ENC 1102 Critical Literary Analysis Research 1 Paper Guidelines
Directions: It is important that you carefully read these guidelines follow the instructions and guidelines
in this document. First, choose ONE of the following topics. Topics should not be combined.
Topics:
Choose one of the following topics below on which to write your first critical literary analysis.
Topic 1:
Compare the themes in the “The Lottery” and “The Ones Who Walk Away from
Omelas.”
Topic 2:
Analyze the structure and plots of “Happy Endings.”
Topic 3:
Analyze the setting, symbols, and theme(s) in “A Pair of Tickets.”
Topic 4:
Contrast Dee and Maggie in “Everyday Use.”
Topic 5:
Evaluate the writer’s style in “A Clean, Well-Lighted Place.”
This is a research paper; this means that you will be using both your textbook and two scholarly sources.
This paper should be between 750 and 800 words (not including the heading and the works cited page.)
In addition, this assignment requires the use of the primary source (the short story or stories on which
you choose to write) and two secondary sources (scholarly articles related to literature and literature
theory that you get from one of the SFSC databases). Only sources obtained from SFSC’s databases will
be accepted as secondary sources. In addition, you are required to use summaries, paraphrases, and
quotes from both your primary and secondary sources, and you must use parenthetical citations. The
paper should follow MLA guidelines and include the appropriate heading (see sample on next page),
page numbering, and correct margin and spacing. The paper also must contain a works cited page.
Next, your paper should be your analysis of the work(s) you selected. It should supported by both the
primary source (such as “A Clean, Well-Lighted Place” by Ernest Hemingway) and the secondary sources
(such as “Man’s Isolation in ‘The Sun Also Rises’” by Anita Belmont). The secondary source is a journal
article from SFSC’s literature databases that gives a professional critic’s analysis of short story or stories.
This assignment is heavily weighted in this course, so you should use your best writing. This means that
you will have to write several drafts before you submit the final draft, which should be free from
organizational, grammatical, punctuation, and research errors. Because these papers will not be
proofread by the instructor, I strongly encourage you to get someone other than you to read your paper
out loud. Ideally, you should work as peer reviewers with another student from this class.
Here are some suggestions to keep in mind when writing your paper:
•
Do NOT simply “retell” the story; this will result is a significantly lower grade.
•
Do NOT string quotes together. Papers will be marked down heavily for this. Instead,
integrate quotes (from both primary and secondary) into your own words. This is a basic skill
that should have been mastered in Freshman English I.
•
Do NOT use paraphrases, quotes, or summaries in the introduction or the conclusion of the
paper. Reserve these for the body paragraphs.
•
Consult a current MLA Handbook or the Online Writing Lab (OWL) at Purdue to see how to
use quotes within a quote.
In addition, your paper will not be accepted and be issued a grade of “0” for the following reasons:
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Failure to use both the primary and two secondary sources and/or the use of secondary sources
that do not come from SFSC’s databases and/or sources that do not meet the requirement for
source authority
Lack of parenthetical citations and/or lack of a works cited page
Failure to meet the minimum word count
Plagiarism (there is no “minimum” acceptable level)
Failure to upload the paper to the dropbox by the due date stated in the syllabus.
Failure to submit a file format other than .docx, .pdf, and .rtf. Files that cannot be opened
cannot be resubmitted.
Finally, keep in mind the scoring rubric which is located on the following page. In addition, a student
example paper is located at the end of this document. Please note that this is a sample paper to guide
you in your critical thinking, organization, and formatting.
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Research Analysis Paper Scoring Rubric
The following rubric will be used to grade your research analysis papers:
Structure
Support
Mechanics,
grammar, and
usage
Excellent (14-15)
The product is finished
and includes a wellformed introduction with
a clear thesis. The body
of the paper is logical in
its organization. The
conclusion is concise and
relevant to the topic.
Appropriate and
sophisticated transitions
are used.
Good (10-13)
The paper contains most
of the elements of good
structure. Minor lapses
in organization or a few
illogical transitions may
be present. The thesis,
introduction or
conclusion may be
slightly incongruous
with the rest of the
paper.
Fair (5-9)
The paper contains some
of the elements of
structure. Significant
lapses in organization,
including the introduction,
thesis, and conclusion, are
present. The thesis does
not clearly match the
topic or the sequence of
the paper. Some logical
transitions are used.
Excellent (18-20)
The supporting examples
are varied, relevant, and
detailed; quotations are
exceptionally and
logically integrated into
the student’s own
language; there is a
significant amount of
evidence that is
authoritative and
relevant; quoting,
paraphrasing, and
summarizing and
citations are nearly
flawless.
Excellent (22-25)
The sentence structure is
sophisticated with few
errors in sentence
combination,
subordination, and
agreement. Punctuation
and word choice is nearly
flawless. Few errors in
grammar are present
Good (13-17)
The supporting details
are appropriate and
logically arranged.
Quotations are logically
integrated into the
student’s own language.
Ample quotations,
paraphrases, and
summaries are evident.
Citations contain small
errors.
Fair (6-12)
There is little to adequate
support for the topic of
the paper. The details are
irrelevant or generalized.
Quotations are
infrequently integrated
into the student’s
language, and minor
lapses in paraphrasing and
summarizing occur.
Citations contain several
errors.
Good (14-21)
The sentence structure
is appropriate with only
minor lapses in
subordination,
punctuation, and word
choice. Some errors in
sentence combination
are present. Other
errors in grammar are
also present.
Fair (8-13)
The sentence structure
contains some errors in
subordination,
punctuation, and word
choice. Some sentences
are poorly combined.
Several other errors in
grammar are also present.
Poor (0-4)
The paper has
minimal structure,
relying too heavily on
quotations that are
illogically woven
together. The thesis
is missing or unclear
and significant
elements may be
missing, such as an
appropriate
introduction or
conclusion.
Poor (0-5)
There is little to no
support for the
paper’s topic.
Quotations,
summaries, and
paraphrases are
randomly or
incorrectly used or
may be missing
altogether. Citations
are sparse or not
used at all.
Poor (0-7)
There are significant
and multiple errors at
the sentence level,
including sentence
combination,
punctuation, and
word choice.
Multiple grammatical
errors are present.
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Critical
Thinking and
Information
Literacy
Format
Excellent (27-30)
The research is smoothly
synthesized into the
context of the paper; the
research is appropriate
and relevant to support
the topic and form of the
paper. Quality and
quantity of sources
indicate familiarity with
standards of information
literacy.
Excellent (10)
The paper follows current
MLA format including a
title page and
bibliography/works cited
page that follow MLA
guidelines. The paper is
appropriately headed, and
correct parenthetical
citation is consistently
used.
Good (19-26)
The research is
appropriately integrated
into the student’s topic.
Minor lapses in research
strength (quality) are
present but do not affect
the topic of the paper.
Fair (10-18)
The research is minimally
to adequately integrated
into the student’s topic.
There are some lapses in
research strength
(quality) that do affect
the communication of
the research to the
reader.
Poor (0-9)
The research is
minimally or not at
all integrated into
the paper. The logic
and support reflect
little to no synthesis
of the research in
the student’s paper.
Good (8-9)
The paper mostly follows
current MLA format.
Minor errors in citation or
the bibliography/works
cited page are present.
Small errors are evident
in the title page and the
body of the paper.
Fair (4-7)
The paper has some
elements of MLA
formatting, but
significant issues in the
title page, spacing,
heading, or works cited
page are present.
Poor (0-3)
The paper is poorly
formatted, with
multiple errors that
include spacing,
works cited and title
page format, and
parenthetical
citations.
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Student Research Analysis Paper Sample
Will Smith
ENC 1102
May 21, 2017
Research Analysis Paper 1
Analysis of Hester Prynne
The Scarlet Letter was written by Nathaniel Hawthorne in the early 19 th century, providing
readers with a heroic story of a women receiving a punishment for following her heart. A married
Hester Prynne partakes in an affair with the pastor of her small community. In this time, adultery is
considered a crime and punishable by death. Hester further refuses to disclose the name of the man
involved in the affair. Consequently, the community agrees to punish Hester with a short prison
sentence and a lifetime of wearing an “A” upon her dress for as long as she lives in the community.
The “A” represents her crime of adultery. The “A” that Hester wears in The Scarlet Letter is a public
symbol that transforms the humiliated and alienated Hester into a strong heroine as she conceals her
lovers’ identity, protects her daughter, and refuses to allow the public punishment to define her as a
person.
Hester Prynne is considered a heroine because she is a woman who chooses to take all the
responsibility for a crime that requires two people. She refuses to follow Puritan laws and follows her
heart when she partakes in an affair with Pastor Dimmesdale. For example, “In her deepest heart, she
can never accept the Puritan rules and becomes a rebel against the rules” (Wang 894). She is a strong
willed woman who refuses to let Dimmesdale take any of the punishment in fear of what would
happen to him. In fact, “Hester is a heroine because she is deeply implicated in, and responsive to, the
gender structure of her society, and because her story, turning on ‘love’ is ‘appropriate’ for a women”
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(Baym 62). Her heroism is also shown in many ways throughout the novel as she continues to stand
for what she believes in and remains silent until the end.
Hester’s kept secrets are important because they extend the plot and bring frustration to the
foil. Elizabeth Alsop states, “The novel seems more interested in what happens when women don’t
break their silence, and paradoxically, obtain power as a result” (84). That Hester reveals the truth
could dramatically change the plot, and she no longer could be the heroine or the main focus. The
plot then becomes about the revenge and punishment of Arthur Dimmesdale so “Hester’s keeping
Dimmesdale’s secret is, of course, essential to The Scarlet Letter” (Gartner 131). Hester concealing
Dimmesdale’s identity not only protects him from punishment of the Puritan law but from her
husband’s revenge. Hester never loved her husband; she reminds him of this when he visits her in the
prison, saying “Thou knowest that I was frank with thee. I felt no love, nor feigned any” (Hawthorne
72). Hester refuses to tell him who Pearl’s father is and makes another promise not to tell his identity.
She shows how much love she has for Dimmesdale by taking complete responsibility for the affair. She
knows that if she reveals he is the father of Pearl, he will be put to death or hunted down by her
revengeful husband. Hester keeps all of the control and power by keeping the secrets. Her power and
control are also shown when she goes into the community, proudly displaying the symbolic “A” upon
her dress and having her daughter by her side.
Hester Prynne’s obligation to wear the letter “A” is not the only symbol of her sin. The other
symbol of that sin is her daughter Pearl. Hester is never ashamed of Pearl; she knows Pearl has been
conceived out of love and will do anything to protect her. In fact, “She named the infant ‘Pearl’ as
being of great price-purchased with all she had--her mother’s only treasure” (Hawthorne 85). As
Hester is released from prison to reveal her punishment to the community, it is “Her first impulse to
clasp the infant closely to her bosom; not so much by impulse of motherly affection; as that she might
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thereby conceal a certain token, which was wrought or fastened to her dress” (Hawthorne 50). Hester
holds Pearl tightly but choses to proudly show both symbols of her sin.
Later in the novel, Hester is visiting Governor Bellingham’s home only to find out that the
community want to take her daughter away. They claim that Hester is an unfit mother because of the
sin she committed and that there is no way that Hester can raise a child of God. Hester fights the
accusation and replies, “God gave me the child! He gave her in requital of all things else, which ye had
taken from me” (Hawthorne 109). She looks to Mr. Dimmesdale, who is her pastor and secret lover, to
support her argument that she is a good mother. Dimmesdale does speak up, only to reassure the
Governor that Pearl is in good hands. The decision is made to allow Hester keep Pearl. Hester protects
Pearl by not disclosing Mr. Chillingworth’s identity; he is, in fact, the town doctor and also her
husband. However, he is a vindictive man who is on a mission of revenge. Hester despises him, but
she will not put her daughter or lover in any danger. She continues to live in this community for many
years despite the daily humiliation. Pearl does not know who her father is but living in the community,
she is able to get to know Dimmesdale. Upon doing this, Hester allows Dimmesdale to love Pearl. She
also teaches Pearl to stand up for what she believes in, and follows her conscience and heart.
Hester Prynne refuses to allow the punishments or community’s judgments to define her. Her
actions prove that she is an independent, strong willed woman. In fact, “Hester’s first action in The
Scarlet Letter seems to be an act of free will [although] it is the town beadle who releases Hester from
prison” (Reiss 200). She stands in the middle of town and refuses to show emotion in front of the
people who come out to judge her. When Hester reveals the “A”, she shows that she embraces the
punishment. She uses her needlework skills to make the “A” look like an accessory to her dress. In
fact, “It was so artistically done, and with so much fertility and gorgeous luxuriance of fancy, that it
had all the effect of a last and fitting decoration to the apparel which she wore; and which was of a
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splendor in accordance with the taste of the age, but greatly beyond what was allowed by the
sumptuary regulations of the colony” (Hawthorne 51). She continues to irritate the community as she
stands on the platform and refuses to answer the question of her lover’s identity. Furthermore, she
deals with the daily ridicule as she lives her life in this community. Refusing to fold under the pressure
of her community shows Hester’s strength to fight in a time when women were not considered equal.
In conclusion, Hester Prynne is a heroin in The Scarlet Letter. She follows her heart and goes
against the Puritan law to protect the people she loved. While doing this, she is required to face public
humiliation with the symbol of adultery pinned to her dress and a daughter who reminds the public of
Hester’s adultery. She faces her punishment with dignity, and this transforms her into a strong,
independent woman of which her daughter is proud.
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Works Cited
Alsop, Elizabeth. “Refusal To Tell: Withholding Heroines In Hawthorne, Wharton, And Coetzee.”
College Literature 39.3 (2012): 84. MasterFILE Complete. Web. 11 Feb. 2015.
Baym, Nina. The Scarlet Letter A Reading. Boston: Twayne Publishers, 1986. Print.
Gartner, Matthew. "'The Scarlet Letter' and the book of Esther: scriptural letter and narrative life."
Studies in American Fiction 23.2 (1995): 131+. Academic OneFile. Web. 11 Feb. 2015.
Hawthorne, Nathaniel. The Scarlet Letter. S.l.: Tom Doherty Assoc., 1988. Print.
Reiss, John. “Hawthorne’s The Scarlet Letter.” Explicator 53.4 (1995): 200. MasterFILE Complete.
Web. 11 Feb. 2015.
Wang, Yamin. “A Representative Of The New Female Image—Analyzing Hester Prynne’s Feminist
Consciousness In The Scarlet Letter.” Journal Of Language Teaching & Research 1.6 (2010):
893-897. Education Research Complete. Web. 11 Feb. 2015.
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