....0 Verizon LTE
1 * 72%
9:30 PM
moodle.glendale.edu
Your grade will reflect the correct usage of the above terms. The internet is a good source
for finding this information.
How will the report be graded?
The report MUST contain the following (and, preferably, in this order). Please follow it exactly:
1. The title of the concert, the location of the concert, date and time - 5 points.
2. A complete list of all musical pieces and composers/arrangers. (DO NOT LIST
THE CHORUS MEMBERS OR THE ORCHESTRA MEMBERS) - you may
copy this from the program and include it in list form (required even if the concert
has no written program) - 15 points.
3. Describe the onstage arrangements of the orchestra, choir, performers, etc. If you
attend an organ concert, describe the interior of the church. NOTE: If the
orchestra is in the pit (i.e. a musical theater production), be sure to go down at
intermission and look at the set-up---you will need to do this toward the end when
the players are returning to their seats) -10 points.
4. A concise, full description of what you heard (talk about ALL of the individual
musical pieces). Use specific information (terms, etc.) that you have learned from
the course in your descriptions. For vocal concerts, be sure and read the
translations and incorporate these into your descriptions. - 15 points.
f possible,
5. Background information that you find on the internet about the composer(s)
including THREE different citations. After you read the research material,
rewrite it in your own words (or paraphrase). Any information that you cut and
paste must be listed as a quotation, with correct punctuation. Only about 10% of
this research material should be directly quoted. See below for tips regarding
how to paraphrase. If the program includes multiple composers, pick three or
four to research. It is not necessary to write about all of the composers. DO NOT
WRITE ABOUT THE PERFORMERS. Look this up ahead of time
or while you are writing the report (DO NOT USE INFORMATION FROM
THE PROGRAM!) Use at least THREE different citations or sources. If the
concert was the music of a single composer, you must find three different
citations to use in your discussion of the composer. COPY AND PASTE THE
URL FROM THE WEBSITE WHERE YOU FOUND THE INFORMATION
INTO THE REPORT. THE URL MUST APPEAR IMMEDIATELY
FOLLOWING ANY INFORMATION YOU USE FROM THE WEBSITE, NOT
AT THE END OF THE REPORT. I must be able to verify your information by
using the URL, so be sure it is complete. (NOTE: Plagiarism is the use or close
imitation of the language and thoughts of another author and the
representation of them as one's own original work. In other words, using
someone else's material as your own is considered plagiarism and is a
violation of the college academic honesty code. It will result in your failing
the assignment or the course.) - 20 points.
6. Write about a unique musical moment in the actual concert that caught your
attention. Find something that you would ONLY KNOW BY BEING
PRESENT AT THE CONCERT. This information should be something that
you observed, not taken from the written program or the website advertising the
concert. The more factual your information, the better. For example, someone
made an unexpected announcement, something was added to the program, etc.
This unique moment should prove that you were actually in attendance at the
concert. Do not describe something too abstract. Find something that objective
and concrete - 15 points.
7. A full description of the final musical piece on the concert - 10 points
8. WRITING STYLE. Grammar, spelling, syntax, rhetoric and addressing all of the
guidelines as listed above in your first submission - 10 points.
Los Angeles County Museum of Art
PUBLIC PROGRAMS: MUSIC
SUNDAYS LIVE 2017
The
UCLA Camarades
and
VEM Quartet
June 4, 2017
6:00 pm
Leo S. Bing Theater
moho
O bons
Edmund D. Edelman Stage insono
Live stream at Mixlr.com/sundayslive
For weekly downloads of Sundays Live,
please visit our broadcast partner
www.kusc.org
and go to Radio/On Demand to
3
21100
FROM THE ARTISTIC DIRECTOR
PROGRAM, CONT’D.
PROGRAM
Ernö Dohnányi (1877-1960)
Piano Quintet No. 1 in C minor, Opus 1
I. Allegro
This month, Sundays Live will present two special
TUESDAY NIGHT run-out concerts at the BCAM Gallery,
Level 1. Due to limited space, these are TICKETED events
(tickets are free, but must be obtained online - visit
lacma.org - or at the box office.)
June 13, 8pm: Pianists Inna Faliks and David Kaplan
perform works to be announced.
June 27, 8pm: The Lyris Quartet performs David
Hertzberg: Meditation Boreale, Ben Johnson:
Amazing Grace, and Ravel: String Quartet,
I hope to see you there!
Ludwig van Beethoven (1770-1827)
String Quartet in F minor, Opus 95, “Serioso"
II. Allegretto ma non troppo
III. Allegro assai vivace ma serioso
Joyce kwak, Mariko de Napoli, violins
Viola You, viola Youjin ko, cello
Mindy Cheng, piano
Stephanie Spencer, Catherine Arai, violins
Julien Altmann, viola Jamie Kang, cello
ABOUT THE ARTISTS
String
quintet
Bill Vestal
György Liget (1923-2006)
String Quartet No. 1,
"Metamorphoses nocturnes"
Chamber
music
NEXT SUNDAY
VEM String Quartet
Xenia Deviatkina-Loh, Anna Corcoran, violins
Morgan O'Shaughnessey, viola Anne Suda, cello
Please join us next Sunday, June 11, when members of the
CAPITOL ENSEMBLE - Phillip Levy and Serena McKinney
(violins), Alma Fernandez and Michael Larco (violas),
Jacob Braun (cello), and Peter Lloyd (double bass)
perform Lanner: Die Romantiker Waltz, Elgar: String
Serenade, Opus 20, and Mozart: Grande Sestetto
Concertante, K. 364.
Felix Mendelssohn (1809-1847)
Piano Trio No. 1 in D minor, Opus 49
1. Molto allegro ed agitato
The UCLA CAMARADES is a versatile chamber music
group ranging from duos to a full string orchestra
composed of the UCLA Herb Alpert School of Music's
acclaimed string faculty and its most gifted students. This
ensemble is constituted for campus and off-campus
concerts, granting students the privilege to learn via on-
stage performance with their mentors at the highest
standards, and to share with them the joy of chamber
music. Since its inception in 2009, Camarades ensembles
have performed at numerous chamber music series and
venues of Los Angeles including previous performances at
LACMA's Sundays Live, Trinity Lutheran Church in
Manhattan Beach, Dilijan Series in Zipper Hall, Music
Guild (Los Angeles), and as featured guests at the Los
Angeles Philanthropic Committee for the Arts' annual gala
at the Chandler Pavilion. Recent residencies with
acclaimed performances at international festivals in
Yerevan, Armenia and in Tuscany, Italy have made for
particularly enriching experiences.
Tiffany Wee, violin Jeffrey Ho, cello
Shota Homma, piano
} trio
TO THE AUDIENCE
Johannes Brahms (1833-1897)
Clarinet Trio in A minor, Opus 114
II. Adagio
In consideration of the artists and your fellow listeners,
please turn off all electronic devices during the broadcast.
This includes cameras, cellular phones, games, pagers,
laptops, and any ringing devices. Any unauthorized devices
may be confiscated at the discretion of management. If you
have small children, please consider listening from the
foyer, where speakers are provided for your enjoyment.
Latecomers will be seated at the discretion of house staff.
Dalton Tran, clarinet Jeffrey Ho, cello
Sanaz Rezai, piano
The piano for Sundays Live is provided by
YAMAHA
YAMAHA ARTIST SERVICES
NEW YORK
Purchase answer to see full
attachment