Cuyamaca College Importance of Trance Rituals Found in Indonesia Discussion

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Humanities

Cuyamaca College

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Indonesia Discussion

Discuss the importance of trance rituals found in Indonesia and cite examples that are covered in the text and in the lecture presentation. What is the purpose of participating in trance rituals? What insights or information can one gain from "communicating" with the spirit world? How has tourism, particularly in Bali, affected these rituals?

Your discussion post should be around 150 words cover all of the topic points , and be submitted on time. You are also required to respond to at least one of your fellow classmate's posts and give constructive feedback and/or pose questions that are relevant to the discussion topics.

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Music of Indonesia Map of Southeast Asia  Indonesia is an island nation that is home to over 350 different ethnic groups.  After WWII the Indonesian archipelago became an independent nation, uniting many different cultures into one Indonesia. Indonesian History  How long did the Dutch Colonize Indonesia and what affect did it have on Indonesian culture and arts?  Arts and music are seen as high status and flourished during the colonial period (1600-1945).  History and layering of religions in Indonesia  Mysticism (pre-history), Buddhism (5th century), Hinduism (7th century), Islam (13th century).  Today, majority are Muslim, but still practice Hindu/Buddhist beliefs and participate in Mystic spirit possession/trance rituals. Indonesian Gamelan  What does the term gamelan mean?  Gamelan music is based on Colotomic Structure:  Music organized into cycles defined by periodic punctuation, in this case the large hanging and rack gongs  Laras - Tuning systems:  Slendro – pentatonic , 5 pitches, equidistant  Pelog – heptatonic, 7 pitches , non- equidistant  Gamelan ensembles have an important association with royal lineage and spiritual practices in Java and Bali. Javanese Gamelan Instruments  Bronze idiophones include:  Punctuation instruments:  Gong, Kempul, Kenong, Ketuk  Melodic instruments:  Slenthem, Saron (barung, demung)  Peking  Ornamental instruments:  Bonang (barung, panerus)  Gender  Other instruments include:     Kendang- drums (conductor) Rebab- spike fiddle Suling- bamboo flute Gambang- wood xylophone Javanese Gamelan  Gongan:  A musical phrase punctuated by the largest gong of the gamelan  Balungan:  Core or skeletal melody  Three layers of activity:  Punctuation: accents the gongan  Melody: plays the balungan  Ornamental: ornaments the balungan video Listening Activity: Javanese Gamelan: Bubaran Udan Mas  Listen to “Bubaran Udan Mas” found in the Indonesia Audio File. Follow the Listening Guide in your book as you listen.  What Sounds are you hearing? laras pelog, loud piece  What Behaviors are associated with this musical activity?  What Conceptions or Ideas govern the sounds and behaviors of this musical activity? Listening Activity: Javanese Gamelan Ketawang Puspawarna  Listen to “Ketawang Puspawarna” found in the Indonesia Audio File. Follow the Listening Guide in your book as you listen  What Sounds are you hearing? laras slendro, soft piece  What Behaviors are associated with this musical activity?  What Conceptions or Ideas govern the sounds and behaviors of this musical activity? Functions of Gamelan Music  Courtly entertainment  Traditional dance  Puppet plays  Trance rituals VIDEO Javanese dancers  Important ceremonies and celebrations  The sacred Bedhaya dance Bedhaya dancers Wayang Kulit  Shadow puppet plays that enact the epic Hindu stories of Mahabharata and Ramayana.  How have these Hindu stories been “Javanized” over time?  Who is the dalang and what important role does he play in preserving Indonesian history and culture? video Balinese Gamelan  Hindu-Buddhist refugees migrated to Bali in the 15th cent, bringing a hierarchical social system and gamelan  Colonial period- development of the arts is effective way of retaining high status.  Isolated evolution of gamelan in Bali resulted in:  Multiple genres  Altered and new instruments  New forms and functions  Drastically different musical aesthetic and timbre Balinese Gamelan Genres  Gamelan Gambuh  Archaic court opera and accompanying orchestra  Gamelan Gong Gede  Older court music used for court and temple rituals, similar in sound and style to the Javanese gamelan  Gamelan Semar Pegunligan  Large court orchestra that plays instrumental versions of gamelan gambuh melodies  Gender Wayang  Four-piece ensemble of genders that typically accompanies Balinese shadow plays Gamelan Gong Kebyar  Extremely dynamic, virtuosic and unpredictable, modern style of music and dance. Drastically different than older, more refined and elegant genres.  Hocketing 2 players interlocking melodic parts  Shimmer effect altered tunings create dissonance  Most tourist performances of music and dance feature this newer genre. video Listening Activity: Balinese Gamelan Gong Kebyar Teruna  Listen to “Kebyar Teruna” found in the Indonesia Audio File. Follow the Listening Guide in your book as you listen.  What Sounds are you hearing?  What Behaviors are associated with this musical activity?  What Conceptions or Ideas govern the sounds and behaviors of this musical activity? Trance Dance: Barong  Trance ritual adapted as a regular performance medium for tourists  Barong an awesome but benevolent lion  Rangda a horrendous and malevolent witch  Masks and trance rituals  Authenticity- Are trance rituals performed for tourists authentic? video Balinese Kecak  “Monkey Chant”  Voices imitate sounds of small gamelan  Dancers enact tales from the Hindu epic, the Ramayana  Originally a trance ceremony without added element of dance, today kecak is performed mostly for tourists  Tourist expectations of exoticism video Popular Music: Gambus video  What foreign influences are present in gambus music?  Instruments? Tonal quality? Language?  The word gambus literally means “oud” though now refers to the genre of music, not just the instrument  Yemen origins, connection with Islamic homeland  Lyrical content may include Islamic subject matter, contemporary songs have drifted away from this and are considered overly sensual by some. Listening Activity: Gambus  Listen to “Gambus: Cari Hiburan” found in the Indonesia Audio File. Follow the Listening Guide in your book as you listen.  What Sounds are you hearing?  What Behaviors are associated with this musical activity?  What Conceptions or Ideas govern the sounds and behaviors of this musical activity? Popular Music: Dangdut  Indian film songs blended with Western rock via Malaysia  Popular medium for broadcasting Islamic values to the public in the 1970s under the influence of superstar Rhoma Irama  Dangdut music is also considered scandalous by some because of sensual lyrical content and overtly sexual dance movements. “Goyang!!” video Listening Activity: Dangdut  Listen to “Dangdut: Curahan Hati” found in the Indonesia Audio File. Follow the Listening Guide in your book as you listen.  What Sounds are you hearing?  What Behaviors are associated with this musical activity?  What Conceptions or Ideas govern the sounds and behaviors of this musical activity? Popular Music: Kroncong  Prior to the Dutch Colonial period, Portuguese traders had established outposts and introduced their folk instruments and music.  Kroncong was once associated with underclass/violence/pirates  Since the 1920s, kroncong has been “Javanized”  Instruments functional quality similar to gamelan music  Association with middle class and national identity. Nostalgia for older generation video Listening Activity: Kroncong  Listen to “Kroncong: Morisko” found in the Indonesia Audio File. Follow the Listening Guide in your book as you listen.  What Sounds are you hearing?  What Behaviors are associated with this musical activity?  What Conceptions or Ideas govern the sounds and behaviors of this musical activity? Popular Music: Jaipongan video  Sundanese (West Java) urban “modern” gamelan music and dance style  Blending of older Sundanese village dance genre and martial arts tradition Jaipongan dancers  Unlike other popular genres, Jaipongan has virtually no foreign influences  Developed in the 1970s, Gugum Gumbira and Jugala studios Gugum Gumbira Listening Activity: Jaipongan  Listen to “Jaipongan: Daun Pulus” found in the Indonesia Audio File. Follow the Listening Guide in your book as you listen.  What Sounds are you hearing?  What Behaviors are associated with this musical activity?  What Conceptions or Ideas govern the sounds and behaviors of this musical activity?
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Running head: TRANCE RITUALS IN INDONESIA

Name of institution
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TRANCE RITUALS IN INDONESIA

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The importance of trance rituals in Indonesia
The trance rituals are a spiritual way of communication and seeking specific needs from
the spirit world. Participants and spectators involved in the ritual work together in providing a
linkage to the religiou...


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