atively new to them,
the residents of the
HISTORICAL
BACKGROUND
Another theory is that
The
Creation
em
an
area, the Aymaras of
that time, refused to
communicate with
the Spaniards about
their ancestors,
The following creation
myth comes from the
Tiahuanaco culture,
an important highland
civilization that flour-
ished in the region of Lake Titicaca
before the Incas invaded. Since the
1960s, archaeologists have been inves-
tigating sites in the area of the famous
ruins of Tiahuanaco. Monumental stone
figures, located near the southern
Lake Titicaca, which extends from
Peru to Bolivia, plays a major role in
the mythology of both the Inca of Peru
and the Aymara of Bolivia, When the
Incas extended their rule to the
Bolivian shores of Lake Titicaca, they
shore of Lake Titicaca in the Andean adopted and transformed the myths of
the native Aymara people and the
highlands of Bolivia, were built in
Tiahuanaco culture to reflect their own
approximately A.D. 500, and testify to
the importance of the Tiahuanaco nationalistic point of view. The Incas
political values also led them to estah.
culture,
Archaeologists have discovered that lish their Quechua language as the
the city Tiahuanaco began as a rural official language of their empire, even
village in about 1000 B.C. and that it though Aymara was the most wide.
was occupied for over two thousand spread native language at that time
Although the Inca emperors demanded
years, becoming important enough to
that the Aymara people accept their
influence the culture of the Andean
authority and their religion, they did
peoples from about A.D. 500 to 1200.
not require the Aymaras to give up
By 1200, Tiahuanaco had become the
their own, older religion. Thus, the two
capital of the great Tiahuanaco empire,
which may have included much of religions coexisted.
Chile and Peru, as well as the Andean Today, more than five million peo-
highlands of Bolivia and Argentina. ple continue to speak the Quechua
The reason for the empire's collapse language. However, the Aymara lan-
remains a mystery, but the area it guage also is a living language. Many
encompassed did not become unified of the Aymara people continue to live
again until the Incas conquered it in the Andean highlands of Bolivia,
sometime during the late fourteenth where most of them are still involved
and early fifteenth centuries.
in herding and agriculture.
Scholars are mystified by the fact
that the Spaniards could learn nothing
about the culture from the Aymaras APPEAL AND VALUE
who were living in the area. The local
population had no idea who the peo- Inca mythology and sun worship are
ple were that had constructed the directly related to the religion of the
huge structures. One theory is that Tiahuanaco culture, since the Incas
the Incas shifted populations from built their myths upon those of older
one area to another, so tribes could civilizations. For example, the Incas
have been living in areas that were rel- adopted Con Ticci Viracocha (creator
The Americas
Pf
0
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emerging with thunder) as their own
creator-god.
The creator who is also a benefactor
of the human race is common in
American cultures, such as the Aztec
and the Haida/Tsimshian/Tlingit. Other
cultures also have a divine creator who
teaches moral values and punishes
those who ignore them. Like many
other creators, Viracocha uses a flood
to destroy a race of human beings who
have acted immorally.
The role played by stone in this cre-
ation myth reflects the abundance of
rock and the presence of ancient,
rock-shaped figures in the area. The
religious practice of worshiping natural
phenomena is reflected in the birth of
human beings from caves, rivers,
mountains, and rocks.
The following myth was recorded in
the early 1550s by Juan de Betanzos,
the official interpreter for the Spanish
governor of Peru. He took it from a
Peruvian narrative song. Such songs
were a customary way for Inca histori-
ans to preserve their nation's history.
tains were under water.
THE CREATION
In the beginning, Lord Con Ticci Viracocha, prince and creator of all things,
emerged from the void and created the earth and the heavens. Next he created
animals and a race of gigantic human beings who lived upon the earth in the
darkness of an eternal night, for he had not yet created any form of light. When
the behavior of this race angered Viracocha, he emerged again, this time from
Lake Titicaca, and he punished these first human beings by turning them into
stone
. Then he created a great flood. Soon even the peaks of the highest moun-
When Viracocha was satisfied that the flood had destroyed all forms of life,
he caused the flood waters to subside until the face of the earth was revealed once
again. So great was his creative power that he then created
day by causing the sun
to emerge from the island of Titicaca and rise into the heavens. In the same way,
he created the moon and the stars, setting each brilliant light upon its proper
path
. With a wave of his
hand and a command from his mouth, some hills and
mountains sank to become valleys, while some valleys rose to become hills and
mountains. With another wave and command, streams and rivers of fresh water
sprang from the rocky cliffs, cascaded down the mountainsides, and flowed
Viracocha then turned his attention to creating new animals and a new race
of human beings. First he created birds to fly in the air and fill the silence with
song.
He type of bird a different melody to sing, sending some to live
deep in the forested valleys and others to live in the high plains and mountains.
Then he created the animals that walk the earth on four legs and the creatures
that crawl on their stomachs. These too he divided between the lowlands and the
highlands.
through the valleys.
gave each
The Creation
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