own tastes
and preferences for Coke Classic. In effect, Karenremains
loyal to the brand because to switch from it would be an
admission thather much respected body image was finally
in need of repair.
I think that I am one of the last people that still drinks
Coke. EveryoneI know wants a Diet Coke all the time.
It's alwaysdiet something.EveryoneknowsI drinkregular
Coke.If they wereto see me witha Diet Coke,theywould
be . . . surprised. Because I sort of make a statement
when I don't drinkDiet that I don't do what everybody
else does, thatI don't reallycare aboutthe extracalories
that much, that I can afford it. Sorta like, "so there!"
When I get a weight problem,then I'll have to switch. I
hope thatneverhappens.
Case III: Vicki
Vicki's Life Story. Vicki, 23 years old, is in her second and final year of studying for her masters' degree.
Having left the shelter of her family not too long ago,
Vicki is in the process of making the transition from
dependent child to independent, self-sustaining adult
(Marcia 1980). It is a somewhat controlled transition,
however, as Vicki attends college only hours from home
and remains "half-in and half-out" of each of her divergent worlds. Vicki enjoys spheres of autonomy and privacy within the confines of her own apartment,yet relies
on parentaladvice when making importantlife decisions.
She actively maintainsties to her home base while making
concerted efforts to separate herself from her family, reduce her dependency on their support and authority, and
develop a new life of her own. A conflict between dependence and independence, and between self versus other
results from these simultaneous connections.
Umm,well, my parentstheytakecareof my carandhealth
insurance,but I work part-timeto pay the rent and get
spendingmoney.I do it on my own.
I like my hometown.I keep my same hairdresserthere,
and my doctor and dentist is there.Tons of my friends
fromhigh school are still there.I go back and visit a lot.
I thinkI mighteven go backthereandlive withmy parents
for a while when I graduateto save moneybeforeI start
my career.I wouldlike my own place eventually.
Vicki's experience is not unlike that of other collegeaged students living away from home who anticipateentry
into the independent world of adulthood (Cantor and
Langston 1989; Waterman,Geary, and Waterman 1974).
This is a phase of serious self-concept negotiation. It is
a time for exploring possible roles and identities and for
making provisional commitments to some working definition of self. Vicki's career-self project is a particularly
salient work-in-progress at this time.
I do not know whetherI shoulddo the non-thesisoption
here with this mastersand be done with it. I always assumedI would do a thesis and be a researcher.I always
thought I wanted to be a professor. But, that just does not
seem to be working out. I don't even have a thesis idea,
hello! I dunno, I haven't decided. But I have been going
to a career counselor. I was working in their office parttime and I thought "HEY! I should do this myself! Duh!"
So, I took those tests about what I am good at and they
have been working with me to identify my strengths or
whatever and what careers would work for my personality
and they say I should work with people. Do counseling
intervention. So I am thinking maybe I should move home
and see if I can get a job like that. I'm thinking about it.
I got that big, The Chronicle of Higher Ed, and I'm checking that out.
The task of settling roles and identities related to the
concept of family is also salient at this time. Vicki's days
are largely organized around the activities of attracting a
boyfriend and cultivating a meaningful relationship toward the goal of marTiage. A pivotal meaning structure
Vicki applies to her concept of self-as-partner centers on
notions of femininity and sexuality. It is a femininity with
undertones of wholesomeness.
It is time I had a boyfriend. A serious boyfriend, not just
a boyfriend. I'm getting to that age. I was going out with
this guy for four years. Four years! I still go see him
sometimes. He is coming here for a football game this fall.
Yeah, I am openly looking, I go out with my girlfriends
every Thursday and Friday night cruising the bars or whatever. I am dating this "younger man" but I am not sure
he is the one for me. Deep down I hope my old boyfriend
comes back. I really think he's the one. Maybe.
I know I am not beautiful in the stereotypical beauty definition of things. But I am very, I wanna say, wholesome,
pure, whatever, but I mean, to me, that is what's important.
My hair, my scents, my clothes. Everything is very feminine and wholesome. Guys like that.
Relationship activity is high during this period of concentrated identity work (Stueve and Gerson 1977). New
friendships that capitalize on emerging interests are
sought, and those that no longer fit evolved self-conceptions are discarded (Cantor and Langston 1989). Friendships help anchor the self in activities and beliefs considered critical to self-expression.
Vicki takes her
interpersonal commitments very seriously in light of their
value-pronouncement capabilities.
I have tons of friends. High school friends. Friends from
when we lived in New Jersey, from my hometown, from
here. From the program. From work. From aerobics class.
Friends from all phases of my life. They're like a photo
album of my life.
If you are my close friend, you are my friend forever. I do
not commit myself lightly. Being true to my friends and
always being there for them is very important to me.
In summary, Vicki's transitional life task is to explore
the possibilities of the adult world, arTive at an initial
definition of the self as adult, and fashion a world consistent with the external and internal dimensions of that
definition. Within the goal-based personality structure,
CONSUMERS AND THEIR BRANDS
357
Vicki's dominant projects concern provisional identity
construction (Little 1989) anidthe testing of a variety of
possible selves (Markus and Nurius 1986)o The negotiation of tensions between individuation versus separation
and stability versus chanigeis integral to this experience.
Vicki's B;c,iid Relationslhip Portfolio.
It is interesting
to take this patternof change and apparentconfusion and
lay it against Vicki's brand relationship portfolio. Of the
three women interviewed, Vicki was not only the most
involved with brands in general but also the most emotionally loyal to specific brands in particular.The type of
person that Vicki is and the particularstage in which she
finds herself appear highly conducive to brand relationship iinitiationactivities and the formation of close relationship ties.
Vicki's brand behaviors are primarily reflective of the
degree aniddepth to which she readily links brands with
concepts of self. To Vicki, products and brands compose
an efficient meaning-based communication system. And,
Vicki is an active consumer of these symbols and signs.
"God," she confesses, "I am every marketer's dream!"
A child weanied on mass communication and MTV, Vicki
is a master of advertising slogans and brand imagery.
She is especially adept at constructingy and announcing
identities through brand symbols ancdbelieves that others
rely on this communication system as well. Vicki relayed
several instances in which -friends willingly and spontaneously used brands to classify who and what she is all
about (Holt 1995). In this sernse, maniy of the brands to
which Vicki professes loyalty serve as realized extensions
of her sense of sellf (Belk 1988).
I went through a stage once where I used Ivory everything.
Ivory soap. Ivory shampoo. Ivory conditioner. I was the
biggest Ivory girl that could have possibly been walking!
But, it was just, you know, something that I wanted to,
somethinigthat, somnethincg
about that that I internalized or
whatever. . . . I think I was like in ninth grade. I was like
14 or 15. But the thinlgis, my whole life people have been
telling me, "'Youlook like an Ivory girl.' That imiakesyou
feel special! 1 kind of took it as a compliment, I meani,
'cause they always had real clean, pretty. freslh-lookilng
people. you know, not beautiful, but wholesome and pure.
Who wouldn't wanitto be thought of as queen-naturaland
wholesome? I mean, I heard that for years from all differenit
people. I still do.
Everyone knows what brand of toothpaste I use. Just in
discussing it, I mean, among frienics or whatever, people
know that Vicki uses Crest. That is just a given . . . I
asked my girlfriend what brands slhewould associate with
me, you know, 'cause we are doing this study'?And she said
without hesitation, ''Oh, Soft 'n Dry, definitely!'' Because
there is a Soft 'n Dry incidenitthat we shared together. I
saw my best friencdrecently and we were talking about it.
The night before my speech for the Junior high vice-president position. I slept over her house the night before ancd
left my Soft 'n Dry there so I didn't have it at school. Did
I freak! She brought it to school for me in a brown paper
bag. I had to have it. I tihoughtI woulcl die without it. I
was like a living commercial: nervous is why you need
Soft 'n Dry. My sister says the same thing. She says Soft
'n Dry smells like me. That my closets, my things all have
that smell, the "Vicki smell."
Unlike Jean, whose loyalties tend to converge upon a
self as defined withini the mother/wife role, Vicki at once
incorporates a variety of brands in support of the multiple
dimensions of self she is actively conisidering and maintaining (Gergen 1991; Markus and Nurius 1986).
Me, I have perflumes,that I have, like, different labels for
them for when I want to wear them. They say different
things about me. You know, like, I wear Opium, it is my
nighttime seductive scent. And, my friendly everyday
Vicki scent is Intimate Musk. And, I love Giorgio. It is
one of the few scenits that I wear and people come up to
me and say, "You smell good!" and when I tell them what
I am wearing, they are like, "It doesn't smell that way on
me!" That is my all around "get noticed" scent.
Look in my shower here. Look! Seven bottles of shampoo
and six conditioners and I use them all! And in here (the
closet); this whole box is full of trial sizes that I pull from.
Why? Because each one is different. It depenids on my
mood and what kind of a personiI want to be. Like right
now I can tell you used Aveda Elixir. I can smell the tree
bark. I smell Aveda a mile away. Trying to be earthy and
responsible are you?
Many of the brands with which Vicki develops close
relationships-perfumes,
makeup, lingerie-have
an image of femininity that directly supports her self-as-partner
identity quest. Vicki has decided that scents and florals
reflect her desired image of wholesomeness and is driven
to brands that convey these meanings. Vicki admits she
is often more loyal to the floral/scent subtheme than to
the individual products and brands chosen to reflect that
theme.
I am loyal in every sense of the word to Opium-scented.
Oh, I also have Opium-scented candles. Potpourri.Drawer
liners. Opium-scented soap. I am rememberinigall this stuff
now! I guess you could say that I am loyal to the smell.
I am in a big floral kick right nlow. Everything is flowers.
I mean, foral sheets, floral comforter, floral bras from Victoria's Secret, floral-scented shampoo anid conditioner.
Like the Aromatics Mint and Rosemary shampoo that my
friend gave me because she didn't like it. See, she knew
that about me too. Anyway, you name it! Hair spray. Everything! That is just my, that is what motivates me nlow. All
these new shampoos that have the floral extracts and stuff ?
I am eating that stuff up sideways! I don't know if it is
this "surge in femininity" cominigout or what. If you want
to take this floral metaphor further,I mean, at this point in
my life, I feel very, I mean, I'm trying, I'm hoping one
day to attract maybe a date or a boyfriend, and I am a lot
inore delicate anidvulnerable nlow. And, it's just this big
flower kick, it fits solmiehow.
Reflecting her reliance on the communicative power of
brands, Vicki admits being disturbed when she cannot
find a brand that completely delivers lher desires. She will
JOURNAL OF CONSUMER RESEARCH
358
engage a search that may take years to ensure that the
"perfect" brand partner is identified.
sense, Vicki's loyalty to the brand can be interpretedas
loyalty to the self.
In high school, I had friends that wore some scent. One of
my friends, Mimi, she had this image that she always
wanted to project, you know, and she always used the same
perfumes over and over again. I mean everyday, she just
smelled the same, she was just the same. And it was just
consistent. You could count on her for that. And, I dunno,
I knew I didn't have a smell. I didn't have anything! After
a lot of thinking and looking around,I decided that I wanted
to wear Musk. That just clicked. So, for Christmas, we
went looking for my musk scent, me and my Mom. So we
went and we tried on so many. We went back so many
times, different times of the day, different days. And the
ones that were the nicest were the Intimate Musk by Revlon
and the Jordache Love Musk, and I remember that year
for Christmas, they bought me a bottle of each. And so I
had these two musks to go back and forth from over the
next year or so. And, eventually, Intimate Musk became
the absolute favorite and I have gotten that every year
since.
I guess it is like, maybe I should not bring this up, but it
is kind of like religion. Shoot, I will go to any kind of
church service, but it's not going to make me change my
beliefs in any way. I don't want to say that I am closedminded, but I do stick to what I believe in. And that pretty
much is something that always guides me. It is like sticking
up for what you believe in. In high school, when we had
to put a quote under our picture? I don't know if I can
rememberthe exact words but, it was like., "in high school,
I have leamed to stand up for what I believe in and to not
let the opinions of others influence my own." And, I always stick to that. I don't know if loyal is the word, but I
do stick to my guns. I am not looking at this solely in
terms of consistency, it is more like having a backbone. If
you don't have things you believe in, you are going to be
wishy-washy, you know?
Vicki's experiments with potential brand partners resemble a series of trial courtships. Having survived a
stringentinitial screening, Vicki' s brandsare grantedtemporary loyalty status during a provisional in-home trial
period. Candidates are promoted to "brands of commitment" after ample time has passed in which they are
proven or disproved as worthy image partners. As with
Jean, brandsthat survive testing often acquire an elaborate
performance mythology that personalizes brand meaning
and insulates the brand versus competition. Again, these
mythic meanings are reinforced and solidified through
ritualistic use occasions.
If I just buy something once, I am not going to feel loyalty
to it. I believe these things have to prove themselves to
me. I have to use it for awhile before I am sure it's the
right brand and I make the final commitment.
I knew from experience that Crest was most effective for,
you know, the enzymes in my mouth. I mean, being the
tooth freak that I am, I know that everybody's saliva is
different and the way that it combines with toothpaste to
combat cavities is different, and the Crest is just right for
me and the type of saliva I have.
Furtherdeepening the felt experience of Vicki's strong
brand relationships is her centrally held personal belief
in faithfulness. Vicki aspires to be true to herself in everything she does and to remain committed to the doctrines
she openly professes to others. In Vicki's value system,
brand commitment is an obligation of the person who
receives consistently delivered product quality. Her own
oft-used description of the two-sided nature of her loyal
brand relations as being "tried and true" reflects this
quality: "if you try a brand and it is true to you in consistently delivering quality, you must reciprocate by being
true to it through consistent purchase." By being faithful
to her brands, Vicki's own personal standards are not
compromised, and her core self remains intact. In this
I'm a little biased. If you use a product, you should believe
in it . . . I mean, in a way I, guess that maybe it is not
necessarily being loyal to the product that is at issue, but
being loyal to myself by consistently buying it. You're true
to what you believe in.
Amid all this talk of commitment, it is somewhat startling to note the switching behaviors that coexist with
Vicki' s claimed loyalties. Consistent with her current selfexploration theme, Vicki likes to "keep her finger on the
pulse of what is going on in the market." She stays abreast
of new product introductions by reading published information and conducting extensive "product experiments."
Her ample trial size collections of shampoos and other
personal care products illustrate this tendency. Yet, Vicki
proclaims a desire for "stability within (her) variety."
She swears loyalty to the brands she holds most central,
even when caught occasionally "fooling around."
I keep up with all the new stuff, and I will always try it.
But there are the tried and true things that I will always
keep. On the whole I am pretty consistent. Even if I use
another one every once in a while, it's okay. You have to
have your little flings, right? To see what's out there?
More surprising, then, is to observe the readiness with
which Vicki can terminate a long-standing, seemingly
committed brand relationship. Looking across the pattern
of her brand relationships over time, many of Vicki's
loyalties acquire a transient quality, reflecting more a
character of infatuation than one of true love and commitment. This dynamism is in part a function of her own
volatile sense of self. As she experiments with life and
evolves her self-definition toward an accepted conclusion,
so does her brand portfolio change in response.
At this stage in my life, there is a definite floral identification there, and I don't know what that is going to fall into
next.
. .
. The Ivory Girl is me now, but will I always be
that? I don't know.
Other changes in Vicki's portfolio are a result of increased experience with the consumer role. As Vicki be-
CONSUMERS AND THEIR BRANDS
comes an independent thinker with her own views about
the marketplace,she slowly sheds the relationships inherited from her mother (Moore-Shay and Lutz 1988) and
redefines her loyalties in response. Other portfolio shifts
are environmentally imposed, their consequences experienced as personal betrayals of the brand.
This is the firstbox of tea bags thatI have ever boughton
my own.Thatwas a dilemma!I boughtTetley.Thosewere
the kindthatmy motherhad sent me originallythatI had
just finished.That was the little bit of info that I had. I
was stumped.Next time maybeI will buy somethingelse,
you know,branchout on my own here.
When we moved (here), it really botheredme that they
didn'tsell B&MBakedBeans.TheyhadFriends,whatever
the hell thatis. So I buy those,but I miss B&M.And,Oh!
Ice cream!No moreFriendly's!It's like I had to abandon
them!I felt reallybad. I go to Friendly'severy time I go
back.I love thatplace.
In the final analysis, Vicki is loyal, not to a particular
brand per se, but to a perpetual succession of able brand
communicators.In this sense Vicki is loyal to the process
of loyalty itself.
Oh,didI tell youI amintothisnew toothpaste?Mentadent?
It has sodium bicarbonatebaking soda in two different
channelsthat don't come togetheruntil you put them on
your brush.Makes your mouth feel like you are at the
hygienist.Crest,well, yeah . . .
Summary of the Idiographic Analysis
The above analysis illustrates how the projects, concerns, and themes that people use to define themselves
can be played out in the cultivation of brand relationships and how those relationships, in turn, can affect
the cultivation of ...
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