1.Compare the manuscript styles that developed in this period. All of the images of Mathew, for instance, had the same function, to illustrate the opening page of the Gospel of Mathew as both an aid to religious contemplation as well as to provide an aesthetic experience. Do you believe that one of these is more effective than the others? What elements do you feel support your opinion?2.The Carolingian Renaissance ended with Charlemagne. Why do you think his successors did not pursue the same vision of a "New Rome"? In what ways did medieval European art and architecture depart from classical Roman art and architecture? Did any of the civilizations retain characteristics of Roman art and architecture?3.The Christian Church was the one unifying authority during this period. To what extent did the church preserve Western Culture and in what ways did they invent something entirely new? Use St. Michael’s Hildesheim as one of your examples4.Why do you think there was such a strong positive reception of the concept of relics in Romanesque society? Are there modern religious and secular pilgrimage sites? Identify one and explain how its architecture or setting accommodates large numbers of pilgrims.5.In light of the regional differences found in the art and architecture produced between 1050 and 1200, do you believe that it is accurate to apply a single stylistic label--Romanesque--to all of the objects and monuments? Why or why not?6.Identify key elements of Romanesque architecture.Travel back in time to the Romanesque Village of Baraigne in France. Visithttp://perso.wanadoo.fr/sgdelestaing/indexE.htm (Links to an external site.)Links to an external site.Explore the Romanesque church there and explain what makes it a typical Romanesque church and the similarities it has with at least one of the examples in your text.7.Contrast the focus of life in the early Early Medieval period with the focus during the Romanesque period. What factors sparked the increase in building of churches in Western Europe? What were the various roles of figurative art, both two-dimensional and sculptural, during the Romanesque period?8.The Bayeux Tapestry & Propaganda- The telling of events both leading up to and the subsequent invasion and victory of the Normans is clearly from the Norman perspective. Is it too strong to label this as propaganda? What is propaganda and do you think this is an appropriate term to describe the tapestry? How much information can we glean from the tapestry regarding social/political/military customs of the time? Visual representations are documents of a culture but how valid are they in giving us an accurate perspective? Think of some representations of our culture that might go down in history as accurate reflections of how we live and what biases they may present to future people.