18 Ideas for Becoming a Master Student
Adapted from A Miniature Guide For Students On How to Study & Learn A Discipline Using
Critical Thinking Concepts and Tools by Richard Paul and Linda Elder, Foundation for Critical
Thinking, 2001 Originally found in Dr. Geoffrey Lantos Marketing Research seminar at Stone
Hill College
Note: some of these are also ideas to help you get more actively involved in class discussions.
Idea #1: Although these issues are discussed on my syllabus, make sure you thoroughly
understand: the requirements of the course, how it will be taught, and what will be expected of
you. Ask questions about the grading policies and for advice on how best to prepare for class.
Idea #2: Become an active learner. Be prepared to work ideas into your thinking by active
reading, writing, speaking, and listening.
Idea #3: Think of each subject you study as a form of thinking. (If you are in a marketing class,
your goal should be to think marketingly and as a business student. Since this is a Business
Research class you need to put yourself into the mind of a business owner or executive
confronted with a myriad of inter related problems)
Idea #4: Become a questioner. Engage yourself in lectures and discussions by asking questions
of the instructor and fellow students. If you don’t ask questions, you will probably not discover
what you do and do not know.
Idea #5: Look for interconnections between topics within this course as well as between this and
various marketing, business, and other courses you take. The content in every class is always a
SYSTEM of interconnected ideas, never a random list of things to memorize. Don’t memorize
like a parrot. Study like a detective, always relating new learning to previous learning and
thinking about how you can apply what you’ve learned. Offer ideas you come up with during
class discussions.
Idea #6: Think of your instructor as your coach. Think of yourself as a team member trying to
practice the thinking exemplified by your instructor. For example, in an advertising class, think
of yourself as going out for the advertising team and your teacher as demonstrating how to
prepare for the games (tests). (Much business work is conducted in teams preparing for “games”
such as a new advertising campaign and new product launch.)
Idea #7: When reading and studying the textbook, think about the textbook as the thinking of the
author. Your job is to think the thinking of the author. For example, role-play the author
frequently. Explain the main points of the text to another student, as if you were the author.
Idea #8: Consider class time as a time in which you PRACTICE thinking (within the subject),
using the fundamental concepts and principles of the course. Don’t sit back passively, waiting
for knowledge to fall into your head like rain into a rain barrel. It won’t. Practice by speaking
out in class as well as thinking to yourself.
Idea #9: Relate content whenever possible to issues and problems and practical situations in your
life or the lives of others you know or in current goings-on in the business world. If you can’t
connect it to life, you don’t know it. Offer ideas you come up with during class discussions.
Idea #10: Figure out what study and learning skills you are not good at. Practice those skills
whenever possible. Recognizing and correcting your weaknesses is a strength.
Idea #11: Frequently ask yourself: “Can I explain this to someone not in class?” (If not, then you
haven’t learned it well enough.) To make sure, try sharing things you have learned in this course
with others.
Idea #12: Seek to find the key concept of the course during the first couple of class meetings.
For example, in a Marketing Principles course, try explaining what marketing is in your own
words. Then relate that definition to each segment of what you learn afterward. Fundamental
ideas are the basis for all others.
Idea #13: Routinely ask questions to fill in the missing pieces in your learning. Can you
elaborate further on this? Can you give an example of that? If you don’t have examples, you are
not connecting what you are learning to your life. One way to get more involved in class is to
offer such examples.
Idea #14: Test yourself before you come to class by trying to summarize, orally or in writing, the
main points of the previous class meeting. If you cannot summarize main points, you haven’t
learned them.
Idea #15: Learn to test your thinking, writing, and speaking using intellectual standards. “Am I
being clear? Accurate? Precise? Relevant? Logical? Am I looking for what is most
significant?”
Idea #16: Use writing as a way to learn by writing summaries in your own words of important
points from the textbook, other reading material, and class notes. Make up test questions. Write
out answers to your own questions. (If these are really good, submit them to me for possible
extra credit).
Idea #17: Frequently evaluate your listening. Are you actively listening for main points? Can
you summarize what your instructor is saying in your own words? Can you elaborate what is
meant by key terms?
Idea #18: Frequently evaluate your reading. Are you reading the textbook actively? Are you
asking questions as you read? Can you distinguish what you understand from what you don’t?
Are you prepared to ask questions about the latter when your instructor asks, “Does anybody
have any questions about anything?”
SALARY
FORECAST
2017 Salary Guide
As a leading creative staffing
agency, The Creative Group
specializes in connecting
interactive, design, marketing,
advertising and public relations
talent with the best companies.
All trademarks contained herein are the property of their respective owners.
Getting Around the Guide
2
Salary Forecast
3
Behind the
Science
7
Hot Jobs
11
12
Compensation
Conditions
18
16
Compensation in
Greater Toronto
27
24
Extended
Outlook
Hiring Trends
Staffing
Patterns
Local Forecast
4
The Creative
Group
22
The Career
City Index
28
Office Locations
Salary Forecast
Your Source for Creative Industry
Salary Information
Competitive compensation is critical to winning today’s tug-of-war
for skilled creative talent. It’s also a company’s best line of defense
against losing top performers.
To recruit and retain the best people, more employers are willing
to negotiate compensation, our research shows. But to succeed,
hiring managers must stay apprised of the most current pay rates
for these professionals.
That’s why, for nearly two decades, we’ve published The Creative Group
Salary Guide each year. It serves as a barometer to help employers
evaluate compensation programs and develop a talent strategy.
Included in the 2017 Salary Guide is a comprehensive list of the
latest salary ranges for positions in the creative and marketing
fields, as well as an overview of the most recent hiring and
workplace trends. The guide can help you ensure your offer is
competitive.
We also understand that each hiring situation is different. That’s
where the personal expertise of The Creative Group staffing and
recruiting professionals across the country comes in. Let us be
your resource as you set compensation levels for new hires, plan
budgets and try to better understand the hiring environment.
Here’s to clear skies ahead.
For localized compensation and the latest news on salary
and hiring trends, visit our Salary Center at
creativegroup.com/salary-center.
2
2017 SALARY GUIDE
|
THE CREATIVE GROUP
Behind the Science
About the Guide
The Creative Group 2017 Salary Guide features salary ranges
for more than 120 positions in the creative field. Our salary data
are based chiefly on input from our North American staffing
and recruiting professionals, who make thousands of full-time,
temporary and project placements each year.
The projected salaries for each position reflect starting pay only.
Bonuses, incentives and other forms of compensation are not taken
into account. Because professionals joining a company may enter
at a variety of experience levels, we report salaries in ranges.
The ranges represent national averages and can be adjusted for
your market by using the local variance numbers on Pages 16-17.
Additional information in the guide is based on our surveys of
hiring managers and other executives in the creative field.
3
2017 SALARY GUIDE
|
THE CREATIVE GROUP
Hiring Trends
6 Trends to Keep on Your Radar
Just as weather patterns shift from year to year, so does the labor
market. Take note of these six hiring trends to beat the heat from
your competitors.
1. Hiring winds are blowing. As companies invest more in their
branding and marketing efforts, they need to staff a flurry of
full-time and contract-to-hire positions. For many, the need to
get the most out of a growing number of marketing channels is
a perfect storm that requires a blend of full-time and freelance
professionals.
2. T
he talent drought continues. Because of this hiring upswing, highly
skilled professionals are in short supply. Unemployment rates in the
creative field remain below the national average, and job opportunities
outnumber qualified candidates. Consequently, companies have to
work harder to attract and retain the talent they seek, making sign-on
and performance-based bonuses more common.
FORECAST AT A GLANCE
Percentage of
advertising and
marketing executives
who said it’s
challenging to find
creative talent today
41%
Source: The Creative Group survey of 400 advertising and marketing executives in the
United States
3. H
ybrid professionals are in demand. Creatives with skills
outside their specialty are highly marketable. In addition, digital
proficiency is becoming a prerequisite for many traditional roles.
For example, graphic designers now need to be familiar with web
layouts or social media, and copywriters must have knowledge
of search engine optimization. Expect this pattern to persist as
cross-departmental collaboration becomes the norm.
4
2017 SALARY GUIDE
|
THE CREATIVE GROUP
Hiring Trends
Challenging Areas for Companies to Staff
Web
design/
production
Customer
experience
Brand/
product
management
Content
marketing
Source: The Creative Group survey of 400 advertising and marketing executives in the
United States
4. E
mployees seek opportunities to grow. Professionals want to
learn and stay challenged at work, and companies face increasing
pressure to satisfy these needs. Consequently, more employers
are investing in skills training and offering various career paths to
retain their best and brightest.
5. W
ork-life integration prevails. Today’s employees want the
freedom to work anytime and anywhere, and companies are being
more accommodating. In fact, benefits like flexible schedules and
telecommuting are becoming the rule rather than the exception
at many organizations. Some individuals are even willing to take a
lower salary in exchange for greater flexibility.
6. C
ounteroffers are looming. As job hopping increases, more
companies are apt to extend counteroffers to valued employees
— though these rarely work out in the long term. Savvy employers
are instead focusing on creating a workplace that people don’t
want to leave.
5
2017 SALARY GUIDE
|
THE CREATIVE GROUP
Hiring Trends
FORECAST AT A GLANCE
Which of the following retention activities, if any, do you or your
company engage in?
Regularly
evaluate
performance
and discuss
career
development
Regularly
check in with
employees to
ensure they are
happy in their
role
Regularly
benchmark
compensation
and benefits to
ensure we stay
competitive
Have
a formal
retention
strategy
78%
74%
71%
51%
Source: The Creative Group survey of 400 advertising and marketing executives in the
United States. Multiple responses permitted. Top responses shown.
Percentage of
advertising and
marketing executives
who said they are
concerned about
retaining their current
creative staff in the
next 12 months
52%
Source: The Creative Group survey of 400 advertising and marketing executives in the
United States
Dynamic Fields
These industries show the strongest demand
for creative professionals:
High-tech • Healthcare/pharmaceutical • Financial • Retail
6
2017 SALARY GUIDE
|
THE CREATIVE GROUP
Hot Jobs
Crucial Creative Positions
Looking to build a team that can weather any creative storm? It’ll
be a breeze with the right mix of these must-have employees.
CONCEPT & IMPLEMENTATION
Creative technologist • Serves as a liaison between design and
development teams and scopes digital projects. Also responsible
for staying abreast of the evolving design, technology and
media landscape, including the emergence of new standards and
protocols. Must possess strong problem-solving, communication
and presentation skills.
Digital project manager • Oversees the implementation of
multimedia projects. Duties include gathering requirements,
creating statements of work, setting project plans and budgets,
constructing timelines, and managing quality assurance (QA)
testing. Must have excellent communication, organizational
and time-management skills. A working understanding of web
technologies and programming languages is ideal, and proficiency
in project management tools is a plus.
Digital strategist • Develops user experience (UX) strategies,
including information design, online content strategy and leadgeneration tactics for web, mobile, email, social and digital
advertising media. Requires strong communication skills to
keep senior management fully informed of campaign activity,
challenges and opportunities. Familiarity with customer relationship
management (CRM) software like Salesforce and NetSuite is a plus,
as are skills in search engine optimization (SEO), search engine
marketing (SEM) and web analytics.
DESIGN & DEVELOPMENT
Graphic designer • Develops or acquires images used in a variety
of creative projects (for example, ads, brochures, corporate identity,
packaging, presentations, promotional displays, signage and
websites) and oversees the design, layout and formatting of these
materials. Must possess a strong sense of concept development,
in addition to communication, collaboration, research, problemsolving and presentation skills. Proficiency in Adobe Creative Suite
is typically required. Web design skills are a plus.
7
2017 SALARY GUIDE
|
THE CREATIVE GROUP
Hot Jobs
User experience (UX) designer • Creates satisfying experiences for
users of a product, often drawing on results from user research and
workflow analysis. Areas of focus may include content, controls,
visual design, packaging, customer/technical support, branding
and other aspects of UX. Also responsible for producing usage
scenarios, site maps, taxonomies and wireframes. Must have an
expert understanding of design software such as Adobe Creative
Suite and of wireframing tools such as Axure RP and Balsamiq.
Visual designer • Designs for a variety of platforms, which
may include internet and intranet sites, games, movies, kiosks,
and wearables. Creates the concepts, artwork and layouts for
digital projects based on creative briefs and client meetings.
Understanding of web design issues, including browser usability
and cross-platform compatibility, is necessary. Requires strong
design and troubleshooting skills, as well as an eye for detail.
Responsive design and e-commerce skills are a plus.
Web designer • Meets with internal stakeholders or external clients
to discuss objectives for internet and intranet sites and other
online initiatives. Provides expert creative guidance on the overall
look, feel and functionality of web design projects, and produces
compelling artwork (including images, icons and banners) and
layouts that are appealing and user-friendly. Also conducts QA
work to identify possible problems before launch. Must be proficient
in design software such as Adobe Illustrator and Photoshop and
programming languages such as HTML and JavaScript.
Front-end web developer • Develops appealing and user-friendly
web- and mobile-based applications. Uses a combination of
markup languages to write web pages and provides website
maintenance and enhancements. Produces functional requirement
documents and specifications and creates quality mockups and
prototypes on tight timelines. Also builds cascading style sheets
(CSS) that are consistent across all browsers and platforms and
maintains graphic standards and branding throughout a product’s
8
2017 SALARY GUIDE
|
THE CREATIVE GROUP
Hot Jobs
interface. Understanding of layout aesthetics and a rigor for
programming are a must, along with proficiency in CSS, HTML,
JavaScript and jQuery.
CONTENT
Content strategist • Develops content strategy based on a
company’s or client’s business objectives and a customer’s or end
user’s needs. Also responsible for overseeing content requirements
and creating content strategy deliverables (including content
audits, gap analyses, taxonomies, metadata frameworks, style
guides, content migration plans and editorial calendars) across a
project life cycle. Strong SEO and SEM skills are often preferred.
Copywriter • Composes clear, concise and grammatically correct
copy utilizing different writing styles that appeal to various
target audiences. Drives the creation of original concepts that
result in effective and compelling communication. Also develops
and maintains a clear and consistent brand voice, adhering to
commonly used style guides. Must have excellent interpersonal
and communication skills and be self-motivated and wellorganized. Creativity, attention to detail, adaptability and marketing
knowledge are also required. Bilingual skills are valued, and
experience with web markup languages and SEO is a big plus.
9
2017 SALARY GUIDE
|
THE CREATIVE GROUP
Hot Jobs
MARKETING
Digital/interactive marketing manager • Oversees the daily
operation of a company’s website and email marketing program
and provides analytics review. Additional responsibilities may
include ensuring implementation of marketing initiatives and
helping to identify new marketing opportunities. Requires
experience in marketing research and analysis; campaign strategy
and evaluation; and web analytics tools such as Google Analytics,
Adobe Analytics and Kissmetrics.
Email marketing specialist • Runs email campaigns that inform
consumers and business partners of new products and services
or company announcements. Responsible for managing and
segmenting contact lists using marketing automation software
such as Marketo and Act-On, crafting email copy, and handling
customer feedback. Also analyzes results and develops testing
plans to continuously improve email performance. Must have strong
copywriting skills and be proficient in CSS and HTML. Experience
using web analytics tools such as Google Analytics is a plus.
Social media manager • Implements an organization’s social media
strategy, developing brand awareness, generating inbound traffic
and encouraging product adoption. Reports on the progress of
applying various social media tactics using a variety of digital
analytics and media tracking tools. Also coordinates activities
with internal marketing and public relations teams to support their
respective missions, ensuring consistency in voice and cultivating
an engaged social media community. Strong project management
and organizational skills and deep knowledge of social media
platforms are required.
Most Requested Technical Skills
CSS • Drupal • HTML • Illustrator • InDesign
JavaScript • Photoshop • WordPress
10
2017 SALARY GUIDE
|
THE CREATIVE GROUP
Staffing Patterns
Seasonal Talent Needs
Come rain or shine, expect the following cyclical hiring trends.
Winter
Year-end brings a push
to utilize budgets and
complete projects before
Jan. 1. Creatives are called
on for initiatives that help
companies reach revenue
goals. Professionals who can
help with marketing strategy
are also in demand heading
into the new year.
Spring
Retail and consumer goods
companies are ramping
up for holiday promotions.
They often see an uptick in
business during spring and
summer, too. Hiring managers
report an increased need for
designers, production artists
and copywriters.
Summer
Extra help is needed in all
areas to cover for vacationing
staff. This means an increase
in temporary positions. Hiring
among corporate, nonprofit
and government clients is
also up as these organizations
often need to spend “useit-or-lose-it” budgets by the
end of June.
Fall
Businesses seek talent to help
with direct-mail campaigns,
annual report projects and
catalogs. Professionals with
experience researching and
analyzing market trends, as
well as setting strategy and
budget, are also needed to
establish priorities for the
coming year.
A SALARY RETROSPECTIVE
The average percentage increase for starting salaries across the
creative and marketing fields in the last decade:
3.5 4.3 5.2 4.7 -0.3 1.1
3.5 3.5 3.3 3.5 3.8 3.6
2006
2012
2007
2008
2009
2010
2011
2013
2014
2015
11
2017 SALARY GUIDE
|
THE CREATIVE GROUP
2016
2017
Compensation Conditions
Starting Salaries
DESIGN & PRODUCTION
POSITION
LOW
Creative Director (8+ years)
Creative Director (5 to 8 years)
Creative Services Manager
Art Director (5+ years)
Art Director (3 to 5 years)
Production Manager
Production Coordinator
Project Manager
Studio Manager (5+ years)
Studio Manager (1 to 5 years)
Traffic Manager
Traffic Coordinator
Medical Illustrator
Illustrator (3+ years)
Illustrator (1 to 3 years)
Graphic Designer (5+ years)
Graphic Designer (3 to 5 years)
Graphic Designer (1 to 3 years)
Package Designer
Package Production Artist
3D Animator
Multimedia Designer
Presentation Specialist (3+ years)
Presentation Specialist (1 to 3 years)
Production Artist (3+ years)
Production Artist (1 to 3 years)
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
116,250
99,500
84,000
8 1 ,0 0 0
65,500
64,000
43,250
5 9 ,75 0
80,250
61,750
5 4 ,75 0
41,750
69,250
5 8 ,75 0
4 2 ,75 0
67, 5 0 0
53,250
3 9 ,75 0
59,500
47, 7 5 0
65,500
63,500
60,250
46,500
50,250
3 7, 2 5 0
HIGH
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
186,750
143,500
122,500
107,500
8 7, 2 5 0
8 7, 2 5 0
59,000
94,500
110,250
8 5 ,75 0
77,000
57, 5 0 0
94,500
83,000
59,500
93,000
72 , 2 5 0
56,750
9 1 ,0 0 0
66,500
94,250
92 ,75 0
88,250
64,500
70,750
54,250
For a complete list of job descriptions for the positions in
the Salary Guide, visit creativegroup.com/salary-center.
12
2017 SALARY GUIDE
|
THE CREATIVE GROUP
Compensation Conditions
INTERACTIVE DESIGN & PRODUCTION
POSITION
LOW
Interactive Creative Director
Interactive Art Director
Interaction Designer (5+ years)
Interaction Designer (1 to 5 years)
Visual Designer
Information Architect
User Experience (UX) Director
User Experience (UX) Designer (5+ years)
User Experience (UX) Designer (3 to 5 years)
User Experience (UX) Designer (1 to 3 years)
User Experience (UX) Specialist
User Experience (UX) Researcher (5+ years)
User Experience (UX) Researcher (3 to 5 years)
User Experience (UX) Researcher (1 to 3 years)
User Interface (UI) Designer
Web Designer (5+ years)
Web Designer (1 to 5 years)
Email Designer
HTML Developer
Front-End Web Developer (3+ years)
Front-End Web Developer (1 to 3 years)
Interactive Producer
Web Production Artist
Motion Designer
Video Producer
Video Editor
Mobile Designer
Mobile Developer
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
105,500
88,000
88,250
60,750
66,000
97,000
126,000
9 2 ,75 0
7 5 , 75 0
52,000
90,500
94,500
76 , 2 5 0
61,250
8 7, 5 0 0
83,250
70,500
5 7, 2 5 0
65,000
80,000
56,500
79,000
50,000
70,500
69,250
59, 2 5 0
80,000
99,500
HIGH
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
193,000
130,750
124,500
90,750
99,250
144,000
197,500
138,000
103,000
79,500
135,250
132,000
103,250
80,500
132,000
118,000
86,500
7 8 ,75 0
91,250
119,500
80,500
113,000
72,000
103,500
102,250
90,750
121,500
151,000
CONTENT DEVELOPMENT & MANAGEMENT
POSITION
LOW
Copywriter (5+ years)
Copywriter (3 to 5 years)
Copywriter (1 to 3 years)
Medical Writer (5+ years)
Medical Writer (3 to 5 years)
Curriculum Developer/Writer
Instructional Systems Designer
Proposal Writer
$
$
$
$
$
$
$
$
7 9 ,75 0
60,500
44,250
90,750
7 3 , 75 0
74 , 7 5 0
78,500
68,500
13
2017 SALARY GUIDE
|
THE CREATIVE GROUP
HIGH
–
–
–
–
–
–
–
–
$
$
$
$
$
$
$
$
108,000
81,500
6 2 ,75 0
128,000
98,500
104,250
1 1 6 ,75 0
96,750
Compensation Conditions
CONTENT DEVELOPMENT & MANAGEMENT (Continued)
POSITION
LOW
Proposal Specialist
Interactive/Web Copywriter (5+ years)
Interactive/Web Copywriter (1 to 5 years)
Blogger
Copy Editor (3+ years)
Copy Editor (1 to 3 years)
Proofreader
Content Manager
Content Marketing Manager
Content Strategist
$
$
$
$
$
$
$
$
$
$
61,500
70,500
50,250
47, 7 5 0
56,250
42,500
41 ,0 0 0
65,000
70,000
81,250
HIGH
–
–
–
–
–
–
–
–
–
–
$
$
$
$
$
$
$
$
$
$
83,500
101,000
74,500
70,500
78,000
57, 5 0 0
59,250
95 ,75 0
103,000
115,250
ADVERTISING & MARKETING
POSITION
LOW
HIGH
AGENCY
President
Vice President
Business Development Manager
Creative Director
Account Director
Account Supervisor
Account Manager (5+ years)
Account Executive (3+ years)
Account Coordinator (1 to 3 years)
Account Planner/Strategist
$
$
$
$
$
$
$
$
$
$
162,250
146,250
101,000
114,000
98,000
85,250
69,250
55,000
40,250
47,000
–
–
–
–
–
–
–
–
–
–
$ 249,500
$ 218,000
$ 163,500
$ 186,250
$ 141,500
$ 112,000
$ 97,000
$ 75,500
$ 57, 5 0 0
$ 75,000
$
$
$
$
$
$
162,000
136,000
101,000
79,000
64,000
44,750
–
–
–
–
–
–
$ 255,000
$ 225,750
$ 154,000
$ 115,000
$ 86,750
$ 63,000
$
$
$
$
$
$
90,500
64,500
60,750
47, 7 5 0
72,500
50,250
–
–
–
–
–
–
$
$
$
$
$
$
CORPORATE
Chief Marketing Officer
Vice President of Marketing
Marketing Director
MarCom Manager (5+ years)
MarCom Manager (3 to 5 years)
MarCom Coordinator (1 to 3 years)
AGENCY OR CORPORATE
Media Director
Media Planner
Media Buyer (3+ years)
Media Buyer (1 to 3 years)
Market Researcher (3+ years)
Market Researcher (1 to 3 years)
14
2017 SALARY GUIDE
|
THE CREATIVE GROUP
130,000
91,500
88,250
65,250
96,250
69,500
Compensation Conditions
ADVERTISING & MARKETING (Continued)
POSITION
LOW
HIGH
AGENCY OR CORPORATE (Continued)
Brand/Product Manager (5+ years)
Brand/Product Manager (1 to 5 years)
Event/Trade Show Manager
Event/Trade Show Coordinator
Digital Strategist
Digital/Interactive Marketing Manager
E-Commerce Marketing Manager
Email Marketing Specialist
Marketing Analytics Specialist (3+ years)
Marketing Analytics Specialist (1 to 3 years)
Web Analytics Specialist (3+ years)
Web Analytics Specialist (1 to 3 years)
SEO Specialist
SEM Specialist
Digital Project Manager
Digital Traffic Manager
Digital Community Manager
Social Media Manager
Social Media Specialist
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
8 9,75 0
6 6 ,75 0
60,250
4 3 ,75 0
96,500
87, 5 0 0
90,250
60,250
76 ,75 0
60,250
8 3 ,75 0
73,500
62,250
63,500
7 8 ,75 0
63,000
65,250
6 7, 7 5 0
54,000
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
129,500
98,250
88,750
61,250
143,750
1 3 1 ,75 0
126,250
84,750
109,000
80,750
116,250
100,500
8 7,75 0
89,750
118,000
90,250
82,250
94,250
7 7, 7 5 0
PUBLIC RELATIONS
POSITION
LOW
HIGH
AGENCY
Vice President/Group Director
Account Manager/Supervisor
Senior Account Executive (5+ years)
Account Executive (3 to 5 years)
Account Coordinator (1 to 3 years)
$
$
$
$
$
134,000
88,000
75 , 2 5 0
5 7, 7 5 0
40,500
–
–
–
–
–
$
$
$
$
$
227,000
124,000
104,500
7 7, 2 5 0
57, 2 5 0
Vice President of Public Relations
Public Relations Director
Public Relations Manager
Public Relations Specialist (5+ years)
$
$
$
$
133,000
105,500
84,500
69,75 0
–
–
–
–
$
$
$
$
224,000
146,500
106,500
96,000
Public Relations/Communications
Specialist (1 to 5 years)
$ 47,000 – $ 70,750
CORPORATE
15
2017 SALARY GUIDE
|
THE CREATIVE GROUP
Local Forecast
Adjusting Salaries for U.S. Cities
The starting salary ranges provided on the previous pages reflect
the national averages for each position. To determine the estimated
salary range for a position in your area, use the local variance
numbers below. Move the decimal point in the variance number two
places to the left, and then multiply this figure by the low and high
ends of the salary range.
ALABAMA
Loveland....................94.0
ILLINOIS
Birmingham.............. 95.0
Pueblo......................... 82.0
Chicago.....................123.0
Huntsville...................94.0
CONNECTICUT
Naperville..................112.0
Mobile.........................86.0
Hartford.......................116.5
Rockford.................... 85.0
ARIZONA
New Haven................112.0
INDIANA
Phoenix........................112.5
Stamford....................131.0
Fort Wayne............... 83.0
Tucson........................104.5
DELAWARE
Indianapolis............... 96.0
ARKANSAS
Wilmington............. 105.0
IOWA
Fayetteville.................. 95.0
Cedar Rapids............ 94.0
Little Rock................. 95.0
DISTRICT OF
COLUMBIA
CALIFORNIA
Washington..............133.0
Des Moines.............. 100.0
Fresno.......................90.0
FLORIDA
Sioux City................... 84.0
Irvine........................128.0
Fort Myers.................90.5
Waterloo/
Los Angeles............ 130.0
Jacksonville.............. 95.0
Cedar Falls.................87.0
Oakland.....................129.0
Melbourne.................90.5
KANSAS
Ontario.....................119.0
Miami/
Overland Park.........100.5
Sacramento..............103.5
Fort Lauderdale.....107.0
KENTUCKY
San Diego.................125.0
Orlando...................... 100.0
Lexington................... 91.5
San Francisco......... 140.0
St. Petersburg..........96.5
Louisville.................... 92.0
San Jose.................. 137.0
Tampa.........................98.5
Santa Barbara......... 127.0
West Palm Beach...100.5
Santa Rosa/Marin..120.0
GEORGIA
Stockton................... 85.0
Atlanta...................... 103.0
COLORADO
Macon......................... 82.0
Boulder.......................116.5
Savannah...................84.0
Colorado Springs... 95.3
HAWAII
Denver......................... 107.0
Honolulu..................... 107.0
Fort Collins...................97.0
IDAHO
Greeley........................... 88.0
Boise........................... 86. 1
Davenport................. 95.0
LOUISIANA
Baton Rouge............99.0
New Orleans.............99.0
MAINE
Portland..................... 95.0
MARYLAND
Baltimore................. 103.0
16
2017 SALARY GUIDE
|
THE CREATIVE GROUP
Local Forecast
MASSACHUSETTS
NEW YORK
SOUTH DAKOTA
Boston.........................133.0
Albany.......................... 99.0
Sioux Falls.................. 84.0
Springfield.............. 101.0
Buffalo.......................... 95.0
MICHIGAN
Long Island...............120.0
Ann Arbor....................101.5
New York....................140.5
Detroit........................ 100.0
Rochester.......................91.7
TENNESSEE
Chattanooga............. 89.0
Cool Springs...........100.0
Knoxville....................89.0
Grand Rapids........... 85.5
Syracuse......................90.3
Kalamazoo...............80.0
NORTH CAROLINA
Lansing....................... 85.0
Charlotte................... 101.5
MINNESOTA
Greensboro.............100.0
Bloomington........... 105.5
Raleigh....................... 104.0
Duluth......................... 79.6
OHIO
El Paso........................ 72.0
Minneapolis............. 106.0
Akron..........................89.0
Fort Worth.............. 108.0
Rochester...................101.0
Canton........................ 82.0
Houston................... 107.0
St. Cloud.................... 82.5
Cincinnati...................97.5
Midland/Odessa..... 110.0
St. Paul........................103.0
Cleveland...................96.0
San Antonio............. 101.0
MISSOURI
Columbus..................98.0
Kansas City...............99.5
Dayton..................... 87.0
St. Joseph................90.0
Toledo......................... 85.5
St. Louis.....................99.0
Youngstown............ 76.0
NEBRASKA
OKLAHOMA
Omaha.........................97.0
Oklahoma City......... 93.0
Tulsa............................ 93.0
NEVADA
Las Vegas..................99.0
OREGON
Reno..........................100.0
Portland..................... 106.5
NEW HAMPSHIRE
PENNSYLVANIA
Manchester/
Harrisburg................. 95.0
Nashua.....................112.0
Philadelphia..............115.0
Pittsburgh.................98.0
NEW JERSEY
Memphis.................... 95.0
Nashville.................... 100.5
TEXAS
Austin........................ 108.0
Dallas.......................... 109.0
UTAH
Salt Lake City......... 104.0
VIRGINIA
Norfolk/
Hampton Roads.......97.0
Richmond................... 98.5
Tysons Corner.........132.0
WASHINGTON
Seattle.........................120.0
Spokane..................... 82.0
WISCONSIN
Appleton.................... 85.0
Green Bay.................86.5
Mount Laurel............115.0
RHODE ISLAND
Madison.................... 98.5
Paramus................... 130.0
Providence............... 101.5
Milwaukee............... 101.0
Princeton..................125.0
SOUTH CAROLINA
Waukesha..................99.0
Woodbridge............126.5
Charleston................. 93.5
NEW MEXICO
Columbia................... 93.5
Albuquerque............ 91.5
Greenville.................. 92.0
Source: U.S. Department of Labor’s Bureau of Labor Statistics and The Creative Group. City index
figures are reflective of all industries and are not specific to the creative field. For more information
on average starting salaries in your city, please contact The Creative Group office nearest you.
17
2017 SALARY GUIDE
|
THE CREATIVE GROUP
Compensation Conditions
Starting Salaries in Greater Toronto
DESIGN & PRODUCTION
POSITION
LOW
Creative Director (8+ years)
Creative Director (5 to 8 years)
Creative Services Manager
Art Director (5+ years)
Art Director (3 to 5 years)
Production Manager
Production Coordinator
Project Manager
Studio Manager (5+ years)
Studio Manager (1 to 5 years)
Traffic Manager
Traffic Coordinator
Medical Illustrator
Illustrator (3+ years)
Illustrator (1 to 3 years)
Graphic Designer (5+ years)
Graphic Designer (3 to 5 years)
Graphic Designer (1 to 3 years)
Package Designer
Package Production Artist (3+ years)
Package Production Artist (1 to 3 years)
3D Animator
3D Modeler
Multimedia Designer
Presentation Specialist (3+ years)
Presentation Specialist (1 to 3 years)
Production Artist (3+ years)
Production Artist (1 to 3 years)
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
105,500
95 , 2 5 0
62,500
78 , 2 5 0
69,250
73,000
48,000
56,000
71,250
59, 2 5 0
5 7, 2 5 0
47, 7 5 0
6 6 ,75 0
56,500
49,500
77,000
61 ,0 0 0
4 5 ,75 0
72,500
64,250
52,000
72,500
72,500
61,250
71,000
54,500
55,000
41,750
HIGH
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
All salaries listed on this and the following pages are
in Canadian dollars. For job descriptions, please visit
thecreativegroup.ca/salary-centre.
18
2017 SALARY GUIDE
|
THE CREATIVE GROUP
230,000
164,750
84,500
110,000
84,750
100,000
69,250
91,750
97, 2 5 0
80,500
84,000
62,000
95,500
89,500
70,750
98,750
79,500
61,750
1 16,500
89,750
71,250
97,500
97,500
91,750
90,000
69,250
76,000
55,000
Canada/Greater Toronto Salaries
INTERACTIVE DESIGN & PRODUCTION
POSITION
LOW
Interactive Creative Director
Interactive Art Director
Interaction Designer (5+ years)
Interaction Designer (1 to 5 years)
Visual Designer
Information Architect
User Experience (UX) Director
User Experience (UX) Designer (5+ years)
User Experience (UX) Designer (3 to 5 years)
User Experience (UX) Designer (1 to 3 years)
User Experience (UX) Specialist
User Experience (UX) Researcher (5+ years)
User Experience (UX) Researcher (3 to 5 years)
User Experience (UX) Researcher (1 to 3 years)
User Interface (UI) Designer
Web Designer (5+ years)
Web Designer (1 to 5 years)
Email Designer
HTML Developer
Front-End Web Developer (3+ years)
Front-End Web Developer (1 to 3 years)
Interactive Producer
Web Production Artist
Motion Designer
Video Producer
Video Editor
Mobile Designer
Mobile Developer
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
105,500
89,500
87,000
63,000
70,75 0
9 1 ,0 0 0
96,500
88,250
71,000
60,250
74,000
88,250
71,750
60,250
87,000
90,500
64,000
62,250
74,500
72,500
52,000
6 2 ,75 0
59,500
7 3 , 75 0
61,500
64,500
7 7, 7 5 0
78,500
HIGH
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
$
185,500
142,500
120,750
9 3 ,75 0
100,000
150,000
150,000
137,750
120,000
87, 5 0 0
1 3 1 ,75 0
137,750
120,000
87, 5 0 0
146,000
129,250
92,000
8 1 ,0 0 0
95,000
100,000
88,250
9 1 ,0 0 0
76 , 2 5 0
99,000
84,500
8 6 ,75 0
109,750
1 1 7, 5 0 0
CONTENT DEVELOPMENT & MANAGEMENT
POSITION
LOW
Copywriter (5+ years)
Copywriter (3 to 5 years)
Copywriter (1 to 3 years)
Instructional Systems Designer
Proposal Writer
Proposal Specialist
$
$
$
$
$
$
86,500
66,250
52,000
67,000
69,75 0
6 7, 2 5 0
19
2017 SALARY GUIDE
|
THE CREATIVE GROUP
HIGH
–
–
–
–
–
–
$
$
$
$
$
$
142,750
88,750
64,750
107,000
98,250
93,000
Canada/Greater Toronto Salaries
CONTENT DEVELOPMENT & MANAGEMENT (Continued)
POSITION
LOW
Interactive/Web Copywriter (5+ years)
Interactive/Web Copywriter (1 to 5 years)
Blogger
Copy Editor (3+ years)
Copy Editor (1 to 3 years)
Proofreader
Content Manager
Content Marketing Manager
Content Strategist
$
$
$
$
$
$
$
$
$
89,000
5 6 ,75 0
51,500
68,000
50,750
52,000
65,500
65,500
7 7, 2 5 0
HIGH
–
–
–
–
–
–
–
–
–
$
$
$
$
$
$
$
$
$
110,000
88,250
7 7, 2 5 0
90,500
62,000
78,250
89,750
89,750
99,250
ADVERTISING & MARKETING
POSITION
LOW
HIGH
AGENCY
Account Manager (5+ years)
Account Executive (3+ years)
Account Coordinator (1 to 3 years)
Account Planner/Strategist
$
$
$
$
8 1 ,0 0 0
60,500
50,250
88,500
–
–
–
–
$
$
$
$
125,000
82,250
62,000
135,000
$
$
$
$
$
109,250
9 2 ,75 0
88,500
65,000
44,250
–
–
–
–
–
$ 204,750
$ 180,000
$ 106,500
$ 8 1 ,0 0 0
$ 63 ,75 0
$
$
$
$
$
$
$
$
$
$
$
62,250
48,000
42,250
78 , 2 5 0
55,000
58,250
48,500
89,500
8 7, 2 5 0
91,250
65,000
–
–
–
–
–
–
–
–
–
–
–
$
$
$
$
$
$
$
$
$
$
$
CORPORATE
Vice President of Marketing
Marketing Director
MarCom Manager (5+ years)
MarCom Manager (3 to 5 years)
MarCom Coordinator (1 to 3 years)
AGENCY OR CORPORATE
Media Planner
Market Researcher (3+ years)
Market Researcher (1 to 3 years)
Brand/Product Manager (5+ years)
Brand/Product Manager (1 to 5 years)
Event/Trade Show Manager
Event/Trade Show Coordinator
Digital Strategist
Digital/Interactive Marketing Manager
E-Commerce Marketing Manager
Email Marketing Specialist
20
2017 SALARY GUIDE
|
THE CREATIVE GROUP
1 1 2 ,75 0
66,250
50,500
1 1 6 ,75 0
7 7, 7 5 0
69,000
58,250
139,500
135,250
137,500
80,000
Canada/Greater Toronto Salaries
ADVERTISING & MARKETING (Continued)
POSITION
LOW
HIGH
AGENCY OR CORPORATE (Continued)
Marketing Analytics Specialist (3+ years)
Marketing Analytics Specialist (1 to 3 years)
Web Analytics Specialist (3+ years)
Web Analytics Specialist (1 to 3 years)
SEO/SEM Specialist
Digital Project Manager
Digital Traffic Manager
Digital Community Manager
Social Media Specialist
$
$
$
$
$
$
$
$
$
67,000
55,000
88,000
76,500
89,500
76 ,75 0
59, 2 5 0
54,500
54,000
–
–
–
–
–
–
–
–
–
$
$
$
$
$
$
$
$
$
100,000
78,000
142,750
87,000
100,000
123,000
88,000
79,000
79,75 0
PUBLIC RELATIONS
POSITION
LOW
Public Relations Director
Public Relations Manager
Public Relations Specialist
Visit our Salary Centre at
thecreativegroup.ca/salary-centre
for more information, including our
Salary Calculator.
21
2017 SALARY GUIDE
HIGH
$ 9 2 ,75 0 – $ 1 41 ,75 0
$ 76,500 – $ 96,750
$ 48,000 – $ 75 , 2 5 0
|
THE CREATIVE GROUP
The Career City Index
Making the Most of Location
To career-minded creative professionals, what makes one city
more attractive than another? The answer may help hiring
managers develop and refine their recruitment strategies.
The Career City Index — a result of a study conducted by The
Economist Intelligence Unit for Robert Half — examines key factors
influencing livability and career opportunities in various U.S. cities
across four categories:
•
•
•
•
Career prospects
Quality of life
Cost of living
Cultural diversity
These factors include employment outlook, average commute time,
median monthly rent and internet connectivity, among others.
22
2017 SALARY GUIDE
|
THE CREATIVE GROUP
The Career City Index
Seattle took the overall No. 1 position as the top career city in the
United States, buoyed by strong rankings in the cost-of-living
(first) and career-prospects (second) categories. Boston, the San
Francisco Bay Area, the District of Columbia and Raleigh, North
Carolina, rounded out the top five.
From sunshine in Phoenix and Sacramento, California, to the wide
variety of restaurants in Los Angeles and New York to shorter
commute times in Salt Lake City and Des Moines, Iowa, each of the
top 25 cities has unique selling points. The Career City Index helps
companies highlight these local and regional factors to pique the
interest of prospective employees.
To find out where your city ranks, download the Career
City Index report at roberthalf.com/career-city-index.
23
2017 SALARY GUIDE
|
THE CREATIVE GROUP
Extended Outlook
12 Basic Steps for Hiring Success
Landing top talent with in-demand skills is increasingly challenging.
Much of your success will depend on the effectiveness of your hiring
process. To assist you in your staffing efforts, we’ve created a list of
what experience has taught us are the most essential steps:
1. D
ecide how you want to staff a vacant or new position, bearing in
mind that not all jobs require a full-time employee.
2. If a full-time hire makes the most sense, carefully update or
develop a job description to accurately reflect your current needs.
3. S
et a salary range that is on par with — or slightly above — what
competitors are offering.
4. Using the job description as a basis, create the job posting.
5. C
hoose a combination of candidate sourcing strategies, including
online job boards, recruiters and social media.
6. E
valuate resumes and portfolios, watching for technical and soft
skills that best fit your needs and corporate culture.
7. N
arrow the field by conducting telephone or video interviews
with the most promising candidates.
8. Conduct in-person, one-on-one interviews with your top choices,
using questions that can help you understand their attitudes and
motivation.
9. Use consistent criteria to make your final selection.
10. Check references personally.
1 1. D
on’t delay the offer. The most talented creative professionals
may already be weighing other offers.
fter a candidate accepts your offer, agree on a prompt start
12. A
date that doesn’t leave him or her waiting — or with time to have
second thoughts.
24
2017 SALARY GUIDE
|
THE CREATIVE GROUP
Extended Outlook
FORECAST AT A GLANCE
Which one of the following aspects of the hiring process do you
find the most difficult?
100
75
50
25
31%
28%
14%
13%
10%
Generating
interest
from
qualified
candidates
Developing
compensation
packages and
negotiating
salaries
Reviewing
application
materials
Creating job
descriptions
Asking
the right
interview
questions
Source: The Creative Group survey of 400 advertising and marketing executives in the
United States. Top responses shown.
Find additional hiring tips on The Creative Group’s
blog at blog.creativegroup.com.
25
2017 SALARY GUIDE
|
THE CREATIVE GROUP
Extended Outlook
FORECAST AT A GLANCE
Which one of the following is the most common reason candidates
turn down a job offer from your company?
35%
27%
17%
Accepted another job
offer or counteroffer
Compensation and
benefits are lower than
expected
Limited opportunities
for career growth or
advancement
9%
7%
3%
Poor fit with the job
description
Limited employee
perks
Poor fit with the
corporate culture
Source: The Creative Group survey of 400 advertising and marketing executives in the
United States. Top responses shown.
26
2017 SALARY GUIDE
|
THE CREATIVE GROUP
The Creative Group
Your Go-To for Creative Talent
The Creative Group — a division of Robert Half, the world’s first
and largest specialized staffing firm — connects companies with
highly skilled interactive, design, marketing, advertising and public
relations talent. We provide flexible staffing solutions by placing
our candidates on a project, contract-to-hire and full-time basis. We
can also provide resources and project management for strategic
initiatives that require a team of creative professionals. In addition,
by partnering with our sister division Robert Half Technology, we
can deliver the most efficient and cost-effective staffing solutions
for digital projects that call for both creative and technical skills.
Our staffing experts are available for personal consultation to help
you locate top creative professionals who are motivated to perform
and well-suited to your workplace culture. We also offer a wealth of
management and career advice on our website (creativegroup.com)
and blog (blog.creativegroup.com).
Contact The Creative Group at 1.855.750.7260 to learn more about
salaries in your market or how we can help you find the right talent
for your organization.
Top 5 Reasons Companies Use Specialized
Staffing Firms Like The Creative Group
1. To access hard-to-find talent that isn’t available in-house
2. To lighten the load on core team members
3. To provide support for special projects
4. To avoid the damaging and costly cycle of overstaffing
followed by layoffs
5. To reduce recruiting time, especially when firms don’t
have time to conduct a rigorous search and evaluation
of their own
27
2017 SALARY GUIDE
|
THE CREATIVE GROUP
Office Locations
UNITED STATES
ARIZONA
GEORGIA
OHIO
Phoenix
Atlanta
Cincinnati
CALIFORNIA
ILLINOIS
Cleveland
Irvine
Chicago
Dublin
La Jolla
MASSACHUSETTS
OREGON
Los Angeles
Boston
Portland
MICHIGAN
PENNSYLVANIA
Southfield
Philadelphia
MINNESOTA
TENNESSEE
Minneapolis
Nashville
MISSOURI
TEXAS
St. Louis
Austin
Oakland
San Francisco
San Jose
COLORADO
Denver
CONNECTICUT
Hartford
NEW JERSEY
Stamford
DISTRICT OF
COLUMBIA
Princeton
Dallas
Houston
Saddle Brook
WASHINGTON
Washington
Woodbridge
Seattle
FLORIDA
NEW YORK
Coral Gables
New York
CANADA
Tampa
NORTH CAROLINA
ONTARIO
Charlotte
Mississauga
Raleigh
Toronto
Visit creativegroup.com/office-locations
to contact The Creative Group office nearest you.
28
2017 SALARY GUIDE
|
THE CREATIVE GROUP
1.855.750.7260 • creativegroup.com
© 2016 The Creative Group. A Robert Half Company.
An Equal Opportunity Employer M/F/Disability/Veterans. TCG-0916-14614
Purchase answer to see full
attachment