Who constitutes the creative sector questions, art & design homework help

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Frirazrzb

Humanities

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Read the articles/chapters and answer the questions. Remember the importance of expressing the main idea effectively and making a meaningful comment. 

1- Why does Bill Ivey believe that public policy should contemplate not only the nonprofit sector but other organizations?

2- Who constitutes the creative sector and which are the 3 supportive systems that Cherbo analyzes?

3- What are the main difference between non-for profit and commercial arts organizations?

4- Wyszomirski talks about public and private policies; what are the differences and how do they affect the arts? Think and write down one example of public policy and one example of private policy.

5- What is a public-private policy partnership?

6- What does structural variation mean and how does it affect the practice of cultural policy?

7- In your opinion, and comparing the articles that we saw last week and the ones of this week, what are the current issues that cultural policy should focus on?

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Explanation & Answer

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1. Why does Bill Ivey believe that
public policy should contemplate not only the nonprofit sector but
other organizations?
He believes that
only contemplating the non-profit sector is eliminating the
opportunity for financial growth with intellectual property, museum
collections, historical archives, performing arts repertoires, image,
film and music archives. He is basically saying that the term
“starving artist” is archaic and we can redefine public interest
in the arts with its many resources.


2. Who constitutes the creative
sector and which are the 3 supportive systems that Cherbo analyzes?
Museums and collections, design,
publishing, performing arts, film, radio, television, visual arts,
photography, art schools, arts service firms and informal
arts (non-professional arts organizations such as Community
Theater, Music Clubs, Folk Art Groups. They are non-profit but give
the community a sense of identity and social cohesion.)

Three supportive systems –a)
upstream production infrastructure provides equipment
and supplies; network of financial support; education; training;
research; professional development and information.4

b) downstream distribution
infrastructure connects creative industries to market and
consumers; retail outlets; media advertisers; venues; brokers;
critics; audience research; links arts to public.

c) general public infrastructure
includes public funding; policy
authority; legal regulations; advocacy ...


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