Great Gasby Project

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The Great Gatsby Final Project You must complete one task from each category. Label each section with the category and number. This is worth 40 points total. Category One-Creative Writing (1 page) 10 points: 1. Choose a scene from The Great Gatsby and retell it from a different character’s point of view. 2. Pretend you are Gatsby and write the letter Daisy receives the day before her wedding. 3. Write an alternate ending for the novel. 4. Fitzgerald leaves several important scenes in The Great Gatsby to our imagination. Choose one of the scenes below and use dialogue to show how you imagine the scene actually occurs. • • • Daisy and Gatsby’s reunion in Nick’s house after Nick has left them alone (Chapter 5). The unheard conversation between Daisy and Tom at their kitchen table after Myrtle is killed in the car crash (Chapter 7). The scene where George Wilson kills Gatsby (Chapter 8). Category Two- Persuasive Writing (1 page) 10 points: For the following, use proof from the novel. Cite your proof with page numbers. 1. After the car wreck that killed Myrtle, should Gatsby take the blame? Or should he turn in Daisy? 2. Gatsby says you can repeat the past. Nick says you can’t repeat the past. Based on the novel, who is right and why? 3. Are Gatsby’s feelings toward Daisy true love or obsession? Category Three- Informative Writing (1 page) 20 points: Choose one of the following. Write a one page informative essay about the topic using at least two source (website, textbook, ect). Cite the source at the bottom of the page. 1. Between 1920 and 1929, automobile ownership rose from eight million to twenty-three million cars. What affect did this have on the lives of the American population? 2. How did women’s fashions change during the 1920s? How did this reflect the new freedoms women had in the 1920s? 3. What is bootlegging? What is Prohibition? What was the effects of Prohibition? 4. Compare the events in the 1920’s and 1930’s to Zelda and F. Scott Fitzgerald’s real lives. Explain any events from The Great Gatsby that appear to be similar to the lives of the Fitzgeralds. F. Scott Fitzgerald’s The Great Gatsby “How to be a Millionaire or Just Look Like One: Jay Gatsby: The Artful Poseur” Importance of Setting in The Great Gatsby • 1922: The 1920s represented an era of rapid change. WWI had ended, America was victorious, and the economy shifted to prosperity (largely due to mass production of exportable goods and the creation of a “consumer culture.” • Defiance of the Prohibition Act, women gaining the right to vote, relaxing of social mores, the rise in organized crime, the influence of Hollywood, advertising, and the fashion industries, all contributed to the advent of the Roaring 20s—a time of reckless spending, get-rich-quick schemes and an abandonment of the noble ideals of hard and honest work. • East Egg (where the old money families live) and West Egg, Long Island (where the nouveau riche [newly rich] reside. • The Valley of Ashes (Industrial section): the depression and grime symbolize the wealthy’s exploitation of the working class. Myrtle Wilson feels trapped in the “ash heap.” Settings: reflect social class Note, for example, the contrasts between the interiors of: Gatsby’s and the Buchanans’ houses, Tom and Myrtle’s apartment in New York City or the Plaza Hotel, and George and Myrtle Wilson’s garage/apartment. Political/Social Climate in 1920s • President Woodrow Wilson had led the country through WWI. • Warren Harding (Republican) was elected President in 1921. His administration is remembered for its CORRUPTION. • The government and law enforcement did little to stop the illegal sale of alcohol. • The nouveau riche (new rich) emerged: a generation of wealthy individuals who did not inherit their social and financial status, but who became suddenly well-off due to lucrative business ventures (some were illegal). “The American Dream” was attainable without “hard work” or “perseverance.” Warren Harding President Warren G. Harding (1922-1923) Though he promised a “return to normalcy” after the war, Harding accomplished little as president. Some political analysts believe he was elected because of his distinct charm and strong, masculine good looks rather than his political intelligence. During 1922 he unknowingly contributed to an elaborate oil scam known as the Teapot Dome Scandal, where members of his own cabinet were using the rights to public oil reserves for personal gain. He died of a heart attack in 1923, leaving behind one of the most corrupt administrations to ever occupy the White House. 18th Amendment Fails • 18th Amendment: prohibiting the sale, manufacturing, or transporting of alcohol, went into effect January 16, 1920. The intent of the Amendment was to help the working man rise up from the poverty his drinking habits had created. Instead, alcohol sales sky-rocked. Prohibition Creates Bootlegging Industry • Crime increased because people rebelled against laws prohibiting alcohol. ● Numerous “speakeasies”—nightclubs where alcoholic drinks were sold—cropped up. Gangsters Gangsters profited during this decade by smuggling alcohol and distributing it to different illegal businesses. Al Capone from Chicago was one of these gangsters. He made $105 million a year smuggling alcohol. Political and law enforcement corruption contributed to the rise in crime. • What do Al Capone, Coco Chanel, and Greta Garbo have in common with Jay Gatsby ? • They all reinvented themselves in the 1920s. “Al Capone is America's best known gangster and the single greatest symbol of the collapse of law and order in the United States during the 1920s Prohibition era. Capone had a leading role in the illegal activities that lent Chicago its reputation as a lawless city.” (Chicago Historical Society Home Page). From Alphonso the pin boy to Al the king pin ■ Born 1899 in Brooklyn, NY and grew up in a rough neighborhood. ■ Dropped out of school in the 6th grade at the age of 14. ■ Joined 2 gangs as a teenager. ■ Held various menial jobs: pin boy in bowling alley; clerk in candy store, etc. ■ Got involved in Five Points Gang (Manhattan) (Chicago Historical Society Home Page). • Frankie Yale, the boss of the Five Points Gang, sent Capone to Chicago after Capone caused serious injury to a rival gang member. • John Torrio, Yale’s old mentor, saw great potential in Capone because of his physical strength and intelligence (and because Capone was capable of killing gang rivals) (Chicago Historical Society Home Page). • Soon Capone was running Torrio’s bootlegging business, brothers and saloons. • When Torrio was shot and wounded by a rival gang member, he left town. Capone took over as “Boss” (Chicago Historical Society Home Page). Other Social/Political Factors of the 1920s: ♀19th Amendment • August 26, 1920, the 19th Amendment passed. • Now women had the legal right to vote. • Although women did not flock to the polls to vote after the 19th Amendment, this landmark legislation does reflect the 1920s image-conscious “independent woman.” (Women still gained status via a “good marriage). Consumerism Rises • The prosperity of the post-WWI era is attributed to the “Culture of Consumerism” fueled by advertising in mass circulation of magazines such as Ladies Home Journal and The Saturday Evening Post. Hollywood experienced a boom. Tabloids flourished (b/c we wanted to read about the rich and famous). The Fashion Industry also Flourished How important is fashion to Jay Gatsby? • At 17, when Jimmy Gatz decides he is really Jay Gatsby, his mentor, Dan Cody, takes him to Duluth and “[buys] him a blue coat, six pairs of white duck trousers, and a yachting cap” to sharpen Gatsby’s image (100). Gatsby’s clothes are mentioned several times in the novel. • There’s a “caramel-colored suit” (64) • He shows Nick a picture of himself and other young men in “blazers” at Oxford (67). • He wears a “white flannel suit, silver shirt, and gold-colored tie” when he meets Gatsby’s suits are mentioned several times in the novel. • There’s a “caramel-colored suit” (64) • He shows Nick a picture of himself and other young men in “blazers” at Oxford (67). • He wears a “white flannel suit, silver shirt, and gold-colored tie” when he meets Daisy at Nick’s house (84). His multiple shirts move Daisy to tears. • When he gives Daisy a tour of his house, Gatsby shows her his wardrobe: • “…he opened …two hulking patent cabinets which held his massed suits and dressing gowns and ties, and his shirts, piled like bricks in stacks a dozen high” (92). He took out a pile of shirts…shirts of sheer linen and thick silk and fine flannel…” • Daisy comments to Gatsby: “You resemble the advertisement of the man” (119). • Tom makes fun of Gatsby’s “pink suit” (122) "How many cares one loses when one decides not to be something, but to become someone." --Gabrielle "Coco" Chanel • Designer Coco Chanel was born Gabrielle Bonheur Chanel in 1883, although she would later claim that her real date of birth was 1893, making her ten years younger. • Her mother died when Coco was 6 years old. She spent most of her childhood in the orphanage of the Catholic monastery of Aubazine. There she learned the trade of sewing. During WWI, Coco moved to the resort town of Deauvile, where she met and became mistress of an English military officer, and then of a wealthy industrialist. From Gabrielle to Coco • “Through the patronage and connections that these men provided she was able to open her own millinery shop in Paris in 1910 and she soon had boutiques in both Deauville and Biarritz.” • During WWII, Chanel was a nurse, but her affair with a Nazi officer had a negative impact on her popularity. She moved to Switzerland to avoid the scandal. • Coco Chanel’s fashions (the “little black dress” and pill box suit) lost popularity in Europe, but gained status and desirability in the United States, where movie stars such as Grace Kelly and Audrey Hepburn made famous her boxy cardigan suits and elegant but simple dress styles. Revising the Past • “Later when questioned [about her background], Chanel would claim that when her mother died, her father sailed for America and she was sent to live with two cold-hearted spinster aunts. She even claimed to have been born in 1893 as opposed to 1883, and that her mother had died when Coco was twelve instead of six. All this was done to diminish the stigma that poverty, orphanhood, and illegitimacy bestowed upon unfortunates in nineteenth-century France” (Coco Chanel Biography). Gabrielle Coco Hollywood also Thrived • By 1920, there were more than 20,000 movie houses operating in the US. • “The basic patterns and foundations of the film industry (and its economic organization) were established in the 1920s” (Dirks). Hollywood, cont. • “The studio system was essentially born with long-term contracts for stars, lavish production values, and increasingly rigid control of directors and stars by the studio's production chief and in-house publicity departments” (Dirks). • “After World War I and into the early 1920s, America was the leading producer of films in the world - using Thomas Ince's "factory system" of production, although the system did limit the creativity of many directors”(Dirks). • Production was in the hands of the major studios (that really flourished after 1927 for almost 20 years), and the star system was burgeoning. Jay Gatsby Hobnobs with Stars • Chapter 4 mentions among Gatsby’s party guest list: Newton Orchid who controlled Films Par Excellence and Eckhaust and Clyde Cohen and Don S. Schwartze, and Arthur McCarty, all connected with the movies… (these are fictitious names). [62]. • Hollywood, where images are created, actors change their names to something the public will like, where fortunes can be lost and made quickly, and where scandals abound, has made ILLUSION one of the most lucrative businesses in this country. A Star is Born: Greta Garbo, 1925 Reinventing the Self • Garbo: born Greta Louisa Gustafsson in Stockholm, Sweden on September 18, 1905. Her father died when she was 14. • Worked as a “lather girl” in a barber shop, then as a salesgirl and occasional model in a department store. Met Mauritz Stiller, Sweden’s foremost film director. From Gustafsson to Garbo • 1925 Stiller went to Hollywood to work for Metro-Goldwyn-Mayer. Stiller took Garbo with him and she got an acting contract with M-G-M. Her first films in America—The Torrent (1926) and Flesh and the Devil (1927)-silent films, made her a success. Garbo withdraws from Hollywood • After her 1941 film, Two Faced Woman, flopped, she retreated from Hollywood at the age of 36 and led a private, somewhat secluded life in New York City. From Jimmy Gatz to Jay Gatsby • • • • What motivates Gatz’s transformation? When did it begin? How does Gatsby become wealthy? Does Gatsby represent the American Dream or a Corruption of that Dream? •James Gatz’s parents were “shiftless and unsuccessful farm people” from North Dakota (98). At a young age, James puts himself on a rigorous self-improvement plan, trying to follow Hopalong Cassidy’s advice. Hopalong Cassidy American Icon: Henry Gatz tells Nick that “Jimmy” had a copy of the book, Hopalong Cassidy, when he was a boy. On the back fly-leaf “Jimmy” printed his “self-improvement” schedule (173). Hopalong’s Creed The highest badge of honor a person can wear is honesty. Be truthful at all times. Your parents are the best friends you have. Listen to them and obey their instructions. If you want to be respected, you must respect others. Show good manners in every way. Only through hard work and study can you succeed. Don't be lazy. Your good deeds always come to light. So don't boast or be a show-off. If you waste time or money today, you will regret it tomorrow. Practice thrift in all ways. Many animals are good and loyal companions. Be friendly and kind to them. A strong, healthy body is a precious gift. Be neat and clean. Our country's laws are made for your protection. Observe them carefully. Children in many foreign lands are less fortunate than you. Be glad and proud you are an American. Hopalong Cassidy’s character was invented by author Clarence Mulford, who wrote 26 books about the cowboy between 19071941. Several films followed. Does Jay Gatsby Adhere to Hopalong’s Creed? • We know Gatsby is NOT honest. • We know he does not honor his parents. • We know that Gatsby has impeccable manners. • We know that Gatsby does not believe hard work and academic perseverance will earn him the respect or status he wants: He drops out of St. Olaf College (MN) after 2 weeks because he doesn’t like working as a janitor to pay his tuition (99). • We know he does not obey the law (he bribes a police officer about to give him a speeding ticket; his affiliation with Meyer Wolfsheim suggests Mob connections). • We know that instead of being modest, Gatsby goes to great lengths to display his wealth to lure Daisy Buchanan. • Instead of practicing “thrift” he epitomizes ostentatious, careless spending. • We do not know if Gatsby was kind to animals. • Gatsby runs away from his background, disowns his parents (he tells Nick they are dead), and reinvents himself. • At 17, when he meets Dan Cody, whose yacht on Lake Superior represents an “opportunity,” James Gatz becomes JAY GATSBY. • Dan Cody, 50, is an alcoholic who made his fortune in silver and copper mines. • Cody discovers that Gatsby is ambitious and intelligent. Gatsby stays with Cody for 5 years. It is Gatsby’s apprenticeship to teach him how to “behave like a rich person” so he will blend in. • Gatsby meets Daisy when he is stationed in Louisville, Kentucky. • He “takes her” under false pretenses, for he presents himself of a man from a family of high social standing. • Daisy represents Jay Gatsby’s entry into a world of sophistication and wealth. • Gatsby cannot acquire status by marrying a rich woman, since this would violate social expectations and reverse gender roles (the 1920s). Gatsby’s Transformation cont. • Gatsby not only wants to erase his own past, as a product of poor farmers from North Dakota, he also wants Daisy to deny that her past with Tom held meaning for her. •In short, Gatsby wants to turn back time and meet Daisy again, now as someone “worthy” ($) of her. Gatsby’s Dream •Gatsby dreams of one day being reunited with Daisy Buchanan. •To win her back, he makes a fortune–apparently through dealings with mobsters. •His dream of gaining entry into the East Egg society is shattered. •Daisy allows Gatsby to take the blame for Myrtle Wilson’s death. Jay Gatsby • The wealth of the 1920s however, belies careless disregard for responsible spending (and the importance of hard work and perseverence) and for moral principles. • “The Party has to End”: lavish spending and disregard for family and more traditional values (such as fidelity to one’s spouse) contributed to economic collapse and a decline in national morale. Greed Wins the Day • In The Great Gatsby, the central characters achieve wealth and social status, but Nick Carraway, the narrator, comes to see them at the novel’s end as shallow people who lack empathy. Daisy pretends she did not run over Myrtle Wilson, Tom continues his boorish ways, and Gatsby winds up dead (as do Myrtle and George Wilson). “Gatsby was overwhelmingly aware of the youth and mystery that wealth imprisons and preserves, of the freshness of many clothes, and of Daisy, gleaming like silver, safe and proud above the hot struggles of the poor” (150). Works Cited • • • • • • • • • • "Advertising in the 1920s," EyeWitness to History,
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Explanation & Answer

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Three novels from the literary works we had to read in high school English class
impressed me very much: Lord of The Flies, Rebecca, and The Great Gatsby. In the following
years, I have returned to these novels repeatedly as I made my own literary reading choices.
It should not be a coincidence for me that these three novels have cinema adaptations.
I remember the Lord of the Flies watching the film adaptation in high school, and I saw The
Great Gatsby's 1974 film on TV, and as a teenager in his 20s who knows the novel by heart, I
watched it repeatedly. What Daisy said mockingly, we emphasized many times in the lesson:
Being able to watch the incarnation of the sentence "I am paralyzed with happiness" was
enough for me at the time; I did not evaluate it in a cinematic sense, frankly.
It is Wednesday, and it is 2013; it is Cannes. The opening film of the festival is The
Great Gatsby (The Great Gatsby). This time we are talking about a 3D wonder of Baz
Luhrmann made in 2012. As someone who does not like 3D, let me first say a few words about
the importance (?) Of 3D in this movie and get him out of the way. First of all, I really could
not get used to this glasses thing. I appreciate and prefer that such films are made in 3D only
for certain scenes, for a certain depth, rather than action movies made only for 3D.
Nevertheless, on the other hand, using the exhausting 3D experience for only 3-4 depth
scenes is all the more unnecessary. In The Great Gatsby, 3D is transformed into spaces, falling
snow, letters written, words spoken into flying words like snowflakes, and it is hard to say that
it is not impressive in scenes. However, a non-3D Luhrmann signed The Great Gatsby has
nothing to lose from its impact.
Based on the novel, if we look at the story, we listen to the story of a character named
Carraway. Carraway, a young broker, keeps a house on the Long Island side of America, so he
will often see his cousin Daisy, who had married a few years ago. There is also his mysterious
neighbor, Gatsby, whose entire circle speaks of him. Who is this Gatsby? A killer? An Oxford
gentleman? A rich businessman? A lonely poor? Carraway describes what happened to him,
but he is a very passive character in this story. The story is already very prone to cinematization
because of its structure that witnesses what happens, observe, and describes events. Often, in
movies, nobody comes between the story and the audience, we are the ones to watch, and some
events take place in the lives of other people right before our eyes. In the story of the novel,
the person who tells us the events from his mouth is almost watching a movie in his own life.
He witnesses the troubles of his cousin Daisy's marriage, the deception, the existence of the
mysterious person called Gatsby, the mysterious bond between Gatsby and Daisy, and he

cannot stand it and conveys it. By telling about the America of the 1920s and the glorious time
called "jazz age," Fitzgerald wrote a novel that would make us say, "why not adopt it to the
cinema." The rest is up to the creativity of the director and perhaps the whole team to handle
this, their ability to "read" the book correctly, "see" correctly, and "show" the book correctly.
Can we say that Baz Luhrmann is perfect for this? We are talking about a director whose last
movie was the Red Mill (Moulin Rouge!).
The Great Gatsby is entrusted to a director whose imagination we are sure of the success
of storytelling, and we do not doubt that it will feed us visually. Good thing too. It is debatable
whether any director could explain that glamorous period in a more colorful, more fun, more
pastel, more carnivalesque way. A director was so different from saying that the music was one
of the characters in the movie. In order to reflect the period, you cannot pass without
surrendering the success of the decorations and costumes. Be prepared for a visual feast.
The words chosen in the novel are so delicious that you want to read the book aloud
and roll those words in your mouth. The director must be aware of this, he wanted to stick to
the words of the book, and for this reason, he scripted the sentences Carraway shared with us,
the reader, as if Carraway was telling a psychologist, I think very cl...

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