Write an 1 and half page essay that talks about Native American experiences and representation with ethnocentrism, manifest destiny, the commodification of Native Americans, racial mascots and imagery (Choose 2 of these or more if wanted). Use the article attached and the videos to answer the question. Guideline for the essay will also be attached In your first paragraph name the exhibit, briefly describe why you found this exhibit interesting or informative, and list the theories and concepts (ones above) that you will use to analyze the exhibit, making sure to include the name of the articles and authorsBody (of the essay) Layout: - After your first paragraph 1) Begin every paragraph by first referring to some aspect of the video/exhibit that you want to analyze, and make it clear that this information comes from the exhibit, by just saying it’s from the exhibit. Then, in the same paragraph, use your chosen, theory, concept, material etc. to discuss/analyze this aspect of the video you have just referenced. This is where you cite from the reading, and if you are using a theory or concept, where you briefly define it, before you use it, not forgetting to cite. 2) In your successive paragraphs, begin with, “Another aspect of the video I will discuss is…” or words to that effect. Or, “Another set of images I want to discuss are…3) Please don’t write long narratives from the readings at the beginning of every paragraph in the body of your essay, as your main points will get lost. Keep it simple: (1) an aspect from the video/exhibition and (2) your theory, concept, material etc. to analyze it. Remember to define a theory or concept before you use it in your analysis. 4) In the body, focus on a different aspect of the exhibit/video to analyze. Don’t analyze the exhibit “generally,” but pull out specific aspects of it to analyze, using your theories/concepts, arguments data and material of choice. 5) You must cite in the body of your essay, and when you describe material from the videos , cite by just referring to the videos (do not list the web link). 6) Your conclusion should only be a paragraph. Exhibit One: Videos on some aspects of Native American experiences and representation:

HELLO, I NEED A 300 WORD SUMMARY OF THE PERSISTENCE OF POETRY AND THE DESTRUCTION OF THE WORLD. I ALREADY COVERED THE AUTHOR'S BIBLIOGRPAHY. SO I NEED A SUMMRY OF 250 WORDS. THE THESIS STATEMENT IS IN PARAGRAPH 22. SO IN THE SUMMARY YOU NEED TO INCLUDE THE THESIS STATEMENT. AND THEN THE EVIDENCES OF THE THESIS STATEMENT.

Before answering this unit's questions, you should read “Next Door Monsters: The Dialectic of Normality and Monstrosity in True-Crime Narratives,” p. 175 in Natural Born Celebrities.These postings will be written responses.DirectionsFull-bodied entries—of at least ten sentences of writing from you (in addition to quotations from the text)—are more likely to receive full credit. Lesser credit will be assigned to work that is missing, brief, or clearly disengaged or sloppily produced such that miscues interfere with readability.Your responses to other students’ work are also assessed. Students often resist commenting on each others’ work in substantial ways; instead choosing to post simply “good job” or “looks okay to me.” This kind of peer response doesn’t help your own—or your peers’—development as a writer and thinker.Acceptable peer responses will, among other things: Explicitly identify what was learned from someone else’s work. Ask a follow-up question. Offer an alternative interpretation. Offer concrete strategies for improvement. Questions (Reading)Choose one questions to answer: Schmid argues that the position of the criminal as an "insider" in a community or his position as an "outsider" from the community helps us to understand the persistent trend in crime procedural films and television shows. Using material from the chapter, show us how this applies to Norman Bates? Is he an insider or an outsider--and how does this help us accept/reject him? "In some respects, the absence of sympathy for the criminal in contemporary true-crime narratives recalls the Puritan view of sympathy as a dangerously unstable emotion" (Schmidt 195). How does Schmidt suggest that having sympathy for a serial killer is a good thing/bad thing? Is that even possible? Why would we want that? Schmidt elaborates upon the long history of true crime novels with an extended analysis of Truman Capote's In Cold Blood. How does this example apply to Psycho? Why would we want to become intimate with serial killers? What is the moral dilemma faced by those who come face-to-face with these killers? What is gained by seeing their stories?