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THE BRAKHAGE LECTURES STAN BRAKHAGE ubuclassics 2004 THE BRAKHAGE LECTURES STAN BRAKHAGE ubuclassics 2004 Stan Brackhage The Brakhage Lectures George Méliès David Wark Griffith Carl Theodore Dreyer Sergei Eisenstein Published in May 1972 by The GoodLion, at The School of the Art Institute of Chicago, Chicago, Illinois, USA, 60603. Copyright Stan Brakhage, 1970 Copyright The School of the Art Institute of Chicago, 1972 First Printing ISBN: 0-912844-04-3 Note on /ubu edition: Not all of the photographs included in the book edition of The Brakhage Lectures appear here. ubuclassics www.ubu.com Editor: Brian Kim Stefans the brakhage lectures stan brakhage Foreword Vision, whether it be spoken of as 20/20 or as second sight, is primary to our lives. Being primates, we depend on its function more than we do upon that of any other of our senses. Men exceptionally gifted with its possibility, with sights surpassing those of usual insight, we honor as seers. Film makers—those who make the sun play, in Griffith’s words—have had a paradoxically awkward acceptance as artists among us. Very possibly it is an aspect of that threat which Brakhage speaks of at the beginning of his first lecture: “the search for an art . . . . either in the making or the appreciation . . . . is the most terrifying adventure imaginable...” In the situation of an art so newly discovered, all of its possibilities are vulnerable to an instant perversion insofar as there can be no manifest tr ...
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