Description
Select one movies:
1. Le Moulin 風車詩社 (dir. Ya-li Huang, 2015)
2. A Borrowed Life 多桑 (dir. Wu Nien-jen, 1994)
1000 words
should be precise and concise, in providing substantial arguments about how the films go after (appropriate and respond to) the empires – Japanese colonialism, Chinese cinema or Nationalist Party’s film policy, and Hollywood film industry or world market.
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Le Moulin Film Commentary
There have been numerous efforts to understand the basis, which different Taiwan films
have been developed. Understanding the concepts and motivation behind the creation and
development of different Taiwan films serves to develop a strong basis to understand the
community's different cultural and historical aspects. The Taiwanese film making industry has
adopted different directions. Therefore, through extensive analysis of different forms of
Taiwanese films, it becomes easier to understand different aspects of film creation and
development.
The Le Moulin film serves as a commentary film highlighting key developments during
The Japanese colonial era. In its development, the film captures critical developments taking
place in the course of the colonial era and utilizes different forms of aesthetically pleasing scenes
that capture the audience's attention. The film's creation appears to capture key developments
involving the Japanese educated Taiwanese poets who have a significant impact on crucial
developments within the community (Hung Teng). There is a creative recreation of different
scenes highlighted in the film; they outline key developments that took place in the colonial...