Writing Assignment 1: Summary-Response Workshop Deadlines: Workshop has two deadlines and both must be met. Post 1st draft of WA1 in D6 by 11:59 PM Monday March 5th Post peer-evaluation of WA1 in D6 by 11:59 PM Friday March 9th Final Draft Deadline: March 15th by 11:59 PM PST using electronic portal Purpose: The purpose of this assignment is to familiarize students with the online library resources (Literature Resource Center) to which they have access; and to grant them additional practice in research, summarization, and secondary source analysis. Final Product Must Include: • • • 2 rhetorical precis summaries (one for each of your literary criticisms) 2 single-paragraph responses to each of the “Response” prompts 1 Works Cited page with full source citations Prompt: Summarize and respond to two different literary criticisms regarding The Catcher in the Rye by J.D. Salinger. To help you properly complete this assignment, please carefully follow the instructions noted below under Research Instructions, Summary, and Response. Research Instructions: Selecting Two Literary Criticisms • • • • • • Access the Cuyamaca College online Library, select Research Databases, and scroll down to select the Literature Resource Center. Enter your username and user password as directed. Once you have reached the Basic Search page, type The Catcher in the Rye in the search engine and click “Search.” Once you receive your results, make sure that the “Literary Criticisms” tab is highlighted at the top of the results list. Now, you must sift through various literary criticisms regarding Catcher and select two. Each must either give you a different understanding about some aspect of the novel, challenge your current views about the novel, and/or present something that you most disagree with and would like to refute (i.e. fallacies, unclear or false assumption made, underdeveloped or inconclusive argument presented…etc.). Once you have selected your literary criticisms, make sure to use the Tools option on the right-hand side of the page to email the article to yourself. 1 Adlparvar, English 124 Writing Assignment 1: Summary-Response Summary: Two Rhetorical Précis • Use the Rhetorical Précis instructional guide that we had previously practiced to devise a rhetorical précis for each of your literary criticisms (two total). As you devise a summary for each of your two sources, please do not deviate from the instructed and exemplified formula of the rhetorical précis. Remember that there should only be four sentences in your précis, and each sentence must identify the specified rhetorical information about the reading as instructed. Response: Two Responses After you have created your two rhetorical précis, write a paragraph response (150-300 words) for each literary criticism in which you do one of the following: R1 Examine the idea(s) about Catcher that your select literary criticism makes you “rethink” and explain what new understanding this literary criticism gives you about the novel. Ask yourself in what ways this literary criticism challenges your current views about the novel. R2 Examine the idea(s) inherent in this literary criticism about Catcher that you most disagree with and refute these assumptions/theories/claims with thorough explanations and support from the novel. Ask yourself, in what way(s) you disagree with this literary criticism (i.e. fallacies, unclear or false assumptions made, underdeveloped or unstable argument presented…etc.), and how you can bridge any gaps left within this person’s argument or provide an alternative perspective? Use the three-step rebuttal process: state the claim(s) made in the literary criticism, state what you specifically disagree with regarding said claim(s), and provide a counter-argument for each of your specific disagreements. Please refer to the Refutation-Rebuttals instructional web links in the Writing Assignment 1 learning module. Please note that both types of responses must be used in this assignment, meaning that if you chose to respond to R1 for your first literary criticism, then you must respond to R2 for your second literary criticism response. Please also make sure that each response has a strong thesis in its brief introductory paragraph and a focused supporting argument that is thorough and clear in one or more short body paragraphs. Lastly, in your concluding paragraph, please also very briefly (in one or two sentences) indicate how J.D. Salinger would respond to this critique (meaning the literary criticism that you have chosen) of his story or his anti-hero. NOTE: Your work must be double-spaced, using MLA format, and you must have a Works Cited page at the end of your Summary-Response. 2 Adlparvar, English 124 Writing Assignment 1: Summary-Response WA1 Point Value: Workshop 10 points Rhetorical Précis 20 points Responses 40 points Syntax 15 points Citations 15 points ___________________________ Total 100 points Required Elements: The following revising and editing checklist is my criteria for grading. _____ Total of two concise four-sentence rhetorical précis, one for each literary criticism _____ Total of two paragraph responses, one for each literary criticism _____ A Works Cited page with 2-3 entries (one for each of the two literary criticisms and one for Catcher, if you choose to quote the latter directly) Be sure to have included the following in each of your précis: _____ Sentence 1 provides the name of the author, the genre (literary criticism) and title of the work with the date (in parentheses), a concise appropriate verb (claims, posits, argues, asserts) followed by a “that” phrase in which the thesis of the work is stated (either paraphrased or quoted). Make sure to include a parenthetical citation after the borrowed passage, meaning that within parentheses, you must insert the author’s last name and the page number from which you gathered the passage. If your source does not have a page number, then post the paragraph number. i.e. (Jones 2) or (Jones par. 8) _____ Sentence 2 provides an explanation of how the author goes about supporting his/her thesis. Remember that brevity is important; you will not restate the details from the work, but note the rhetorical method used by the writer to develop his/her supporting points followed by the supporting points themselves. Begin this sentence with, “[Insert author’s last name] supports his/her main claim by [insert rhetorical mode] [insert plan of development].” As for the rhetorical method that the author uses, please include one of the following patterns of organization (I have noted what each method aims to achieve): narration and description (modes whose primary purpose is stirring the reader's emotions); process cause/effect, comparison/contrast, illustration, definition, 3 Adlparvar, English 124 Writing Assignment 1: Summary-Response and classification/division (methods that help readers understand a subject, explore its functions, causes, consequences, relationships to other subjects, meaning, or nature); argumentation and persuasion (methods that seek to change readers' attitudes or actions with regard to specific subjects). _____ Sentence 3 states the purpose of the piece (which may reflect the thesis, but should also include the writer’s motive—why is he/she writing this piece?) This is accomplished with an “in order to” phrase. _____ Sentence 4 explains the author’s intended audience and how the author positions him/herself with that audience. _____ An introduction for each “Response” that explicitly states your thesis and properly introduces the focus of your paragraph response in the topic sentence _____ A clear thesis statement that clearly identifies your focus and that includes a plan of development, if you have multiple supporting points _____ Convincing summarized, paraphrased, and directly quoted evidence that support your main point. Quotes or paraphrased passages (contextual support) must be directly relevant and should sufficiently illustrate your claim _____ Effective transitional words and/or phrases throughout your essay (First, Secondly, One way X is so, Additionally, Next, Conversely, for example, for instance…etc.) _____ A relevant conclusion that restates the thesis and plan of development to properly frame your essay and contains Salinger’s hypothetical response to the literary criticism Be sure your essay includes the proper use of borrowed material. _____ Correct integration and MLA citation of quoted, summarized, and/or paraphrased material (both in-text parenthetical citations and Works Cited source entries) _____ Triple E: Present the example, include the contextual evidence to support the example, and provide an explanation of how the contextual evidence supports the example, thereby your thesis. _____ Use the present tense. 4 Adlparvar, English 124 Writing Assignment 1: Summary-Response _____ Do not place quotes back-to-back. _____ Introduce and/or establish the context of each quote first. _____ After each quote, explain the significance of your borrowed material to the thesis to make sure that your readers understand why you have used that source in your response. _____ Avoid beginning and ending your paragraphs with quotes; instead, begin your paragraphs with strong topic sentences and end them with muscular concluding remarks. _____ Careful and concise use of diction _____ Once again, make sure to use the present tense. _____ Proper use of mechanics (grammar, punctuation marks, sentence structure…etc.) Eliminate the following: _____ Spelling errors _____ Run-ons _____ Fragments _____ Slang and clichés _____ Contractions _____ Personal pronouns, such as you, your(s), yourself, me, I, mine, myself, we, us, our(s), and ourselves _____ Repetition, especially at the beginning of nearby sentences _____ Vague words, such as good, interesting, nice, hate, neat …etc. _____ Pronoun Agreement errors _____ Subject-Verb Agreement errors 5 Adlparvar, English 124 Writing Assignment 1: Summary-Response _____ Punctuation errors, such as comma, semi-colon, quotation marks, apostrophes…etc. Finally, be sure you have included the following: _____ Correct use of commas, semi-colons, apostrophes, and quotation marks _____ A combination of sentence forms (simple, compound, complex, and compoundcomplex) _____ Parallel structure with parallel elements in a series (commas must separate three or more elements in a series) 6 Adlparvar, English 124 Jane Doe Tina Adlparvar-Lange English 124 21 February 2013 Summary and Analysis of O’Connor Summary 1: In his essay “Flannery O'Connor's validation (sic) of the unreasonable (sic) in ‘A Good Man Is Hard to Find’" (2010), John V. McDermott claims that, “The paradox […of the good man’s elusive identity] steeped in mystery complements the intractable blindness of both the Grandmother and The Misfit” (McDermott par. 3-4). He supports his claim by exemplifying three instances within the ending in which both the Grandmother and The Misfit begin to unveil the mystery of goodness by planting a seed of possible redemption. McDermott’s purpose is to indicate that there are multiple characters capable of good within this story in order to validate the irrational paradox in O’Connor’s parable. McDermott’s responsive tone assumes a highly educated audience who is familiar with O’Connor’s controversial short story and its various interpretations. Response 1: John V. McDermott’s literary criticism, “Flannery O'Connor's validation (sic) of the unreasonable (sic) in ‘A Good Man Is Hard To Find’" (2010), compels one to rethink that the “clear sky” symbolism at the end of the story represents “both” the Grandmother and The Misfit being redeemed or touched by grace. With each reading of “A Good Man Is Hard to Find,” new symbols are unveiled to the reader, such as the clouds in the sky as they are associated with an obstruction of one’s faith and disability to be saved. As evidenced in the story and highlighted by McDermott, only when the Grandmother has shed her “condescending attitude […and] her overweaning pride” (McDermott 8) by referring to The Misfit as “one of [her] own children” (O’Connor 132), is she capable of facing and seeing a cloudless sky with the light of the sun shining upon her (McDermott 8). This parting of clouds at the end of the story, therefore allows for sunlight to shine upon the Grandmother as a touch of grace, thus indicating redemption. On the other hand, The Misfit, who many refuse to visualize as a redemptive character, shocks readers with his “red-rimmed, and pale, and defenseless looking” (O’Connor 132-3) eyes, which indicate the start of something monumental. Here, the obvious antagonist of the story has been “at least” touched by grace, as substantiated by his final statement, “It’s no real pleasure in life” (O’Connor 133). It is in this brief statement that his touch of grace begins to reveal itself to readers because he shows an element of sadness, and possibly remorse, about the human condition, which implies that he is capable and conscious of real human emotion. He is also indicating that unlike the devil or anybody truly evil, he is not killing for sport; there is a purpose to his response. His final statement illustrates that one must meet his/her maker to truly be redeemed; thus, the Grandmother has been granted a favor. Since he has helped her in the process, he shows that a seed has been planted in that he has been touched by grace himself. Why else would he take off his glasses? He is unveiling something real—grace. O’Connor would certainly agree with this interpretation of her story because she has designed both characters to be redeemable, as driven by her devout Catholic faith. Summary 2: In her essay “A Cloak of Grace: Contradictions in 'A Good Man Is Hard to Find'” (1990), Kathleen Ochshorn claims that, “O'Connor is not diminished by the contradictions between [her reader’s interpretation of ‘A Good Man Is Hard to Find’] and her explanation of her work; she is made richer (Ochshorn par. 7). She supports her claim by exemplifying several different interpretations that have been made about “A Good Man Is Hard to Find,” and she contrasts those interpretations to O’Connor’s own agenda, thus indicating how this constant discourse and debate about her elusive story has given her parable longevity. Ochshorn’s purpose is to indicate that O’Connor’s own guilt and idealism is what causes her “to insist on an impossible reading of her story” (par. 16) in order to “question [that] the world around her [is] all [there is]” (par. 16). Ochshorn’s restorative tone assumes a critic-based and/or an academic based readership that has experience with O’Connor’s story and that possibly disagrees with O’Connor’s evaluation of her own work. Response 2: Rebuttal using TTEB Method While the majority of Kathleen G. Ochshorn’s analysis of “A Good Man Is Hard to Find” is astute and concrete, there is a clear crack in her objectionable final statements repudiating the Grandmother’s redemption. In her statement, Ochshorn assumes that the “wrath” inherent in O’Connor’s stories is driven by her own staunch idealism, an unwavering faith that is too incredible for this world, and that her Catholic guilt forces her to construct an impossible ending to her story (Ochshorn par.16). She then states, “The force of ‘A Good Man Is Hard to Find’ speaks for an angry outsider, a person without illusions or sentimentality. The grandmother does not go to Florida, and O'Connor has her way. A world of propriety and illusion is laid low by wrath, not redeemed by grace” (Ochshorn par.18). Although the bulk of her statement is valid, Ochshorn stops short in her last two sentences by not acknowledging that it is through this “wrath” or violence that self-awareness is endowed upon these highly flawed characters, such as the Grandmother and The Misfit, and this self-awareness is the miracle of grace penetrating through the surface, thus leading to redemption. No, the Grandmother does not go to Florida, but she does go to heaven, where she can meet her maker, and that is the ultimate redemptive ending. While Kathleen G. Ochshorn’s analysis of “A Good Man Is Hard to Find” is incisive, it does leave on an objectionable note that disregards the extraordinary element of faith and its redemptive power. Flannery O’Connor would disagree with Ochshorn’s final statement because it is in discord with her Catholic faith. Works Cited McDermott, John V. “Flannery O’Connor’s validation of the unreasonable in ‘A Good Man Is Hard to Find’” (sic). Notes on Contemporary Literature 40.1 (2010). Literature Resource Center. Web. 10 February. 2013. Ochshorn, Kathleen G. "A Cloak of Grace: Contradictions in 'A Good Man Is Hard to Find'." Studies in American Fiction 18.1 (Spring 1990): 113-117. Rpt. in Twentieth-Century Literary Criticism. Ed. Janet Witalec. Vol. 132. Detroit: Gale, 2003. Literature Resource Center. Web. 10 February 2013. O’Connor, Flannery. “A Good Man Is Hard to Find.” Flannery O’Connor: The Complete Stories. New York: Farrar, Straus, and Giroux, 1971. Print. Rhetorical Précis What is a rhetorical précis? A rhetorical précis is a highly specialized, specific type of summary. It differs from the more general summary in that emphasis is placed upon providing the rhetorical aspects of the work under consideration. Like the summary, the goal is to provide in clear, precise language, the main points of a piece. Essential information within the rhetorical précis include the writer’s name, the genre and name of the piece, the way in which this information is delivered, the main point, how the point is developed, the purpose of the piece, and the relationship between the writer and audience. This information is presented in only four very specific sentences as outlined below. Outline of rhetorical précis 1. Sentence one provides the name of the author; the genre (essay, article, novel, speech, literary criticism...etc.) and title of the work with the date (in parentheses); a concise appropriate action verb, such as “claims, posits, argues, or asserts”; followed by a comma; after which the thesis of the work is stated (either paraphrased, directly quoted, or summed up in one sentence). Paraphrasing a passage, means putting that passage into your own words (use your own language). When directly “quoting” a passage, you must write the text using the exact words of the original author, and you must encase the select passage in quotation marks. Please remember that whenever you paraphrase, directly quote, or even sum up a passage you must follow that passage with a parenthetical citation, meaning that within parentheses, you must insert the page number from which you gathered the passage. If your source does not have a page number then post the paragraph number i.e. (18) or (par. 20). Example Sentence 1: In her essay “Cyberspace and Identity” (1999), Sherry Turkle argues that, “today’s life on the screen dramatizes and concretizes a range of cultural trends that encourage us to think of identity in terms of multiplicity and flexibility” (272). 2. Sentence two provides an explanation of how the author goes about supporting his/her thesis. Remember that brevity is important—you will not restate the details from the work, but include the plan of development (refer to The Essay Components document for assistance with plan of development) of the body of work along with the rhetorical method used by the writer to develop these supports. Rhetorical methods are patterns of organization in writing aimed at achieving a particular effect in the reader. Narration and Description are modes with the primary purpose of stirring the reader's emotions. Process, Cause/Effect, Compare/Contrast, Illustration, Definition, and Classification/Division methods aim at helping readers understand a subject, exploring its functions, causes, consequences, relationships to other subjects, meaning, or nature. Argumentative and Persuasive methods seek to change readers' attitudes or actions with regard to specific subjects. Each kind of method/mode has its own unique qualities as well as characteristics that are common to a variety of modes. Example Sentence 2: Turkle supports her assertion by comparing theories of cyberspace and identity formation with older understandings of identity found in psychology, sociology, and philosophy. 3. Sentence three states the purpose of the piece, which may reflect the thesis, but should also include the writer’s motive—why is he/she writing this piece? This is accomplished with an “in order to” phrase. It should be written as: His/her purpose is X in order to Y. See example below. Example Sentence 3: Her purpose is to show readers that theories on cyberspace and identity, which claim that identity is multiple and cyclical, do not overturn, but rather add to one’s understanding of identity in order to encourage her audience “to rethink [its] relationship to the computer culture and psychoanalytic culture as proudly held joint citizenship” (278). 4. Sentence four explains the author’s tone and intended audience. One may even include how the author positions him/herself with that audience, possibly through his/her tone. Example Sentence 4: Turkle’s tone assumes a highly educated audience who is familiar with theories not only of cyberspace and identity, but sociology and psychology as well. Sample Four-Sentence Rhetorical Précis In her essay “Cyberspace and Identity” (1999), Sherry Turkle argues that, “today’s life on the screen dramatizes and concretizes a range of cultural trends that encourage us to think of identity in terms of multiplicity and flexibility” (272). Turkle supports her assertion by comparing theories of cyberspace and identity formation with older understandings of identity found in psychology, sociology, and philosophy. Her purpose is to show readers that theories on cyberspace and identity, which claim that identity is multiple and cyclical, do not overturn, but rather add to our understandings of identity in order to encourage her audience “to rethink [its] relationship to the computer culture and psychoanalytic culture as proudly held joint citizenship” (278). Turkle’s tone assumes a highly educated audience who is familiar with theories not only of cyberspace and identity, but sociology and psychology as well. THE CATCHER IN THE RYE by J.D. Salinger TO MY MOTHER 1 If you really want to hear about it, the first thing you'll probably want to know is where I was born, an what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. In the first place, that stuff bores me, and in the second place, my parents would have about two hemorrhages apiece if I told anything pretty personal about them. They're quite touchy about anything like that, especially my father. They're nice and all--I'm not saying that--but they're also touchy as hell. Besides, I'm not going to tell you my whole goddam autobiography or anything. I'll just tell you about this madman stuff that happened to me around last Christmas just before I got pretty run-down and had to come out here and take it easy. I mean that's all I told D.B. about, and he's my brother and all. He's in Hollywood. That isn't too far from this crumby place, and he comes over and visits me practically every week end. He's going to drive me home when I go home next month maybe. He just got a Jaguar. One of those little English jobs that can do around two hundred miles an hour. It cost him damn near four thousand bucks. He's got a lot of dough, now. He didn't use to. He used to be just a regular writer, when he was home. He wrote this terrific book of short stories, The Secret Goldfish, in case you never heard of him. The best one in it was "The Secret Goldfish." It was about this little kid that wouldn't let anybody look at his goldfish because he'd bought it with his own money. It killed me. Now he's out in Hollywood, D.B., being a prostitute. If there's one thing I hate, it's the movies. Don't even mention them to me. Where I want to start telling is the day I left Pencey Prep. Pencey Prep is this school that's in Agerstown, Pennsylvania. You probably heard of it. You've probably seen the ads, anyway. They advertise in about a thousand magazines, always showing some hotshot guy on a horse jumping over a fence. Like as if all you ever did at Pencey was play polo all the time. I never even once saw a horse anywhere near the place. And underneath the guy on the horse's picture, it always says: "Since 1888 we have been molding boys into splendid, clear-thinking young men." Strictly for the birds. They don't do any damn more molding at Pencey than they do at any other school. And I didn't know anybody there that was splendid and clear-thinking and all. Maybe two guys. If that many. And they probably came to Pencey that way. Anyway, it was the Saturday of the football game with Saxon Hall. The game with Saxon Hall was supposed to be a very big deal around Pencey. It was the last game of the year, and you were supposed to commit suicide or something if old Pencey didn't win. I remember around three o'clock that afternoon I was standing way the hell up on top of Thomsen Hill, right next to this crazy cannon that was in the Revolutionary War and all. You could see the whole field from there, and you could see the two teams bashing each other all over the place. You couldn't see the grandstand too hot, but you could hear them all yelling, deep and terrific on the Pencey side, because practically the whole school except me was there, and scrawny and faggy on the Saxon Hall side, because the visiting team hardly ever brought many people with them. There were never many girls at all at the football games. Only seniors were allowed to bring girls with them. It was a terrible school, no matter how you looked at it. I like to be somewhere at least where you can see a few girls around once in a while, even if they're only scratching their arms or blowing their noses or even just giggling or something. Old Selma Thurmer--she was the headmaster's daughter--showed up at the games quite often, but she wasn't exactly the type that drove you mad with desire. She was a pretty nice girl, though. I sat next to her once in the bus from Agerstown and we sort of struck up a conversation. I liked her. She had a big nose and her nails were all bitten down and bleedy-looking and she had on those damn falsies that point all over the place, but you felt sort of sorry for her. What I liked about her, she didn't give you a lot of horse manure about what a great guy her father was. She probably knew what a phony slob he was. The reason I was standing way up on Thomsen Hill, instead of down at the game, was because I'd just got back from New York with the fencing team. I was the goddam manager of the fencing team. Very big deal. We'd gone in to New York that morning for this fencing meet with McBurney School. Only, we didn't have the meet. I left all the foils and equipment and stuff on the goddam subway. It wasn't all my fault. I had to keep getting up to look at this map, so we'd know where to get off. So we got back to Pencey around two-thirty instead of around dinnertime. The whole team ostracized me the whole way back on the train. It was pretty funny, in a way. The other reason I wasn't down at the game was because I was on my way to say good-by to old Spencer, my history teacher. He had the grippe, and I figured I probably wouldn't see him again till Christmas vacation started. He wrote me this note saying he wanted to see me before I went home. He knew I wasn't coming back to Pencey. I forgot to tell you about that. They kicked me out. I wasn't supposed to come back after Christmas vacation on account of I was flunking four subjects and not applying myself and all. They gave me frequent warning to start applying myself--especially around midterms, when my parents came up for a conference with old Thurmer--but I didn't do it. So I got the ax. They give guys the ax quite frequently at Pencey. It has a very good academic rating, Pencey. It really does. Anyway, it was December and all, and it was cold as a witch's teat, especially on top of that stupid hill. I only had on my reversible and no gloves or anything. The week before that, somebody'd stolen my camel's-hair coat right out of my room, with my furlined gloves right in the pocket and all. Pencey was full of crooks. Quite a few guys came from these very wealthy families, but it was full of crooks anyway. The more expensive a school is, the more crooks it has--I'm not kidding. Anyway, I kept standing next to that crazy cannon, looking down at the game and freezing my ass off. Only, I wasn't watching the game too much. What I was really hanging around for, I was trying to feel some kind of a good-by. I mean I've left schools and places I didn't even know I was leaving them. I hate that. I don't care if it's a sad good-by or a bad goodby, but when I leave a place I like to know I'm leaving it. If you don't, you feel even worse. I was lucky. All of a sudden I thought of something that helped make me know I was getting the hell out. I suddenly remembered this time, in around October, that I and Robert Tichener and Paul Campbell were chucking a football around, in front of the academic building. They were nice guys, especially Tichener. It was just before dinner and it was getting pretty dark out, but we kept chucking the ball around anyway. It kept getting darker and darker, and we could hardly see the ball any more, but we didn't want to stop doing what we were doing. Finally we had to. This teacher that taught biology, Mr. Zambesi, stuck his head out of this window in the academic building and told us to go back to the dorm and get ready for dinner. If I get a chance to remember that kind of stuff, I can get a good-by when I need one--at least, most of the time I can. As soon as I got it, I turned around and started running down the other side of the hill, toward old Spencer's house. He didn't live on the campus. He lived on Anthony Wayne Avenue. I ran all the way to the main gate, and then I waited a second till I got my breath. I have no wind, if you want to know the truth. I'm quite a heavy smoker, for one thing--that is, I used to be. They made me cut it out. Another thing, I grew six and a half inches last year. That's also how I practically got t.b. and came out here for all these goddam checkups and stuff. I'm pretty healthy, though. Anyway, as soon as I got my breath back I ran across Route 204. It was icy as hell and I damn near fell down. I don't even know what I was running for--I guess I just felt like it. After I got across the road, I felt like I was sort of disappearing. It was that kind of a crazy afternoon, terrifically cold, and no sun out or anything, and you felt like you were disappearing every time you crossed a road. Boy, I rang that doorbell fast when I got to old Spencer's house. I was really frozen. My ears were hurting and I could hardly move my fingers at all. "C'mon, c'mon," I said right out loud, almost, "somebody open the door." Finally old Mrs. Spencer opened. it. They didn't have a maid or anything, and they always opened the door themselves. They didn't have too much dough. "Holden!" Mrs. Spencer said. "How lovely to see you! Come in, dear! Are you frozen to death?" I think she was glad to see me. She liked me. At least, I think she did. Boy, did I get in that house fast. "How are you, Mrs. Spencer?" I said. "How's Mr. Spencer?" "Let me take your coat, dear," she said. She didn't hear me ask her how Mr. Spencer was. She was sort of deaf. She hung up my coat in the hall closet, and I sort of brushed my hair back with my hand. I wear a crew cut quite frequently and I never have to comb it much. "How've you been, Mrs. Spencer?" I said again, only louder, so she'd hear me. "I've been just fine, Holden." She closed the closet door. "How have you been?" The way she asked me, I knew right away old Spencer'd told her I'd been kicked out. "Fine," I said. "How's Mr. Spencer? He over his grippe yet?" "Over it! Holden, he's behaving like a perfect--I don't know what. . . He's in his room, dear. Go right in." 2 They each had their own room and all. They were both around seventy years old, or even more than that. They got a bang out of things, though--in a haif-assed way, of course. I know that sounds mean to say, but I don't mean it mean. I just mean that I used to think about old Spencer quite a lot, and if you thought about him too much, you wondered what the heck he was still living for. I mean he was all stooped over, and he had very terrible posture, and in class, whenever he dropped a piece of chalk at the blackboard, some guy in the first row always had to get up and pick it up and hand it to him. That's awful, in my opinion. But if you thought about him just enough and not too much, you could figure it out that he wasn't doing too bad for himself. For instance, one Sunday when some other guys and I were over there for hot chocolate, he showed us this old beat-up Navajo blanket that he and Mrs. Spencer'd bought off some Indian in Yellowstone Park. You could tell old Spencer'd got a big bang out of buying it. That's what I mean. You take somebody old as hell, like old Spencer, and they can get a big bang out of buying a blanket. His door was open, but I sort of knocked on it anyway, just to be polite and all. I could see where he was sitting. He was sitting in a big leather chair, all wrapped up in that blanket I just told you about. He looked over at me when I knocked. "Who's that?" he yelled. "Caulfield? Come in, boy." He was always yelling, outside class. It got on your nerves sometimes. The minute I went in, I was sort of sorry I'd come. He was reading the Atlantic Monthly, and there were pills and medicine all over the place, and everything smelled like Vicks Nose Drops. It was pretty depressing. I'm not too crazy about sick people, anyway. What made it even more depressing, old Spencer had on this very sad, ratty old bathrobe that he was probably born in or something. I don't much like to see old guys in their pajamas and bathrobes anyway. Their bumpy old chests are always showing. And their legs. Old guys' legs, at beaches and places, always look so white and unhairy. "Hello, sir," I said. "I got your note. Thanks a lot." He'd written me this note asking me to stop by and say good-by before vacation started, on account of I wasn't coming back. "You didn't have to do all that. I'd have come over to say good-by anyway." "Have a seat there, boy," old Spencer said. He meant the bed. I sat down on it. "How's your grippe, sir?" "M'boy, if I felt any better I'd have to send for the doctor," old Spencer said. That knocked him out. He started chuckling like a madman. Then he finally straightened himself out and said, "Why aren't you down at the game? I thought this was the day of the big game." "It is. I was. Only, I just got back from New York with the fencing team," I said. Boy, his bed was like a rock. He started getting serious as hell. I knew he would. "So you're leaving us, eh?" he said. "Yes, sir. I guess I am." He started going into this nodding routine. You never saw anybody nod as much in your life as old Spencer did. You never knew if he was nodding a lot because he was thinking and all, or just because he was a nice old guy that didn't know his ass from his elbow. "What did Dr. Thurmer say to you, boy? I understand you had quite a little chat." "Yes, we did. We really did. I was in his office for around two hours, I guess." "What'd he say to you?" "Oh. . . well, about Life being a game and all. And how you should play it according to the rules. He was pretty nice about it. I mean he didn't hit the ceiling or anything. He just kept talking about Life being a game and all. You know." "Life is a game, boy. Life is a game that one plays according to the rules." "Yes, sir. I know it is. I know it." Game, my ass. Some game. If you get on the side where all the hot-shots are, then it's a game, all right--I'll admit that. But if you get on the other side, where there aren't any hot-shots, then what's a game about it? Nothing. No game. "Has Dr. Thurmer written to your parents yet?" old Spencer asked me. "He said he was going to write them Monday." "Have you yourself communicated with them?" "No, sir, I haven't communicated with them, because I'll probably see them Wednesday night when I get home." "And how do you think they'll take the news?" "Well. . . they'll be pretty irritated about it," I said. "They really will. This is about the fourth school I've gone to." I shook my head. I shake my head quite a lot. "Boy!" I said. I also say "Boy!" quite a lot. Partly because I have a lousy vocabulary and partly because I act quite young for my age sometimes. I was sixteen then, and I'm seventeen now, and sometimes I act like I'm about thirteen. It's really ironical, because I'm six foot two and a half and I have gray hair. I really do. The one side of my head--the right side-is full of millions of gray hairs. I've had them ever since I was a kid. And yet I still act sometimes like I was only about twelve. Everybody says that, especially my father. It's partly true, too, but it isn't all true. People always think something's all true. I don't give a damn, except that I get bored sometimes when people tell me to act my age. Sometimes I act a lot older than I am--I really do--but people never notice it. People never notice anything. Old Spencer started nodding again. He also started picking his nose. He made out like he was only pinching it, but he was really getting the old thumb right in there. I guess he thought it was all right to do because it was only me that was in the room. I didn't care, except that it's pretty disgusting to watch somebody pick their nose. Then he said, "I had the privilege of meeting your mother and dad when they had their little chat with Dr. Thurmer some weeks ago. They're grand people." "Yes, they are. They're very nice." Grand. There's a word I really hate. It's a phony. I could puke every time I hear it. Then all of a sudden old Spencer looked like he had something very good, something sharp as a tack, to say to me. He sat up more in his chair and sort of moved around. It was a false alarm, though. All he did was lift the Atlantic Monthly off his lap and try to chuck it on the bed, next to me. He missed. It was only about two inches away, but he missed anyway. I got up and picked it up and put it down on the bed. All of a sudden then, I wanted to get the hell out of the room. I could feel a terrific lecture coming on. I didn't mind the idea so much, but I didn't feel like being lectured to and smell Vicks Nose Drops and look at old Spencer in his pajamas and bathrobe all at the same time. I really didn't. It started, all right. "What's the matter with you, boy?" old Spencer said. He said it pretty tough, too, for him. "How many subjects did you carry this term?" "Five, sir." "Five. And how many are you failing in?" "Four." I moved my ass a little bit on the bed. It was the hardest bed I ever sat on. "I passed English all right," I said, "because I had all that Beowulf and Lord Randal My Son stuff when I was at the Whooton School. I mean I didn't have to do any work in English at all hardly, except write compositions once in a while." He wasn't even listening. He hardly ever listened to you when you said something. "I flunked you in history because you knew absolutely nothing." "I know that, sir. Boy, I know it. You couldn't help it." "Absolutely nothing," he said over again. That's something that drives me crazy. When people say something twice that way, after you admit it the first time. Then he said it three times. "But absolutely nothing. I doubt very much if you opened your textbook even once the whole term. Did you? Tell the truth, boy." "Well, I sort of glanced through it a couple of times," I told him. I didn't want to hurt his feelings. He was mad about history. "You glanced through it, eh?" he said--very sarcastic. "Your, ah, exam paper is over there on top of my chiffonier. On top of the pile. Bring it here, please." It was a very dirty trick, but I went over and brought it over to him--I didn't have any alternative or anything. Then I sat down on his cement bed again. Boy, you can't imagine how sorry I was getting that I'd stopped by to say good-by to him. He started handling my exam paper like it was a turd or something. "We studied the Egyptians from November 4th to December 2nd," he said. "You chose to write about them for the optional essay question. Would you care to hear what you had to say?" "No, sir, not very much," I said. He read it anyway, though. You can't stop a teacher when they want to do something. They just do it. The Egyptians were an ancient race of Caucasians residing in one of the northern sections of Africa. The latter as we all know is the largest continent in the Eastern Hemisphere. I had to sit there and listen to that crap. It certainly was a dirty trick. The Egyptians are extremely interesting to us today for various reasons. Modern science would still like to know what the secret ingredients were that the Egyptians used when they wrapped up dead people so that their faces would not rot for innumerable centuries. This interesting riddle is still quite a challenge to modern science in the twentieth century. He stopped reading and put my paper down. I was beginning to sort of hate him. "Your essay, shall we say, ends there," he said in this very sarcastic voice. You wouldn't think such an old guy would be so sarcastic and all. "However, you dropped me a little note, at the bottom of the page," he said. "I know I did," I said. I said it very fast because I wanted to stop him before he started reading that out loud. But you couldn't stop him. He was hot as a firecracker. DEAR MR. SPENCER [he read out loud]. That is all I know about the Egyptians. I can't seem to get very interested in them although your lectures are very interesting. It is all right with me if you flunk me though as I am flunking everything else except English anyway. Respectfully yours, HOLDEN CAULFIELD. He put my goddam paper down then and looked at me like he'd just beaten hell out of me in ping-pong or something. I don't think I'll ever forgive him for reading me that crap out loud. I wouldn't've read it out loud to him if he'd written it--I really wouldn't. In the first place, I'd only written that damn note so that he wouldn't feel too bad about flunking me. "Do you blame me for flunking you, boy?" he said. "No, sir! I certainly don't," I said. I wished to hell he'd stop calling me "boy" all the time. He tried chucking my exam paper on the bed when he was through with it. Only, he missed again, naturally. I had to get up again and pick it up and put it on top of the Atlantic Monthly. It's boring to do that every two minutes. "What would you have done in my place?" he said. "Tell the truth, boy." Well, you could see he really felt pretty lousy about flunking me. So I shot the bull for a while. I told him I was a real moron, and all that stuff. I told him how I would've done exactly the same thing if I'd been in his place, and how most people didn't appreciate how tough it is being a teacher. That kind of stuff. The old bull. The funny thing is, though, I was sort of thinking of something else while I shot the bull. I live in New York, and I was thinking about the lagoon in Central Park, down near Central Park South. I was wondering if it would be frozen over when I got home, and if it was, where did the ducks go. I was wondering where the ducks went when the lagoon got all icy and frozen over. I wondered if some guy came in a truck and took them away to a zoo or something. Or if they just flew away. I'm lucky, though. I mean I could shoot the old bull to old Spencer and think about those ducks at the same time. It's funny. You don't have to think too hard when you talk to a teacher. All of a sudden, though, he interrupted me while I was shooting the bull. He was always interrupting you. "How do you feel about all this, boy? I'd be very interested to know. Very interested." "You mean about my flunking out of Pencey and all?" I said. I sort of wished he'd cover up his bumpy chest. It wasn't such a beautiful view. "If I'm not mistaken, I believe you also had some difficulty at the Whooton School and at Elkton Hills." He didn't say it just sarcastic, but sort of nasty, too. "I didn't have too much difficulty at Elkton Hills," I told him. "I didn't exactly flunk out or anything. I just quit, sort of." "Why, may I ask?" "Why? Oh, well it's a long story, sir. I mean it's pretty complicated." I didn't feel like going into the whole thing with him. He wouldn't have understood it anyway. It wasn't up his alley at all. One of the biggest reasons I left Elkton Hills was because I was surrounded by phonies. That's all. They were coming in the goddam window. For instance, they had this headmaster, Mr. Haas, that was the phoniest bastard I ever met in my life. Ten times worse than old Thurmer. On Sundays, for instance, old Haas went around shaking hands with everybody's parents when they drove up to school. He'd be charming as hell and all. Except if some boy had little old funny-looking parents. You should've seen the way he did with my roommate's parents. I mean if a boy's mother was sort of fat or corny-looking or something, and if somebody's father was one of those guys that wear those suits with very big shoulders and corny black-and-white shoes, then old Hans would just shake hands with them and give them a phony smile and then he'd go talk, for maybe a half an hour, with somebody else's parents. I can't stand that stuff. It drives me crazy. It makes me so depressed I go crazy. I hated that goddam Elkton Hills. Old Spencer asked me something then, but I didn't hear him. I was thinking about old Haas. "What, sir?" I said. "Do you have any particular qualms about leaving Pencey?" "Oh, I have a few qualms, all right. Sure. . . but not too many. Not yet, anyway. I guess it hasn't really hit me yet. It takes things a while to hit me. All I'm doing right now is thinking about going home Wednesday. I'm a moron." "Do you feel absolutely no concern for your future, boy?" "Oh, I feel some concern for my future, all right. Sure. Sure, I do." I thought about it for a minute. "But not too much, I guess. Not too much, I guess." "You will," old Spencer said. "You will, boy. You will when it's too late." I didn't like hearing him say that. It made me sound dead or something. It was very depressing. "I guess I will," I said. "I'd like to put some sense in that head of yours, boy. I'm trying to help you. I'm trying to help you, if I can." He really was, too. You could see that. But it was just that we were too much on opposite sides ot the pole, that's all. "I know you are, sir," I said. "Thanks a lot. No kidding. I appreciate it. I really do." I got up from the bed then. Boy, I couldn't've sat there another ten minutes to save my life. "The thing is, though, I have to get going now. I have quite a bit of equipment at the gym I have to get to take home with me. I really do." He looked up at me and started nodding again, with this very serious look on his face. I felt sorry as hell for him, all of a sudden. But I just couldn't hang around there any longer, the way we were on opposite sides of the pole, and the way he kept missing the bed whenever he chucked something at it, and his sad old bathrobe with his chest showing, and that grippy smell of Vicks Nose Drops all over the place. "Look, sir. Don't worry about me," I said. "I mean it. I'll be all right. I'm just going through a phase right now. Everybody goes through phases and all, don't they?" "I don't know, boy. I don't know." I hate it when somebody answers that way. "Sure. Sure, they do," I said. "I mean it, sir. Please don't worry about me." I sort of put my hand on his shoulder. "Okay?" I said. "Wouldn't you like a cup of hot chocolate before you go? Mrs. Spencer would be-" "I would, I really would, but the thing is, I have to get going. I have to go right to the gym. Thanks, though. Thanks a lot, sir." Then we shook hands. And all that crap. It made me feel sad as hell, though. "I'll drop you a line, sir. Take care of your grippe, now." "Good-by, boy." After I shut the door and started back to the living room, he yelled something at me, but I couldn't exactly hear him. I'm pretty sure he yelled "Good luck!" at me, I hope to hell not. I'd never yell "Good luck!" at anybody. It sounds terrible, when you think about it. 3 I'm the most terrific liar you ever saw in your life. It's awful. If I'm on my way to the store to buy a magazine, even, and somebody asks me where I'm going, I'm liable to say I'm going to the opera. It's terrible. So when I told old Spencer I had to go to the gym and get my equipment and stuff, that was a sheer lie. I don't even keep my goddam equipment in the gym. Where I lived at Pencey, I lived in the Ossenburger Memorial Wing of the new dorms. It was only for juniors and seniors. I was a junior. My roommate was a senior. It was named after this guy Ossenburger that went to Pencey. He made a pot of dough in the undertaking business after he got out of Pencey. What he did, he started these undertaking parlors all over the country that you could get members of your family buried for about five bucks apiece. You should see old Ossenburger. He probably just shoves them in a sack and dumps them in the river. Anyway, he gave Pencey a pile of dough, and they named our wing alter him. The first football game of the year, he came up to school in this big goddam Cadillac, and we all had to stand up in the grandstand and give him a locomotive--that's a cheer. Then, the next morning, in chapel, be made a speech that lasted about ten hours. He started off with about fifty corny jokes, just to show us what a regular guy he was. Very big deal. Then he started telling us how he was never ashamed, when he was in some kind of trouble or something, to get right down his knees and pray to God. He told us we should always pray to God--talk to Him and all-wherever we were. He told us we ought to think of Jesus as our buddy and all. He said he talked to Jesus all the time. Even when he was driving his car. That killed me. I just see the big phony bastard shifting into first gear and asking Jesus to send him a few more stiffs. The only good part of his speech was right in the middle of it. He was telling us all about what a swell guy he was, what a hot-shot and all, then all of a sudden this guy sitting in the row in front of me, Edgar Marsalla, laid this terrific fart. It was a very crude thing to do, in chapel and all, but it was also quite amusing. Old Marsalla. He damn near blew the roof off. Hardly anybody laughed out loud, and old Ossenburger made out like he didn't even hear it, but old Thurmer, the headmaster, was sitting right next to him on the rostrum and all, and you could tell he heard it. Boy, was he sore. He didn't say anything then, but the next night he made us have compulsory study hall in the academic building and he came up and made a speech. He said that the boy that had created the disturbance in chapel wasn't fit to go to Pencey. We tried to get old Marsalla to rip off another one, right while old Thurmer was making his speech, but be wasn't in the right mood. Anyway, that's where I lived at Pencey. Old Ossenburger Memorial Wing, in the new dorms. It was pretty nice to get back to my room, after I left old Spencer, because everybody was down at the game, and the heat was on in our room, for a change. It felt sort of cosy. I took off my coat and my tie and unbuttoned my shirt collar; and then I put on this hat that I'd bought in New York that morning. It was this red hunting hat, with one of those very, very long peaks. I saw it in the window of this sports store when we got out of the subway, just after I noticed I'd lost all the goddam foils. It only cost me a buck. The way I wore it, I swung the old peak way around to the back--very corny, I'll admit, but I liked it that way. I looked good in it that way. Then I got this book I was reading and sat down in my chair. There were two chairs in every room. I had one and my roommate, Ward Stradlater, had one. The arms were in sad shape, because everybody was always sitting on them, but they were pretty comfortable chairs. The book I was reading was this book I took out of the library by mistake. They gave me the wrong book, and I didn't notice it till I got back to my room. They gave me Out of Africa, by Isak Dinesen. I thought it was going to stink, but it didn't. It was a very good book. I'm quite illiterate, but I read a lot. My favorite author is my brother D.B., and my next favorite is Ring Lardner. My brother gave me a book by Ring Lardner for my birthday, just before I went to Pencey. It had these very funny, crazy plays in it, and then it had this one story about a traffic cop that falls in love with this very cute girl that's always speeding. Only, he's married, the cop, so be can't marry her or anything. Then this girl gets killed, because she's always speeding. That story just about killed me. What I like best is a book that's at least funny once in a while. I read a lot of classical books, like The Return of the Native and all, and I like them, and I read a lot of war books and mysteries and all, but they don't knock me out too much. What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though. I wouldn't mind calling this Isak Dinesen up. And Ring Lardner, except that D.B. told me he's dead. You take that book Of Human Bondage, by Somerset Maugham, though. I read it last summer. It's a pretty good book and all, but I wouldn't want to call Somerset Maugham up. I don't know, He just isn't the kind of guy I'd want to call up, that's all. I'd rather call old Thomas Hardy up. I like that Eustacia Vye. Anyway, I put on my new hat and sat down and started reading that book Out of Africa. I'd read it already, but I wanted to read certain parts over again. I'd only read about three pages, though, when I heard somebody coming through the shower curtains. Even without looking up, I knew right away who it was. It was Robert Ackley, this guy that roomed right next to me. There was a shower right between every two rooms in our wing, and about eighty-five times a day old Ackley barged in on me. He was probably the only guy in the whole dorm, besides me, that wasn't down at the game. He hardly ever went anywhere. He was a very peculiar guy. He was a senior, and he'd been at Pencey the whole four years and all, but nobody ever called him anything except "Ackley." Not even Herb Gale, his own roommate, ever called him "Bob" or even "Ack." If he ever gets married, his own wife'll probably call him "Ackley." He was one of these very, very tall, round-shouldered guys--he was about six four--with lousy teeth. The whole time he roomed next to me, I never even once saw him brush his teeth. They always looked mossy and awful, and he damn near made you sick if you saw him in the dining room with his mouth full of mashed potatoes and peas or something. Besides that, he had a lot of pimples. Not just on his forehead or his chin, like most guys, but all over his whole face. And not only that, he had a terrible personality. He was also sort of a nasty guy. I wasn't too crazy about him, to tell you the truth. I could feel him standing on the shower ledge, right behind my chair, taking a look to see if Stradlater was around. He hated Stradlater's guts and he never came in the room if Stradlater was around. He hated everybody's guts, damn near. He came down off the shower ledge and came in the room. "Hi," he said. He always said it like he was terrifically bored or terrifically tired. He didn't want you to think he was visiting you or anything. He wanted you to think he'd come in by mistake, for God's sake. "Hi," I said, but I didn't look up from my book. With a guy like Ackley, if you looked up from your book you were a goner. You were a goner anyway, but not as quick if you didn't look up right away. He started walking around the room, very slow and all, the way he always did, picking up your personal stuff off your desk and chiffonier. He always picked up your personal stuff and looked at it. Boy, could he get on your nerves sometimes. "How was the fencing?" he said. He just wanted me to quit reading and enjoying myself. He didn't give a damn about the fencing. "We win, or what?" he said. "Nobody won," I said. Without looking up, though. "What?" he said. He always made you say everything twice. "Nobody won," I said. I sneaked a look to see what he was fiddling around with on my chiffonier. He was looking at this picture of this girl I used to go around with in New York, Sally Hayes. He must've picked up that goddam picture and looked at it at least five thousand times since I got it. He always put it back in the wrong place, too, when he was finished. He did it on purpose. You could tell. "Nobody won," he said. "How come?" "I left the goddam foils and stuff on the subway." I still didn't look up at him. "On the subway, for Chrissake! Ya lost them, ya mean?" "We got on the wrong subway. I had to keep getting up to look at a goddam map on the wall." He came over and stood right in my light. "Hey," I said. "I've read this same sentence about twenty times since you came in." Anybody else except Ackley would've taken the goddam hint. Not him, though. "Think they'll make ya pay for em?" he said. "I don't know, and I don't give a damn. How 'bout sitting down or something, Ackley kid? You're right in my goddam light." He didn't like it when you called him "Ackley kid." He was always telling me I was a goddam kid, because I was sixteen and he was eighteen. It drove him mad when I called him "Ackley kid." He kept standing there. He was exactly the kind of a guy that wouldn't get out of your light when you asked him to. He'd do it, finally, but it took him a lot longer if you asked him to. "What the hellya reading?" he said. "Goddam book." He shoved my book back with his hand so that he could see the name of it. "Any good?" he said. "This sentence I'm reading is terrific." I can be quite sarcastic when I'm in the mood. He didn't get It, though. He started walking around the room again, picking up all my personal stuff, and Stradlater's. Finally, I put my book down on the floor. You couldn't read anything with a guy like Ackley around. It was impossible. I slid way the hell down in my chair and watched old Ackley making himself at home. I was feeling sort of tired from the trip to New York and all, and I started yawning. Then I started horsing around a little bit. Sometimes I horse around quite a lot, just to keep from getting bored. What I did was, I pulled the old peak of my hunting hat around to the front, then pulled it way down over my eyes. That way, I couldn't see a goddam thing. "I think I'm going blind," I said in this very hoarse voice. "Mother darling, everything's getting so dark in here." "You're nuts. I swear to God," Ackley said. "Mother darling, give me your hand, Why won't you give me your hand?" "For Chrissake, grow up." I started groping around in front of me, like a blind guy, but without getting up or anything. I kept saying, "Mother darling, why won't you give me your hand?" I was only horsing around, naturally. That stuff gives me a bang sometimes. Besides, I know it annoyed hell out of old Ackley. He always brought out the old sadist in me. I was pretty sadistic with him quite often. Finally, I quit, though. I pulled the peak around to the back again, and relaxed. "Who belongsa this?" Ackley said. He was holding my roommate's knee supporter up to show me. That guy Ackley'd pick up anything. He'd even pick up your jock strap or something. I told him it was Stradlater's. So he chucked it on Stradlater's bed. He got it off Stradlater's chiffonier, so he chucked it on the bed. He came over and sat down on the arm of Stradlater's chair. He never sat down in a chair. Just always on the arm. "Where the hellja get that hat?" he said. "New York." "How much?" "A buck." "You got robbed." He started cleaning his goddam fingernails with the end of a match. He was always cleaning his fingernails. It was funny, in a way. His teeth were always mossy-looking, and his ears were always dirty as hell, but he was always cleaning his fingernails. I guess he thought that made him a very neat guy. He took another look at my hat while he was cleaning them. "Up home we wear a hat like that to shoot deer in, for Chrissake," he said. "That's a deer shooting hat." "Like hell it is." I took it off and looked at it. I sort of closed one eye, like I was taking aim at it. "This is a people shooting hat," I said. "I shoot people in this hat." "Your folks know you got kicked out yet?" "Nope." "Where the hell's Stradlater at, anyway?" "Down at the game. He's got a date." I yawned. I was yawning all over the place. For one thing, the room was too damn hot. It made you sleepy. At Pencey, you either froze to death or died of the heat. "The great Stradlater," Ackley said. "--Hey. Lend me your scissors a second, willya? Ya got 'em handy?" "No. I packed them already. They're way in the top of the closet." "Get 'em a second, willya?" Ackley said, "I got this hangnail I want to cut off." He didn't care if you'd packed something or not and had it way in the top of the closet. I got them for him though. I nearly got killed doing it, too. The second I opened the closet door, Stradlater's tennis racket--in its wooden press and all--fell right on my head. It made a big clunk, and it hurt like hell. It damn near killed old Ackley, though. He started laughing in this very high falsetto voice. He kept laughing the whole time I was taking down my suitcase and getting the scissors out for him. Something like that--a guy getting hit on the head with a rock or something--tickled the pants off Ackley. "You have a damn good sense of humor, Ackley kid," I told him. "You know that?" I handed him the scissors. "Lemme be your manager. I'll get you on the goddam radio." I sat down in my chair again, and he started cutting his big horny-looking nails. "How 'bout using the table or something?" I said. "Cut 'em over the table, willya? I don't feel like walking on your crumby nails in my bare feet tonight." He kept right on cutting them over the floor, though. What lousy manners. I mean it. "Who's Stradlater's date?" he said. He was always keeping tabs on who Stradlater was dating, even though he hated Stradlater's guts. "I don't know. Why?" "No reason. Boy, I can't stand that sonuvabitch. He's one sonuvabitch I really can't stand." "He's crazy about you. He told me he thinks you're a goddam prince," I said. I call people a "prince" quite often when I'm horsing around. It keeps me from getting bored or something. "He's got this superior attitude all the time," Ackley said. "I just can't stand the sonuvabitch. You'd think he--" "Do you mind cutting your nails over the table, hey?" I said. "I've asked you about fifty--" "He's got this goddam superior attitude all the time," Ackley said. "I don't even think the sonuvabitch is intelligent. He thinks he is. He thinks he's about the most--" "Ackley! For Chrissake. Willya please cut your crumby nails over the table? I've asked you fifty times." He started cutting his nails over the table, for a change. The only way he ever did anything was if you yelled at him. I watched him for a while. Then I said, "The reason you're sore at Stradlater is because he said that stuff about brushing your teeth once in a while. He didn't mean to insult you, for cryin' out loud. He didn't say it right or anything, but he didn't mean anything insulting. All he meant was you'd look better and feel better if you sort of brushed your teeth once in a while." "I brush my teeth. Don't gimme that." "No, you don't. I've seen you, and you don't," I said. I didn't say it nasty, though. I felt sort of sorry for him, in a way. I mean it isn't too nice, naturally, if somebody tells you you don't brush your teeth. "Stradlater's all right He's not too bad," I said. "You don't know him, thats the trouble." "I still say he's a sonuvabitch. He's a conceited sonuvabitch." "He's conceited, but he's very generous in some things. He really is," I said. "Look. Suppose, for instance, Stradlater was wearing a tie or something that you liked. Say he had a tie on that you liked a helluva lot--I'm just giving you an example, now. You know what he'd do? He'd probably take it off and give it ta you. He really would. Or--you know what he'd do? He'd leave it on your bed or something. But he'd give you the goddam tie. Most guys would probably just--" "Hell," Ackley said. "If I had his dough, I would, too." "No, you wouldn't." I shook my head. "No, you wouldn't, Ackley kid. If you had his dough, you'd be one of the biggest--" "Stop calling me 'Ackley kid,' God damn it. I'm old enough to be your lousy father." "No, you're not." Boy, he could really be aggravating sometimes. He never missed a chance to let you know you were sixteen and he was eighteen. "In the first place, I wouldn't let you in my goddam family," I said. "Well, just cut out calling me--" All of a sudden the door opened, and old Stradlater barged in, in a big hurry. He was always in a big hurry. Everything was a very big deal. He came over to me and gave me these two playful as hell slaps on both cheeks--which is something that can be very annoying. 'Listen," he said. "You going out anywheres special tonight?" "I don't know. I might. What the hell's it doing out--snowing?" He had snow all over his coat. "Yeah. Listen. If you're not going out anyplace special, how 'bout lending me your hound's-tooth jacket?" "Who won the game?" I said. "It's only the half. We're leaving," Stradlater said. "No kidding, you gonna use your hound's-tooth tonight or not? I spilled some crap all over my gray flannel." "No, but I don't want you stretching it with your goddam shoulders and all," I said. We were practically the same heighth, but he weighed about twice as much as I did. He had these very broad shoulders. "I won't stretch it." He went over to the closet in a big hurry. "How'sa boy, Ackley?" he said to Ackley. He was at least a pretty friendly guy, Stradlater. It was partly a phony kind of friendly, but at least he always said hello to Ackley and all. Ackley just sort of grunted when he said "How'sa boy?" He wouldn't answer him, but he didn't have guts enough not to at least grunt. Then he said to me, "I think I'll get going. See ya later." "Okay," I said. He never exactly broke your heart when he went back to his own room. Old Stradlater started taking off his coat and tie and all. "I think maybe I'll take a fast shave," he said. He had a pretty heavy beard. He really did. "Where's your date?" I asked him. "She's waiting in the Annex." He went out of the room with his toilet kit and towel under his arm. No shirt on or anything. He always walked around in his bare torso because he thought he had a damn good build. He did, too. I have to admit it. 4 I didn't have anything special to do, so I went down to the can and chewed the rag with him while he was shaving. We were the only ones in the can, because everybody was still down at the game. It was hot as hell and the windows were all steamy. There were about ten washbowls, all right against the wall. Stradlater had the middle one. I sat down on the one right next to him and started turning the cold water on and off--this nervous habit I have. Stradlater kept whistling 'Song of India" while he shaved. He had one of those very piercing whistles that are practically never in tune, and he always picked out some song that's hard to whistle even if you're a good whistler, like "Song of India" or "Slaughter on Tenth Avenue." He could really mess a song up. You remember I said before that Ackley was a slob in his personal habits? Well, so was Stradlater, but in a different way. Stradlater was more of a secret slob. He always looked all right, Stradlater, but for instance, you should've seen the razor he shaved himself with. It was always rusty as hell and full of lather and hairs and crap. He never cleaned it or anything. He always looked good when he was finished fixing himself up, but he was a secret slob anyway, if you knew him the way I did. The reason he fixed himself up to look good was because he was madly in love with himself. He thought he was the handsomest guy in the Western Hemisphere. He was pretty handsome, too--I'll admit it. But he was mostly the kind of a handsome guy that if your parents saw his picture in your Year Book, they'd right away say, "Who's this boy?" I mean he was mostly a Year Book kind of handsome guy. I knew a lot of guys at Pencey I thought were a lot handsomer than Stradlater, but they wouldn't look handsome if you saw their pictures in the Year Book. They'd look like they had big noses or their ears stuck out. I've had that experience frequently. Anyway, I was sitting on the washbowl next to where Stradlater was shaving, sort of turning the water on and off. I still had my red hunting hat on, with the peak around to the back and all. I really got a bang out of that hat. "Hey," Stradlater said. "Wanna do me a big favor?" "What?" I said. Not too enthusiastic. He was always asking you to do him a big favor. You take a very handsome guy, or a guy that thinks he's a real hot-shot, and they're always asking you to do them a big favor. Just because they're crazy about themseif, they think you're crazy about them, too, and that you're just dying to do them a favor. It's sort of funny, in a way. "You goin' out tonight?" he said. "I might. I might not. I don't know. Why?" "I got about a hundred pages to read for history for Monday," he said. "How 'bout writing a composition for me, for English? I'll be up the creek if I don't get the goddam thing in by Monday, the reason I ask. How 'bout it?" It was very ironical. It really was. "I'm the one that's flunking out of the goddam place, and you're asking me to write you a goddam composition," I said. "Yeah, I know. The thing is, though, I'll be up the creek if I don't get it in. Be a buddy. Be a buddyroo. Okay?" I didn't answer him right away. Suspense is good for some bastards like Stradlater. "What on?" I said. "Anything. Anything descriptive. A room. Or a house. Or something you once lived in or something-- you know. Just as long as it's descriptive as hell." He gave out a big yawn while he said that. Which is something that gives me a royal pain in the ass. I mean if somebody yawns right while they're asking you to do them a goddam favor. "Just don't do it too good, is all," he said. "That sonuvabitch Hartzell thinks you're a hot-shot in English, and he knows you're my roommate. So I mean don't stick all the commas and stuff in the right place." That's something else that gives me a royal pain. I mean if you're good at writing compositions and somebody starts talking about commas. Stradlater was always doing that. He wanted you to think that the only reason he was lousy at writing compositions was because he stuck all the commas in the wrong place. He was a little bit like Ackley, that way. I once sat next to Ackley at this basketball game. We had a terrific guy on the team, Howie Coyle, that could sink them from the middle of the floor, without even touching the backboard or anything. Ackley kept saying, the whole goddam game, that Coyle had a perfect build for basketball. God, how I hate that stuff. I got bored sitting on that washbowl after a while, so I backed up a few feet and started doing this tap dance, just for the hell of it. I was just amusing myself. I can't really tap-dance or anything, but it was a stone floor in the can, and it was good for tap-dancing. I started imitating one of those guys in the movies. In one of those musicals. I hate the movies like poison, but I get a bang imitating them. Old Stradlater watched me in the mirror while he was shaving. All I need's an audience. I'm an exhibitionist. "I'm the goddarn Governor's son," I said. I was knocking myself out. Tap-dancing all over the place. "He doesn't want me to be a tap dancer. He wants me to go to Oxford. But it's in my goddam blood, tap-dancing." Old Stradlater laughed. He didn't have too bad a sense of humor. "It's the opening night of the Ziegfeld Follies." I was getting out of breath. I have hardly any wind at all. "The leading man can't go on. He's drunk as a bastard. So who do they get to take his place? Me, that's who. The little ole goddam Governor's son." "Where'dja get that hat?" Stradlater said. He meant my hunting hat. He'd never seen it before. I was out of breath anyway, so I quit horsing around. I took off my hat and looked at it for about the ninetieth time. "I got it in New York this morning. For a buck. Ya like it?" Stradlater nodded. "Sharp," he said. He was only flattering me, though, because right away he said, "Listen. Are ya gonna write that composition for me? I have to know." "If I get the time, I will. If I don't, I won't," I said. I went over and sat down at the washbowl next to him again. "Who's your date?" I asked him. "Fitzgerald?" "Hell, no! I told ya. I'm through with that pig." "Yeah? Give her to me, boy. No kidding. She's my type." "Take her . . . She's too old for you." All of a sudden--for no good reason, really, except that I was sort of in the mood for horsing around--I felt like jumping off the washbowl and getting old Stradlater in a half nelson. That's a wrestling hold, in case you don't know, where you get the other guy around the neck and choke him to death, if you feel like it. So I did it. I landed on him like a goddam panther. "Cut it out, Holden, for Chrissake!" Stradlater said. He didn't feel like horsing around. He was shaving and all. "Wuddaya wanna make me do--cut my goddam head off?" I didn't let go, though. I had a pretty good half nelson on him. "Liberate yourself from my viselike grip." I said. "Je-sus Christ." He put down his razor, and all of a sudden jerked his arms up and sort of broke my hold on him. He was a very strong guy. I'm a very weak guy. "Now, cut out the crap," he said. He started shaving himself all over again. He always shaved himself twice, to look gorgeous. With his crumby old razor. "Who is your date if it isn't Fitzgerald?" I asked him. I sat down on the washbowl next to him again. "That Phyllis Smith babe?" "No. It was supposed to he, but the arrangements got all screwed up. I got Bud Thaw's girl's roommate now . . . Hey. I almost forgot. She knows you." "Who does?" I said. "My date." "Yeah?" I said. "What's her name?" I was pretty interested. "I'm thinking . . . Uh. Jean Gallagher." Boy, I nearly dropped dead when he said that. "Jane Gallagher," I said. I even got up from the washbowl when he said that. I damn near dropped dead. "You're damn right I know her. She practically lived right next door to me, the summer before last. She had this big damn Doberman pinscher. That's how I met her. Her dog used to keep coming over in our--" "You're right in my light, Holden, for Chrissake," Stradlater said. "Ya have to stand right there?" Boy, was I excited, though. I really was. "Where is she?" I asked him. "I oughta go down and say hello to her or something. Where is she? In the Annex?" "Yeah." "How'd she happen to mention me? Does she go to B.M. now? She said she might go there. She said she might go to Shipley, too. I thought she went to Shipley. How'd she happen to mention me?" I was pretty excited. I really was. "I don't know, for Chrissake. Lift up, willya? You're on my towel," Stradlater said. I was sitting on his stupid towel. "Jane Gallagher," I said. I couldn't get over it. "Jesus H. Christ." Old Stradlater was putting Vitalis on his hair. My Vitalis. "She's a dancer," I said. "Ballet and all. She used to practice about two hours every day, right in the middle of the hottest weather and all. She was worried that it might make her legs lousy--all thick and all. I used to play checkers with her all the time." "You used to play what with her all the time?" "Checkers." "Checkers, for Chrissake!" "Yeah. She wouldn't move any of her kings. What she'd do, when she'd get a king, she wouldn't move it. She'd just leave it in the back row. She'd get them all lined up in the back row. Then she'd never use them. She just liked the way they looked when they were all in the back row." Stradlater didn't say anything. That kind of stuff doesn't interest most people. "Her mother belonged to the same club we did," I said. "I used to caddy once in a while, just to make some dough. I caddy'd for her mother a couple of times. She went around in about a hundred and seventy, for nine holes." Stradlater wasn't hardly listening. He was combing his gorgeous locks. "I oughta go down and at least say hello to her," I said. "Why don'tcha?" "I will, in a minute." He started parting his hair all over again. It took him about an hour to comb his hair. "Her mother and father were divorced. Her mother was married again to some booze hound," I said. "Skinny guy with hairy legs. I remember him. He wore shorts all the time. Jane said he was supposed to be a playwright or some goddam thing, but all I ever saw him do was booze all the time and listen to every single goddam mystery program on the radio. And run around the goddam house, naked. With Jane around, and all." "Yeah?" Stradlater said. That really interested him. About the booze hound running around the house naked, with Jane around. Stradlater was a very sexy bastard. "She had a lousy childhood. I'm not kidding." That didn't interest Stradlater, though. Only very sexy stuff interested him. "Jane Gallagher. Jesus . . . I couldn't get her off my mind. I really couldn't. "I oughta go down and say hello to her, at least." "Why the hell don'tcha, instead of keep saying it?" Stradlater said. I walked over to the window, but you couldn't see out of it, it was so steamy from all the heat in the can.. "I'm not in the mood right now," I said. I wasn't, either. You have to be in the mood for those things. "I thought she went to Shipley. I could've sworn she went to Shipley." I walked around the can for a little while. I didn't have anything else to do. "Did she enjoy the game?" I said. "Yeah, I guess so. I don't know." "Did she tell you we used to play checkers all the time, or anything?" "I don't know. For Chrissake, I only just met her," Stradlater said. He was finished combing his goddam gorgeous hair. He was putting away all his crumby toilet articles. "Listen. Give her my regards, willya?" "Okay," Stradlater said, but I knew he probably wouldn't. You take a guy like Stradlater, they never give your regards to people. He went back to the room, but I stuck around in the can for a while, thinking about old Jane. Then I went back to the room, too. Stradlater was putting on his tie, in front of the mirror, when I got there. He spent around half his goddam life in front of the mirror. I sat down in my chair and sort of watched him for a while. "Hey," I said. "Don't tell her I got kicked out, willya?" "Okay." That was one good thing about Stradlater. You didn't have to explain every goddam little thing with him, the way you had to do with Ackley. Mostly, I guess, because he wasn't too interested. That's really why. Ackley, it was different. Ackley was a very nosy bastard. He put on my hound's-tooth jacket. "Jesus, now, try not to stretch it all over the place" I said. I'd only worn it about twice. "I won't. Where the hell's my cigarettes?" "On the desk." He never knew where he left anything. "Under your muffler." He put them in his coat pocket--my coat pocket. I pulled the peak of my hunting hat around to the front all of a sudden, for a change. I was getting sort of nervous, all of a sudden. I'm quite a nervous guy. "Listen, where ya going on your date with her?" I asked him. "Ya know yet?" "I don't know. New York, if we have time. She only signed out for nine-thirty, for Chrissake." I didn't like the way he said it, so I said, "The reason she did that, she probably just didn't know what a handsome, charming bastard you are. If she'd known, she probably would've signed out for nine-thirty in the morning." "Goddam right," Stradlater said. You couldn't rile him too easily. He was too conceited. "No kidding, now. Do that composition for me," he said. He had his coat on, and he was all ready to go. "Don't knock yourself out or anything, but just make it descriptive as hell. Okay?" I didn't answer him. I didn't feel like it. All I said was, "Ask her if she still keeps all her kings in the back row." "Okay," Stradlater said, but I knew he wouldn't. "Take it easy, now." He banged the hell out of the room. I sat there for about a half hour after he left. I mean I just sat in my chair, not doing anything. I kept thinking about Jane, and about Stradlater having a date with her and all. It made me so nervous I nearly went crazy. I already told you what a sexy bastard Stradlater was. All of a sudden, Ackley barged back in again, through the damn shower curtains, as usual. For once in my stupid life, I was really glad to see him. He took my mind off the other stuff. He stuck around till around dinnertime, talking about all the guys at Pencey that he hated their guts, and squeezing this big pimple on his chin. He didn't even use his handkerchief. I don't even think the bastard had a handkerchief, if you want to know the truth. I never saw him use one, anyway. 5 We always had the same meal on Saturday nights at Pencey. It was supposed to be a big deal, because they gave you steak. I'll bet a thousand bucks the reason they did that was because a lot of guys' parents came up to school on Sunday, and old Thurmer probably figured everybody's mother would ask their darling boy what he had for dinner last night, and he'd say, "Steak." What a racket. You should've seen the steaks. They were these little hard, dry jobs that you could hardly even cut. You always got these very lumpy mashed potatoes on steak night, and for dessert you got Brown Betty, which nobody ate, except maybe the little kids in the lower school that didn't know any better-and guys like Ackley that ate everything. It was nice, though, when we got out of the dining room. There were about three inches of snow on the ground, and it was still coming down like a madman. It looked pretty as hell, and we all started throwing snowballs and horsing around all over the place. It was very childish, but everybody was really enjoying themselves. I didn't have a date or anything, so I and this friend of mine, Mal Brossard, that was on the wrestling team, decided we'd take a bus into Agerstown and have a hamburger and maybe see a lousy movie. Neither of us felt like sitting around on our ass all night. I asked Mal if he minded if Ackley came along with us. The reason I asked was because Ackley never did anything on Saturday night, except stay in his room and squeeze his pimples or something. Mal said he didn't mind but that he wasn't too crazy about the idea. He didn't like Ackley much. Anyway, we both went to our rooms to get ready and all, and while I was putting on my galoshes and crap, I yelled over and asked old Ackley if he wanted to go to the movies. He could hear me all right through the shower curtains, but he didn't answer me right away. He was the kind of a guy that hates to answer you right away. Finally he came over, through the goddam curtains, and stood on the shower ledge and asked who was going besides me. He always had to know who was going. I swear, if that guy was shipwrecked somewhere, and you rescued him in a goddam boat, he'd want to know who the guy was that was rowing it before he'd even get in. I told him Mal Brossard was going. He said, "That bastard . . . All right. Wait a second." You'd think he was doing you a big favor. It took him about five hours to get ready. While he was doing it, I went over to my window and opened it and packed a snowball with my bare hands. The snow was very good for packing. I didn't throw it at anything, though. I started to throw it. At a car that was parked across the street. But I changed my mind. The car looked so nice and white. Then I started to throw it at a hydrant, but that looked too nice and white, too. Finally I didn't throw it at anything. All I did was close the window and walk around the room with the snowball, packing it harder. A little while later, I still had it with me when I and Brossnad and Ackley got on the bus. The bus driver opened the doors and made me throw it out. I told him I wasn't going to chuck it at anybody, but he wouldn't believe me. People never believe you. Brossard and Ackley both had seen the picture that was playing, so all we did, we just had a couple of hamburgers and played the pinball machine for a little while, then took the bus back to Pencey. I didn't care about not seeing the movie, anyway. It was supposed to be a comedy, with Cary Grant in it, and all that crap. Besides, I'd been to the movies with Brossard and Ackley before. They both laughed like hyenas at stuff that wasn't even funny. I didn't even enjoy sitting next to them in the movies. It was only about a quarter to nine when we got back to the dorm. Old Brossard was a bridge fiend, and he started looking around the dorm for a game. Old Ackley parked himself in my room, just for a change. Only, instead of sitting on the arm of Stradlater's chair, he laid down on my bed, with his face right on my pillow and all. He started talking in this very monotonous voice, and picking at all his pimples. I dropped about a thousand hints, but I couldn't get rid of him. All he did was keep talking in this very monotonous voice about some babe he was supposed to have had sexual intercourse with the summer before. He'd already told me about it about a hundred times. Every time he told it, it was different. One minute he'd be giving it to her in his cousin's Buick, the next minute he'd be giving it to her under some boardwalk. It was all a lot of crap, naturally. He was a virgin if ever I saw one. I doubt if he ever even gave anybody a feel. Anyway, finally I had to come right out and tell him that I had to write a composition for Stradlater, and that he had to clear the hell out, so I could concentrate. He finally did, but he took his time about it, as usual. After he left, I put on my pajamas and bathrobe and my old hunting hat, and started writing the composition. The thing was, I couldn't think of a room or a house or anything to describe the way Stradlater said he had to have. I'm not too crazy about describing rooms and houses anyway. So what I did, I wrote about my brother Allie's baseball mitt. It was a very descriptive subject. It really was. My brother Allie had this left-handed fielder's mitt. He was left-handed. The thing that was descriptive about it, though, was that he had poems written all over the fingers and the pocket and everywhere. In green ink. He wrote them on it so that he'd have something to read when he was in the field and nobody was up at bat. He's dead now. He got leukemia and died when we were up in Maine, on July 18, 1946. You'd have liked him. He was two years younger than I was, but he was about fifty times as intelligent. He was terrifically intelligent. His teachers were always writing letters to my mother, telling her what a pleasure it was having a boy like Allie in their class. And they weren't just shooting the crap. They really meant it. But it wasn't just that he was the most intelligent member in the family. He was also the nicest, in lots of ways. He never got mad at anybody. People with red hair are supposed to get mad very easily, but Allie never did, and he had very red hair. I'll tell you what kind of red hair he had. I started playing golf when I was only ten years old. I remember once, the summer I was around twelve, teeing off and all, and having a hunch that if I turned around all of a sudden, I'd see Allie. So I did, and sure enough, he was sitting on his bike outside the fence--there was this fence that went all around the course--and he was sitting there, about a hundred and fifty yards behind me, watching me tee off. That's the kind of red hair he had. God, he was a nice kid, though. He used to laugh so hard at something he thought of at the dinner table that he just about fell off his chair. I was only thirteen, and they were going to have me psychoanalyzed and all, because I broke all the windows in the garage. I don't blame them. I really don't. I slept in the garage the night he died, and I broke all the goddam windows with my fist, just for the hell of it. I even tried to break all the windows on the station wagon we had that summer, but my hand was already broken and everything by that time, and I couldn't do it. It was a very stupid thing to do, I'll admit, but I hardly didn't even know I was doing it, and you didn't know Allie. My hand still hurts me once in a while when it rains and all, and I can't make a real fist any more-not a tight one, I mean--but outside of that I don't care much. I mean I'm not going to be a goddam surgeon or a violinist or anything anyway. Anyway, that's what I wrote Stradlater's composition about. Old Allie's baseball mitt. I happened to have it with me, in my suitcase, so I got it out and copied down the poems that were written on it. All I had to do was change Allie's name so that nobody would know it was my brother and not Stradlater's. I wasn't too crazy about doing it, but I couldn't think of anything else descriptive. Besides, I sort of liked writing about it. It took me about an hour, because I had to use Stradlater's lousy typewriter, and it kept jamming on me. The reason I didn't use my own was because I'd lent it to a guy down the hall. It was around ten-thirty, I guess, when I finished it. I wasn't tired, though, so I looked out the window for a while. It wasn't snowing out any more, but every once in a while you could hear a car somewhere not being able to get started. You could also hear old Ackley snoring. Right through the goddam shower curtains you could hear him. He had sinus trouble and he couldn't breathe too hot when he was asleep. That guy had just about everything. Sinus trouble, pimples, lousy teeth, halitosis, crumby fingernails. You had to feel a little sorry for the crazy sonuvabitch. 6 Some things are hard to remember. I'm thinking now of when Stradlater got back from his date with Jane. I mean I can't remember exactly what I was doing when I heard his goddam stupid footsteps coming down the corridor. I probably was still looking out the window, but I swear I can't remember. I was so damn worried, that's why. When I really worry about something, I don't just fool around. I even have to go to the bathroom when I worry about something. Only, I don't go. I'm too worried to go. I don't want to interrupt my worrying to go. If you knew Stradlater, you'd have been worried, too. I'd double-dated with that bastard a couple of times, and I know what I'm talking about. He was unscrupulous. He really was. Anyway, the corridor was all linoleum and all, and you could hear his goddam footsteps coming right towards the room. I don't even remember where I was sitting when he came in--at the window, or in my chair or his. I swear I can't remember. He came in griping about how cold it was out. Then he said, "Where the hell is everybody? It's like a goddam morgue around here." I didn't even bother to answer him. If he was so goddam stupid not to realize it was Saturday night and everybody was out or asleep or home for the week end, I wasn't going to break my neck telling him. He started getting undressed. He didn't say one goddam word about Jane. Not one. Neither did I. I just watched him. All he did was thank me for letting him wear my hound's-tooth. He hung it up on a hanger and put it in the closet. Then when he was taking off his tie, he asked me if I'd written his goddam composition for him. I told him it was over on his goddam bed. He walked over and read it while he was unbuttoning his shirt. He stood there, reading it, and sort of stroking his bare chest and stomach, with this very stupid expression on his face. He was always stroking his stomach or his chest. He was mad about himself. All of a sudden, he said, "For Chrissake, Holden. This is about a goddam baseball glove." "So what?" I said. Cold as hell. "Wuddaya mean so what? I told ya it had to be about a goddam room or a house or something." "You said it had to be descriptive. What the hell's the difference if it's about a baseball glove?" "God damn it." He was sore as hell. He was really furious. "You always do everything backasswards." He looked at me. "No wonder you're flunking the hell out of here," he said. "You don't do one damn thing the way you're supposed to. I mean it. Not one damn thing." "All right, give it back to me, then," I said. I went over and pulled it right out of his goddam hand. Then I tore it up. "What the hellja do that for?" he said. I didn't even answer him. I just threw the pieces in the wastebasket. Then I lay down on my bed, and we both didn't say anything for a long time. He got all undressed, down to his shorts, and I lay on my bed and lit a cigarette. You weren't allowed to smoke in the dorm, but you could do it late at night when everybody was asleep or out and nobody could smell the smoke. Besides, I did it to annoy Stradlater. It drove him crazy when you broke any rules. He never smoked in the dorm. It was only me. He still didn't say one single solitary word about Jane. So finally I said, "You're back pretty goddam late if she only signed out for nine-thirty. Did you make her be late signing in?" He was sitting on the edge of his bed, cutting his goddam toenails, when I asked him that. "Coupla minutes," he said. "Who the hell signs out for nine-thirty on a Saturday night?" God, how I hated him. "Did you go to New York?" I said. "Ya crazy? How the hell could we go to New York if she only signed out for nine-thirty?" "That's tough." He looked up at me. "Listen," he said, "if you're gonna smoke in the room, how 'bout going down to the can and do it? You may be getting the hell out of here, but I have to stick around long enough to graduate." I ignored him. I really did. I went right on smoking like a madman. All I did was sort of turn over on my side and watched him cut his damn toenails. What a school. You were always watching somebody cut their damn toenails or squeeze their pimples or something. "Did you give her my regards?" I asked him. "Yeah." The hell he did, the bastard. "What'd she say?" I said. "Did you ask her if she still keeps all her kings in the back row?" "No, I didn't ask her. What the hell ya think we did all night--play checkers, for Chrissake?" I didn't even answer him. God, how I hated him. "If you didn't go to New York, where'd ya go with her?" I asked him, after a little while. I could hardly keep my voice from shaking all over the place. Boy, was I getting nervous. I just had a feeling something had gone funny. He was finished cutting his damn toenails. So he got up from the bed, in just his damn shorts and all, and started getting very damn playful. He came over to my bed and started leaning over me and taking these playful as hell socks at my shoulder. "Cut it out," I said. "Where'd you go with her if you didn't go to New York?" "Nowhere. We just sat in the goddam car." He gave me another one of those playtul stupid little socks on the shoulder. "Cut it out," I said. "Whose car?" "Ed Banky's." Ed Banky was the basketball coach at Pencey. Old Stradlater was one of his pets, because he was the center on the team, and Ed Banky always let him borrow his car when he wanted it. It wasn't allowed for students to borrow faculty guys' cars, but all the athletic bastards stuck together. In every school I've gone to, all the athletic bastards stick together. Stradlater kept taking these shadow punches down at my shoulder. He had his toothbrush in his hand, and he put it in his mouth. "What'd you do?" I said. "Give her the time in Ed Banky's goddam car?" My voice was shaking something awful. "What a thing to say. Want me to wash your mouth out with soap?" "Did you?" "That's a professional secret, buddy." This next part I don't remember so hot. All I know is I got up from the bed, like I was going down to the can or something, and then I tried to sock him, with all my might, right smack in the toothbrush, so it would split his goddam throat open. Only, I missed. I didn't connect. All I did was sort of get him on the side of the head or something. It probably hurt him a little bit, but not as much as I wanted. It probably would've hurt him a lot, but I did it with my right hand, and I can't make a good fist with that hand. On account of that injury I told you about. Anyway, the next thing I knew, I was on the goddam floor and he was sitting on my chest, with his face all red. That is, he had his goddam knees on my chest, and he weighed about a ton. He had hold of my wrists, too, so I couldn't take another sock at him. I'd've killed him. "What the hell's the matter with you?" he kept saying, and his stupid race kept getting redder and redder. "Get your lousy knees off my chest," I told him. I was almost bawling. I really was. "Go on, get off a me, ya crumby bastard." He wouldn't do it, though. He kept holding onto my wrists and I kept calling him a sonuvabitch and all, for around ten hours. I can hardly even remember what all I said to him. I told him he thought he could give the time to anybody he felt like. I told him he didn't even care if a girl kept all her kings in the back row or not, and the reason he didn't care was because he was a goddam stupid moron. He hated it when you called a moron. All morons hate it when you call them a moron. "Shut up, now, Holden," he said with his big stupid red face. "just shut up, now." "You don't even know if her first name is Jane or Jean, ya goddam moron!" "Now, shut up, Holden, God damn it--I'm warning ya," he said--I really had him going. "If you don't shut up, I'm gonna slam ya one." "Get your dirty stinking moron knees off my chest." "If I letcha up, will you keep your mouth shut?" I didn't even answer him. He said it over again. "Holden. If I letcha up, willya keep your mouth shut?" "Yes." He got up off me, and I got up, too. My chest hurt like hell from his dirty knees. "You're a dirty stupid sonuvabitch of a moron," I told him. That got him really mad. He shook his big stupid finger in my face. "Holden, God damn it, I'm warning you, now. For the last time. If you don't keep your yap shut, I'm gonna--" "Why should I?" I said--I was practically yelling. "That's just the trouble with all you morons. You never want to discuss anything. That's the way you can always tell a moron. They...
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