CHAPTER 1
"The Trusting Mindset"
(Or How to Think Like a Squirrel)
In the 1976 Winter Olympics at Innsbruck, Austrian Alpine skier
Franz Klammer took home gold with a final run that skiers still talk
about in awe. No competitor had yet been able to catch the leader
and defending Olympic champion Bernhard Russi of Switzerland;
numerous times, officials had to halt the skiing due to dangerous,
icy conditions on the course, and even though the final event had
the green light, the course still seemed too slick to permit the
kind of double-poling usually required for a fast start. Klammer,
however, skated hard out of the gate, double-poling wildly. But the
ice didn't give way, throwing his weight to one ski. To regain his
balance, Klammer tried to shift to the other ski. He lost his balance
in the other direction.
The key to winning in Alpine is to run the straightest line from
start to finish, staying in a low, aerodynamic tuck while keeping
your skis gliding flat, almost frictionless over the hill. Klammer was
anything but aerodynamic. He whipped around the sheered corners
first on one leg then on the other, clipping gates, just missing the
out of bounds fences, his arms and feet flailing, his skis slipping and
clattering as he hurtled down the mountain.
Most ski fans were praying for Klammer not to get killed. His
own coach, Toni Sailer, later commented, "I closed my eyes and
thought this was the end of the gold medal. I only dared re-open24
JOHN ELIOT, PhD
them when I didn't hear the sound of a crash." Somehow defying
all seemed to be waving red and white Austrian flags. Klammer
snow flying. He barely avoided piling into the crowd of 50,000 who
physics, Klammer barreled over the finish line, careening to a stop,
looked for the scoreboard: Russi 1:46.06. Klammer 1:45.73-the
fastest time of the day and the gold medal!
The press was all over him. ABC's Wide World of Sports,
famous for dramatizing spectacles such as the "Agony of Defeat"
wanted to know:
"How in the world did you do that?"
"What?" said the gold medal winner, a battery of microphones
stuck in his face.
"WIN!"
"Well, I'm a pretty good skier, you know," replied the charismatic
Austrian with a wink.
"No, how did you clock such a fast time with such a terrible run?"
"What do you mean terrible? I think gold's a pretty good color">
One journalist pointed out that he was clearly off balance, his
arms wind-milling, catching too much air yet somehow managing
to ski faster than competitors who turned in nearly perfect
Then came the classic reporter's question: "What was going through
runs.
your mind?"
"What was going through my mind?" Klammer repeated, as if
to try to understand what the guy was getting at. "Nothing. I was
just trying to get there [pointing to the finish line]. Fast!" Evidently
Klammer was not thinking about the correct line down the course
or the proper technique to maintain flat skis. He wasn't thinking
about gold medals, either. Franz Klammer was just racing. Where?
To the finish line.
di
But how did he do that?
How did he manage to keep skiing without thinking the same
things that all the "average" performers (and reporters) in the
audience were thinking-that he would break a leg or eat a gate of
surely
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OVERACHIEVEMENT
surely lose his number one World Cup ranking? How did he keep
from thinking about crashing? Those are the kind of questions
I would have asked Franz Klammer at Innsbruck, because the
answers provide the secret of high-stakes performance not only in
sports but also for actors, musicians, business executives, doctors,
and performers in every other field that requires someone to step
into the limelight and excel under pressure. How do they not think
given performance when they're under the gun?
about all the distractions and possible outcomes and the details of a
Fortunately, over the past two decades as a teacher of
top of many
performance psychology and as a professional adviser to performers
different fields, I have been able ask hundreds of
other talented men and women how their minds work under pressure.
I have found that the top players in every field think differently from
everyone when all the marbles are on the line. Great performers
focus on what they are doing. And nothing else. When Jordan Spieth
or Ronda Rousey cannot seem to make a false move, when Warren
Buffet or Bill Gates is in the middle of a deal, when Yitzhak Perlman
or Johnny Depp blows the critics away with a performance, they are
not thinking about their technique, what their teachers told them,
what their attorneys or accountants advised. They are able to engage
in a task so completely that there is no room left for self-criticism,
judgment, or doubt; they are able to stay loose and supremely, even
irrationally, self-confident; they just step up and do what they're good
at, concentrating only on the simplest nature of their performance.
Superstars perform so naturally and so instinctively that they seem
to be able to enter a pressure-packed situation that would terrify or
freeze most people-as if nothing mattered. They let it happen, let it
go. They couldn't care less about the results.
at the
As we say in performance psychology, "they play with their
eyes." They just look at the target and shoot. And the ball goes in;
the deals get closed; the stage performance is thrilling. Often, in
my opinion, the results are works of art. Asking Franz Klammer
to recreate that gold medal run would be like begging Leonardo to
paint another Mona Lisa. It just doesn't work that way.
2526
JOHN ELIOT, PhD
The good news: research and experimentation have
But before you can master this superstar's mindset, you
that this kind of exceptional thinking is within everyone's reach.
proven
first
Klammer, "What was going on in your mind?" they are inclined to
understand why, when people ask great performers like Franz
answer, "Nothing.
99
Journalists and fans tend to take such responses as displays
neurobiology of high performance actually confirms Klammer's
answer: What he was thinking was, at a cognitive level, truly "nothing."
of arrogance or coyness, or rehearsed, canned sound bites, but the
To be sure, great performers are well-trained, experienced,
brains work during a performance is a lot more like a squirrel's than
divinely talented. But the way their
Einstein's. Like squirrels, the best in every business do what they
have learned to do without questioning their abilities; they flat out
trust their skills-which is why we call this state of mind geared for
high performance the "Trusting Mindset." Routine access to the
of the pack. By all accounts, to be free to turn your skills loose under
Trusting Mindset is what separates great performers from the rest
is a divine feeling. The source of that sensation, however,
and the ability to do it, is hard-wired in every one of us. In fact,
you've probably already experienced the Trusting Mindset, without
the gun
even knowing it.
must
37
"As if It Doesn't Matter..."
If I were in the room with you right now-about six feet away-I'd
ask you to toss your car keys to me. You'd be able to handle that,
without any
right? In fact, I bet that if I asked you to do it six times in a row
other instruction, you'd toss those keys right at me,
chest high, every single time. I'm pretty sure about the result because
I perform this experiment every year in my performance psychology
class by tossing my car keys to students, and having them return the
toss. Sometimes I use a whiteboard marker or an eraser
(if I don'toven
ach.
ust
anz
to
ys
де
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>>
OVERACHIEVEMENT
want them running off for a joyride). But whatever the instrument,
they toss it back perfectly, a bullseye, toss after toss, without the
slightest of error. If you're like my students, you'll be thinking:
"What's so amazing about throwing a set of keys to someone six
feet away? That's not hard."
You're right. Key-tossing is a skill that we all seem to have.
I bet you could do it sidearm, left-handed or right, even behind
your back. Tossing an object a few feet is so easy that, as the saying
goes, we don't even think about it. To perform exceptionally whether
it's hitting a golf ball pure, closing a critical deal, pulling off a big sale,
moving an audience with a violin concerto, or even transplanting a
heart-requires you to be in that same state of mind, empty of all
doubt, without any thought about the mechanics of what you're
doing. All those years of education, training, and
experience... you
cannot pull up those lessons in your memory as you perform. That's
the opposite mindset, the Training Mindset. In the TRUSTING
Mindset, you have to let all that expertise be there, instinctively. Our
ability is maximized when we let our skills do the work, not our
heads. As professional golfers like to say, "you have to trust your
swing." You have to just toss the keys-pure Trusting Mindset.
The results of putting the Trusting Mindset into play are never
disappointing. Anyone who has experienced its astonishing benefits
is eager to figure out how to tap back into it, making it the Holy Grail
of high-stakes performance. Unfortunately, people tend to devote
too much time to thinking critically and evaluating themselves. In
my teaching and consulting, I have found that people get it better
once they understand more about how their brains actually work
under different circumstances.
The Neurobiology of High Performance
You can break down the Training and Trusting Mindsets into an
almost bi-polar set of descriptors. Take a look at the following chart:28
THE TRAINING MINDSET
Active Mind
Judgmental
Analytical
Scientific
Wanting It Now
JOHN ELIOT, PhD
Calculating
Effortful
Critical
Intentional
Controlling
THE TRUSTING MINDSET
Empty Mind
Accepting
Instinctive
Artistic
Patient
Reacting
Playful
Quiet
Rhythmic
Letting It Happen
telephone
These contrasting qualities of thinking, which produce
different performances, also depend on a different neurobiology
as different, in fact, as you and a squirrel running across a
wire! When you stand at the top of a telephone pole, 50 feet in the
air, and look at the infinitesimally thin wire you're trying to cross, a
million issues are likely to race through your head: I'll never make
it; it's too far; it's too high; the wire's too small, too unsteady; I can't
balance on this thing; I'll kill myself; this is crazy; it has nothing
to do with "real courage"; and so on. The squirrel, on the other
hand, just scurries across the wire, as we say, without thinking. Of
course, that's because squirrels cannot think. Their sensory system
receives sights, sounds, tastes, smells, and touches. Their brains are
able to process this information, act accordingly, and execute skillful
patterns of behavior. The human brain can do all of this, but it can
also complicate matters: we can evaluate the sensory information
and the situation, analyzing all the angles, and then intentionally
instruct ourselves to improve our performance-all qualities of the
TRAINING Mindset. This ability to reason, evaluate, and make
rational calculations is what separates us from other animals, and,
to be sure, such rationality is a blessing in life-except when you are
performing under pressure. Then you want to put aside the Training
Mindset and respond to the stimuli bombarding you as much like
2e
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Trusting Mindset.
a squirrel as humanly possible. Squirrels are natural masters of the
I want to help you find your inner squirrel. Consider that
moment in a physical examination when the doctor taps your knee
with his reflex hammer-and your foot kicks straight out, reflexively
(i.e. without a thought). It's called a "myotatic or flexor reflex," and
the neurobiology goes like this: The blow of the hammer compresses
a sensory nerve in the knee, altering its chemical structure, which, in
a chain reaction, sends an electrical signal along the nerve up to the
lumbar section of the spinal cord. This ascending nerve connects
to a parallel descending motor nerve that dispatches the electrical
signal down to the muscle group that causes the leg to extend. If
you're sitting on the examination table and the doctor taps your
knee without warning, your foot will actually kick out even before
your brain gets the signal that the doctor is armed with a hammer.
Neuroscientists call this chemical-electrical response "closed loop
information processing." (Mention that to your doctor during your
next physical, he'll be impressed.)
The classic flexor reflex is a human response that is far less
complex than the neurobiology of a squirrel scurrying across a
telephone wire. There are actually four types of closed loop processes:
1. Monosynaptic Reflexes (the flexor reflex), which are the
shortest and quickest, involving the fewest neurons
2. Multisynaptic Reflexes, organized through spinal cord
interneurons (e.g., responding to stepping on a piece of
glass accidentally, or picking up a scalding cup of coffee)
3. Brainstem Regulatory Functions (such as controlling the
heart and lungs)
4. Patterned Intentional Behavior, organized in the thalamus
(the same kind of processing the squirrel is using)
With each progressively more complicated function, more
neurons and more neural junctions are involved. Of the human
body's roughly 100 billion nerve cells, the flexor reflex needs onlytwo to function properly. Higher
thalamus, might
those at the brain stem or
thousand. The cerebral cortex, however-home of
number of brain
thought, judgment, reason, and calculation-needs billions of
level, the Training Mindset, is called open looped-open, literally, t
nerves to do its thing. Information processing that occurs on that
interpretation. Once the cerebral cortex gets involved, the transfer
from incoming sensory data to outgoing action is influenced by any
s adding input, thus slowing the system down,
impeding behavior efficiency, and increasing the chance of error?
The squirrel has no cerebral cortex. But the animal does have a
thalamus, a bunch of clusters of neurons in the brain, ganglia, called
"pattern generators" that produce programmed activity in
to stimuli. It's the highest level closed loop processing available to the
brain. The squirrel runs across the wire or finds food by executing
ingrained instincts-trusting them, so to speak. The signal
in, gets turned into a pattern in the thalamus, and a response is
sent out. If the wind is blowing the wire to and fro, that sensory
stimulus is sent to the squirrel's thalamus, which modifies the motor
pattern sent out to allow the squirrel to react to the change and s
balanced on the wire. With no cerebral cortex, the squirrel i
distracted by any complex assessment of information, cannot say
"Oh, crap!" nor judge likelihood of success, and thus sticks with
a closed loop process-with virtually no misplaced steps, I
balance, or fatal falls.
loss of
We humans can assure a similar kind of closed processing by
taking our cerebral cortex out of the game, as it were, and allowing
ourselves to react to sensory stimuli with motor responses we have
already stored. The star basketball player looks at the rim and shoots
No evaluating the distance, no decisions about how high to extend
the shooting arm over a defender, how much to flick the wrist for
perfect rotation, or what the consequence might be if missed. No
use a
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2 Neuroscience teaches us that there is a positive correlation between
the number of neurons involved in performing and the
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OVERACHIEVEMENT
pattern generator-the
up the spine to the thalamus into a central
thinking period. Neurologically, the sensory information shoots
"superior colliculous" is the one in charge of the kind of motor skills
used in basketball-where it is organized, transferred to descending
neurons, and sent back to cause the arms and hands to do what a
basketball player has trained his arms and hands to do. In other
words, look and shoot. For the star basketball player, it's instinctive just
as it is for a squirrel-executed the same way as tossing a set of keys.
Unless you are distracted by your inner critic. Conscious thought
will convert these to open loop operations. Once the cerebral
cortex is activated, the system begins to look a lot like a California
freeway at rush hour (particularly like intersections referred to as
"spaghetti junctions")-millions of neurons releasing multiple
kinds of neurotransmitters into hundreds of synaptic junctions all
at the same time and converging at the same pattern generator (or
worse, simultaneously at conflicting pattern generators). It is up to
the brain to figure out where all the signals should go. When the
cerebral cortex gets very active-all that reasoning and evaluating
that goes with the Training Mindset-the brain's pattern generators
get
overloaded and thus the system gets bogged down, producing
less efficient, less successful action, with a greater number of
mistakes. In short, you don't perform with your "A-game".
But you are still capable of being a skilled Truster. As the
experiment showed, we are born key-tossers. Tossing a set of keys
seems to require no thought, very squirrel. The consequences are
minimal (next to none) so we don't bother to use our cerebral cortex.
We just act, and thus the thalamus produces whatever pattern it
has stored via a closed loop. But if I told a large group to come
back next week for one chance to toss that same set of keys into
my hand, chest-high-this time for a $1,000,000 prize to the most
accurate tosser-enter open loop processing. Things would likely
turn scientific; people would start practicing. A few contestants
would surely find a way to sneak into the room at night to get in
some repetitions on the "game field." They'd set up video cameras
to help them work on their key-tossing technique. "Did I keep my
31M
32
wrist square with the target? Was my elbow aligned for the optimum
toss?" I wouldn't be surprised if people started going t
simple, "minimal synaptic" task, not to mention
to the gym to
get into key-tossing shape.
a fun game, is now difficult and filled with a
potential for anxiety.
What was a
room-and end up choking. Imagine if we turned key-tossing into a
Once the pressure is on, people try to toss a set of keys across a
college sport with full-ride scholarships. Summer key-tossing camps
charging 65 dollars an hour for private lessons. How-to books would
for kids would appear. Coaches would pop up around the country,
Sports would sign an exclusive TV contract, Nike would buy rights
hit the display shelves at Barnes and Noble. Before you knew it, Fox
print their logo on the keys and, depending on the genius of the
promoters and advertisers, we'd be on the way to 40 million people
to
watching "The World Series" of key-tossing.
If you think that's crazy, remember that the multi-billion dollar
professional sports industry evolved from games invented by kids
in backyards and sandlots. And then consider the rapidly increasing
popularity of the X Games-professional skateboarding, sky diving,
and street luge-and there are even lumberjack championships on
ESPN where men and women compete against each other sawing
massive logs. I recently read of people training for an annual hot-
dog eating championship on Coney Island, which is the finals
of an official international league-I kid you not: MLE, Major
League Eating-featuring point spreads, performance enhancing
drug accusations, instant replay review, a six-time title holder who
has turned his wins into seven-figure endorsement deals, and an
average of 1.95 million TV viewers each year. But it's still just eating
hot dogs-or skateboarding, or chopping down trees. What has
changed is the mindset. That instinctive, free-wheeling, "What's the
big deal?" trusting attitude has been replaced by an analytical, critical,
evaluative, "there's a fortune hanging on this toss so I better make
sure I've got it right" training approach to performance.
Superstars do not think that
way.
: When it's go time, when it
really counts, technique is not on their mind. Like a child playingn
O
OVERACHIEVEMENT
tag or kicking a soccer ball against a backboard, they give their skills
free reign and do not focus on anything else but the target of that
particular moment. Or in the words of hot dog eating champion
Takeru "The Tsunami" Kobayashi, weighing in at a mere 145
pounds: "I was standing right next to him [6 ft. 5 in., 400 pound
foe Eric "Badlands" Booker], but I was too focused on my game.
I didn't want to suffer the mistakes I had made in the past, where
was looking around to see what everyone was doing. It was just me
and the dogs."
That is the Trusting Mindset at work, albeit for the curious
honor of eating a "world record" 110 hot dogs in 10 minutes. ("The
Tsunami" won his first title in 2001, eating double the number of
hotdogs as Booker-and two other 400 pounders!)
When the job is on the line, great thinkers resist the urge to be
smart, cautious, or scientific. They manage to keep their cerebral
cortex off the playing field or out of the boardroom. For them
performance is simply "child's play"-which suggests a useful
definition of the superstar's edge:
The Trusting Mindset is what you were
in before you knew any better.
-vd
The Feel of It
-
Athletes who've actually been in the Trusting Mindset are notoriously
inarticulate about what happened. Franz Klammer could not get
much beyond the description that "nothing" was going on in his
mind. Most athletes tend to stress how little control they try to
exert-"I was playing out of my mind," is a common description-
while they let their skills simply take over. Similarly, astronauts,
pilots, and well-trained soldiers who have performed super-human
feats with their life on the line talk about being a little concerned at
first-"and then my skills kicked in." Actors and musicians tend to34
moment." Some performers have described
talk about it in spiritual terms: "I was in the present." "I stayed in the
an almost out-of-body
experience in which playing the role or the music comes so easily
feeding off the audience's response, watching themselves as if
that they have the feeling of hovering over their own performance,
And while the press has not quite gotten to asking wizard
entrepreneurs, CEOs, heart surgeons, or other highly successful
external observer.
business executives what it felt like to score big under
pressure, I
athletes and musicians I have worked with or interviewed
have, and their answers are pretty much the same as what I hear from
were so totally involved in what they were
the many
They
thinking through their steps or evaluating themselves.
remember only the feel of the performance; they weren't cautiously
I think you know the feeling. Go back to key-tossing-to that
sense of doing something that doesn't really count, the freedom of
performing like a kid at play. Nothing is riding on throwing keys so
you just let them go, and perfectly so without trying to be perfect.
Here's another example I like, one that former college football coach
and NFL Super Bowl champion, Jimmy Johnson, used to help his
players play with more abandon, which I now use in
my class:
Put a two-by-four board on the floor
and walk from one end to the other.
JOTO 186
can
It is not hard. Not one of my students has ever fallen off the
board. If you videotape yourself, you will see that your foot hits the
middle of the board every step of the way, as if you were walking
down the street. Your eyes just look past the board at the far end, to
where you're going, and your feet just move.
Now suspend that board 30 feet into the
air and walk from one end to the other.
A whole lot harder. I suspect that your form would change
CAPE VOUSI stayed in the
t
out-of-body
mes so
easily
performance,
ves as if
ing wizard
successful
pressure, I
hear from
erviewed:
they can
utiously
-to that
om of
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erfect.
coach
5 his
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e
an
60
OVERACHIEVEMENT
and say, "No way!"
You'd inch along, maybe extend your arms for balance, look down
at the board or the ground below. Or maybe you'd stand at one end
Yet the process it takes to walk across that board-on the
ground or 30 feet in the air-is EXACTLY THE SAME. Even for
the mid-air walk, all you have to do is look at the other end and go,
if
you were
as
walking down the street (or walking along the board
as if it were on the ground). Theoretically. Practically, it's a different
matter and this, I believe, illustrates the feeling that accompanies
the Trusting Mindset perfectly. A tightrope walker is in a Trusting
Mindset in an environment where everything screams: "Watch out!
Be careful, gauge every step, get back in the Training Mindset!"
The difference between circus performers and the rest of
us is that they have conditioned themselves to perform just like
simply, as if out on an afternoon stroll.
squirrels and step onto a sky-high, swaying wire, effortlessly and
Speeding Toward the Bottom Line
It is easy to see how this kind of trusting mentality might work for
an actor or musician caught up in the moment of performance. Like
a downhill skier, they are in no position to stop and evaluate what
they're doing. They, too, have to adjust on the fly. But what about
the business world, where rationality and evaluation rule, where
success is determined by profit and losses? Every quarter, financial
officers are checking the balance sheets. In business, the definition
of a successful performer is "making your numbers." Surely, that
requires depending on the higher processing of the cerebrum. rum
But legendary business performers don't think this way. Like
legendary athletes, they divide their time between working on their
game and playing it, between training and trusting. And while in
business verbal skills are likely to be more important than motor
ones, business superstars practice accessing their inner squirrel in
order to perform their best in high stakes situations.
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EVEMENT
employees,
of books on "10 proven strategies to sell anything" to all of their
or actually have their own, hundred-plus page sales
manuals: 1) You dial the number; 2) You say, "hello"; 3) You begin
by talking about...; 4) You raise the problem, and then say
It's as if the work could be successfully completed by a well-designed
step by step, the kind of easy personal and emotional connection
computer program. But when you are thinking about how to sell,
that increases your odds for selling disappears. The big sale is a lot
less likely to happen if you are counting up the number of widgets
you're selling, translating that total into gross and net profits, or
keeping a watchful eye on your approach and delivery, instead of
engaging your customer. Such self-consciousness only fires up your
cerebral cortex, those billions of neurons go to work, and in such
an overloaded mental state, mistakes get made: You fail to pick up
subtle but important cues from a sales prospect, you stumble over
your notes in a presentation to the board, and when questioned,
you give poor answers or explanations. After it's over you say, "Oh,
I should've..."
Selling is very different from trying to be a salesman. Getting
an A in "Sales and Marketing" at the Harvard Business School is
not the same as being what the celebrated General Electric CEO
Jack Welch used to call an "A-player" in the sales department at GE.
One, in fact, is a classic example of the Training Mindset, while the
other is a result of the Trusting Mindset. d
That is not to say that great salesmen can ignore training. Far
from it. Hundreds of hours of practice and sacrificed weekends
spent at training programs are necessary to develop your talent.
But there is a time to evaluate how you did and what you must do
in the future to improve. And there is a time to perform. When
sales count, when the company's bottom line is in your hands, it's
time to enter the Trusting Mindset. The best executives go there all
the time; they've purposefully devoted so much time to practicing
thinking that way that they can switch it on at will. And so do the
entrepreneurs, surgeons, diplomats, politicians, and other best-
in-their-class performers.
best
3738
JOHN ELIOT, PhD
"When I concentrate on the target, I forget everything else"
in Tokyo. He's actually talking about his accomplishments
says Hisashi Yamada, a top engineer for the Toshiba Corporation
champion archer. But Yamada switches on that same kind of
trusting focus at work where he is leading a joint team of Toshiba
and NEC engineers in a tense race against Sony and Samsung to
develop the next generation of 3D NAND memory chips. From
"forgets about everything else," he is likely to be more successful at
of competitive archery, Yamada knows that when he
his years
whatever he does.
more often and more quickly than athletes or even
In fact, business people have to switch into the trusting mode
tight rope artists.
Performing on the high wire, like most sports, is a programmed
affair: The show is at 7:00 p.m., and so at 6:45 you are
business, the phone will ring and suddenly you're talking t
who has just announced that he's pulling a
ready to go. In
to a client
million-dollar account
you are in the middle of a step. Only someone who's conditioned
from your company. You are not only already out on the high wire,
her instincts to be in the Trusting Mindset can keep from falling-
from losing that million-dollar account.
as a
How do great performers in every field switch on the trusting
mode at will? Some do it intuitively, and that is why we call them
"natural talents." Others, however, have learned to trust their abilities
and their experience by gradually spending more and more time at
work in the Trusting Mindset. You can learn it too, but you have to
be willing to be uncomfortable at first. If you're skilled at using your
Training Mindset, just letting yourself trust will feel quite foreign.
Often when I describe the Trusting Mindset to my clients, they
immediately ask, "What do I have to do to make it happen?" I tell
at me as if I'm
them to do nothing-and then repeat it again and again. They look
. But that's exactly how the best perform; they
practice thinking of nothing when the pressure is on. More practically
stated, they practice giving their performances specifically using the
kinds of thoughts and feelings in the Trusting column of the chart
above. They devote time every week to working without judgement
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spot.
a product and must be prepared to answer questions on the
Consider sales. The salesman on a call has to give a spiel about
information will occur just as it does for the key-tosser or basketball
For the experienced salesperson, the closed loop processing of
Sensory stimuli will be sent to the parts of the brain that specialize
player (though using a different set of neurological networks).
in cue recognition and language production (Wernike's and Broca's
areas, named after the scientists who discovered them). Depending
on a customer's questions and reactions, a skilled seller will
a pattern of explanations, facts, or illustrations. Just
generate
as athlete
relies on the right motor patterns ingrained from years of practice,
visual, spatial, and verbal patterns-stored during their education
sales pros, or any top business executive for that matter, will trust the
and on the job experiences-to be at their side during an important
deal. They, too, just let it happen.
When you talk to great salesmen, they tell you stories of
pulling off an amazing close. Typically, the result was
Sunday,
They went into a meeting, began talking to the guy on the other
side of the desk whom they didn't expect to be in a buying mood.
They break the ice by talking about the football games on
marveling at how Emmitt Smith took over Walter Payton's all time
NFL rushing mark at 33 years old in really the last game available to
break that record in front of his family and home crowd. Suddenly,
they realize that they were both at the same game-sitting only two
rows away from each other! The experienced salesman reacts to that
coincidence by building on it, keeping the conversation flowing,
looking for more connections that might create the kind of bond
with his client that will clinch a sale. They proceed to discover other
things in common: friends, colleagues, interests. Before they know
handshake worth $3,000,000.
it, two hours have passed, and, better still, the meeting ends with a
Neither the genuine pleasure of those two hours of work
nor the sale that resulted was planned. No formula exists for pure
salesmanship any more than for an astonishing round of golf or a
great night on stage. Yet many companies give thousands of copies
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