Last Days of Socrates, Humanities Essay help

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funylac_17

Humanities

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Four Texts

Euripides I, ISBN 978-0226307800

Plato, Last Days of Socrates: 978-0140449280

Robert Fagles, Virgil's Aeneid: 978-0143106296

Dante, Inferno, 978-0142437223

Prompt: Choose any one of the four texts and conduct a 1,000 or more worded essay. The first half of the essay you will need to analyze the theme/text, and for the second half of the essay you will need to explain how it relates to the world.

-providing evidence within the essay would be helpful

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Attached.

Running Head: LAST DAYS OF SOCRATES: 978-0140449280

Last Days of Socrates: 978-0140449280

Institutional Affiliation
Date

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LAST DAYS OF SOCRATES: 978-0140449280

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Last Days of Socrates: 978-0140449280

Monster in America book focuses on the colonial past to the present as it presents the monster in
all its different forms that may staple off the American culture. Generally a masterful survey of
this book of the grim that's often prone in disturbing the past. The monsters in America brings
together the history and culture studies in a unique way as it exposes fully the dark obsessions
forms that are involved in helping the creation of the national identity (Poole, & Scott, 2011).
According to this book, the monsters are not fears of the different individual's psyche and thus
this historian Scott Poole explains about the concoctions that are entailed to the imagination of
the public. This history describes the different cultural influences that exist in America, the social
changes that took place and other historical events that took place in the past (Freedman, 1998).
This chapter discusses the conflicting anxieties that took place in coordination to the race, class,
gender, science, religious beliefs, sexuality and the policies manifests in conjunction with the
populace discussion. With reference to the Victorian era, the mad scientists of the modern day
serial killers give rise to the monsters that appear as the American society evolves that parallel
fluctuation of different challenges that exist due to the influence of the status quo.
The consultation of different newspaper accounts, the comic books, archival materials, films,
persona; papers and the oral histories help the Poole adroitly illustrate how far then creation of
the monstrous that reflects on the general society fears the shaping of an actual historical
behavior may have a great cultural reminder of all the sorts of inhuman acts (Poole, 2011).
With reference to chapter six of this book, it's evident that since the start of the 19th century the
sea serpents of the current obsession of monsters were dominated by various vampires and

LAST DAYS OF SOCRATES: 978-0140449280

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zombies. Poole plots the American past through its basic fears in this intriguing form of social
history. The author and the history professor w. Scott Poole generally sets a bar that's ridiculous
more and very high for all types of future research that are explored in the locus of the different
historical and cultural studies that particularly run as its pertained to the horrific move.
In general the equal parts are thought to be frightening as the monsters in America explores the
darkest recesses of the American history in consideration of the distorted form of reflection of
the fictional monstrosities for teasing out the true horror form for the nations unflattering in the
past, ideologies and other political and religious nightmares that are uniquely suited for running
different shores forms (Poole, & Scott, 2011).
Poole did the research as he was writing this book. Poole gave his attention in detail so as to
describe both the eras of the American history and the evolution of the general horror genre that's
greatly amazing. The insights of Poole into horror are very interesting and refreshing too since he
moves beyond the obvious lending under different perspectives (Freedman, 1998).
Generally, Poole focuses on the terrors that lurk in the darkest places in the American history.
The dark places generate monsters from sea serpents to zombies under a situation that the witch
trials run lead to alien invasions and from Dracula to Norman Bates. Generally, Poole uncovers
the real horrors that lie under the nation's fascination with another monster.
This book, the Monsters in America gives the guide to the journey into the nightmare territory
that's more insightful and brilliant too. In October the month when every horror relates to this
project under the sun is campaigning for a genre fans form of attention. This chapter focuses on

LAST DAYS OF SOCRATES: 978-0140449280

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delivering information to everyone interested in the Salem witches, the frontier wilderness
beasts, Freddie Krueger, freak show oddities and much more (Poole, 2011).
This book is designed at an angle that's indeed frightening the general vision that's persistent to
compelling the American desire for entertaining the grotesque that's very horrific. In general, to
this chapter, Poole brings to life the American horror stories that are reframed with a folk belief,
religion and also popular culture that are broadly unraveling to the idea of the monster thus
thanking his insights that are seen to be ubiquity of the monster that's lurking in and out around
everyone.
Poole gives out an invitation of the enlightening to an important disturbing conversation about
the real monsters that may inhabit the dark spaces of the America's past. The connection of Poole
to the monster of the American history is kind of different features that meet the American
cultural history. In this chapter, I have not only met monsters but also I have discovered about
the Americas cultural monstrosity (Poole, & Scott, 2011).
This book exposes all forms of darkness obsessions that provide great help to the creation of new
national identity. According to this chapter, I can certainly assert that monsters are basically not
jus fears of the individual's psyche but they are concoctions of the general public imaginations
reactions that lead to cultural influences and fears that result from a social change that exists due
to a historic event (Poole, 2011).
Chapter 2
Goth Americana

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This chapter talks about Goth Americana. The two Goth Americana in one dark day that was in
the middle of the night in which the two dead boys came out with an aim of fighting back to back
as they faced each other and pulled their knives as they managed to shoot each other. Scott story
in this chapter short story succeeds by combining the gothic sensibility in which the genuine
terrors more from the American past (DeSanctis, Jackson, Poole, & Dickson, 1997).
A graduate student known as Helen conducted a research on the legends that were contemporary
located in Chicago. She began the collection of different mythical stories but among the stories
that she collected there was the candy man story that contained different motives that were
dissimilar from the other well-known legends in the urban regions, who included the endangered
babysitters with unquiet spirits that appeared in mirrors when they were fatally summoned to
them maniac killers who had hook in their hand. The research carried out by Helen was
composed of a deadly twist that wasn't expected by the ingénue folklorist who weren't expected.
There were two African American women at Helens University. They had the connections
related to the Chicago infamously violent Cabrini green housing monsters that existed in the
American Cabrini green (Cassuto, 2013).
The monster folklore appears complete with a historical origin story that was rooted down into
the cruel racial of past of the Americans. Candyman, who was also a son of a slave, won the
chance to become artists who were known all over in the Midwest. Candy was once offered work
of drawing virginal young daughter by a wealthy of lands in America. Candyman fell in love
with the daughter and thus the young white girl got pregnant and an ultimate terror of a white
supremacist nightmare existed in them. According to this chapter, it's evident that the violation
of the American race resulted more into a brutal lynching. Candyman hand was cut off by the

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enraged mob and then covered with honey so as to open the way for bees to feast on him after
whom he was burned alive (Poole, 2009).
This story found in this second chapter about candyman is a story of a monster in America that
was born out of the terrors that existed in the past. This story idea was borrowed from the gothic
motifs as well as from the other American anxieties over the different races, sex,...


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