Humanities
Brief shared Annotated Bibliography

Question Description

Citation

Please try to share two sources (a film and a text, such as an article) that relevant to the films (“The punishment park"), inspires your thinking.

You should provide a (MLA or Chicago) formatted citation for the source and then you will provide an annotation.

Annotation:

Be sure your synthesis includes:

Clear, brief SUMMARY of arguments from that source; the content/main theme/style of the film

Clear EVALUATION (of your own) on how the source is relevant to class discussion/topic/films covered in this week or why the source is CREDIBLE/CONVINCING (and/or discussion of any flaws/issues you foresee within the argument of the article)

Clear EXPLANATION/APPLICATION as to HOW THE SOURCE IS USEFUL for you and HOW you would apply it into your research or individual presentation/case study of the film.

Please follow the samples.

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Samples: for a scholarly source: Smith, Cherise. Enacting Others: Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, and Anna Deavere Smith. Durham: Duke University Press, 2011. [summary] Drawing from the academic traditions of both Art History and Ethnic Studies, Smith’s book centers on the transracial performances of figures associated with high, rather than popular, art. [evaluation] Using arguments about drag, passing, and minstrelsy, Smith situates the artists within particular time periods and artistic traditions. [application/explanation] Although my article focuses more narrowly on images of multiracial people, the book’s discussion of the status of “minority” artists within the art world provides an important context for my study. Clearly written for an art history audience, much of the material on race was familiar to me already and, thus, not useful for my article. Her broader argument about the power exercised by the artist in promoting and directing certain kinds of cross-racial and mono-racial identification will need to be referenced and explored further in my literature review. for a film: Oppenheimer, J. (Director). (2014). The look of silence. [Documentary]. United States: Cinedigm Entertainment. [summary] The Look of Silence is Joshua Oppenheimer’s powerful companion piece to the Oscar nominated The Act of Killing. Through Oppenheimer's footage of perpetrators of the 1965 Indonesian genocide, a family of survivors discovers how their son was murdered, as well as the identities of the killers. The documentary focuses on the youngest son, an optometrist named Adi, who decides to break the suffocating spell of submission and terror by doing something unimaginable in a society where the murderers remain in power: he confronts the men who killed his brother and, while testing their eyesight, asks them to accept responsibility for their actions. [(analytical) evaluation] This film is a compelling example of documentary as mutual encounter between the victims and the perpetrators, the historical witnesses and the contemporary audiences as bystanders.In this film, the family learned the horrific details of Ramli’s death through interview footage that Oppenheimer shot for The Act of Killing. What is most impressive for me, are the blatantly manufactured shots of Adi watching that footage, the imagery clearly composited onto a blank television screen, which speaks to the mediated nature of history/memory and documentary's self-reflexive power. [application/explanation] I pick this film as a comparable case with Rithy Panh's The Missing Picture (2013) in terms of the shared questions that different filmmakers invite audiences to explore together: how can trauma be seen in cinema? What counts as "just" in the aftermath of collective trauma? For me, The Look of Silence serves as an effort in rendering the everyday practice of transitional justice visible and thinkable, which helps to define the social function of cinema revealed in my potential final project. ...
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For Film
Keating M (2016), the Carnage Park. [Documentary]. United States: Diablo Entertainment
(Summary)The film starts in a slow-motion move with a lot of gunshots and
flashbacks to prepare the mind of the audience. The film is all about a kidnap of a woman
named Vivian by two guys, Joe and Lenny. The two thieves escapes with the wom...

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