Access over 35 million academic & study documents

Donatello

Content type
User Generated
Subject
Art
School
Grossmont College
Type
Homework
Showing Page:
1/4
1
Donatello, Mary Magdelene, 1455, Wood sculpture
Name
Institution
Course
Professor
Date

Sign up to view the full document!

lock_open Sign Up
Showing Page:
2/4
2
Donatello, Mary Magdelene, 1455, Wood sculpture
Mary Magdelene by Donato di Niccolò di Betto Bardi, famously known as Donatello, is a
wooden sculpture of the titular character, a famous biblical figure often associated with Jesus
Christ. The sculpture features a disheveled figure in contrapposto, with the left leg holding her
full weight, creating an s-curve at the torso. Her long hair covers her entire figure and even goes
around her waist similar to a belt and clothing over her body. The skin on her face and neck is
wrinkled. Her hands are placed in front of her in a praying position yet slightly parted. Her arms
are considerably masculine, contrasting the rest of her feminine physique. Her cheeks are
sunken, and her mouth reveals missing teeth. She is thin like she had been fasting, considering
the praying posture. Although her eyes look pitiful and sympathetic, she looks straight ahead as
if imploring someone. There is a sense of weariness about her, more so from the expression on
her face.
As opposed to the popular media of marble and bronze from the renaissance period,
Donatello Mary Magdelene uses wood to sufficiently capture the anatomical realism of Mary
Magdelene. The material depicts her thin figure and distressed expression, giving the audience
insight into the human body. Using wood as the material for Mary Magdelene would have been
challenging considering the likelihood of chipping (Donatello’s St. Mary Magdalene. 2019).
Donatella’s exploration of new mediums of expression demonstrates the perseverance of Mary
Magdalene even in the face of adversity. Donatella’s experimentation with wood, while his
contemporaries used other mediums, demonstrates a diversion from tradition. The use of Mary
Magdalene’s hair as clothing to cover her nakedness abandons the idealized version of the
character as a virtuous and beautiful woman. Donatella additionally veers from convention by
failing to hollow the wood as 15
th
-century sculptors did and using plaster to sculpt the hair rather

Sign up to view the full document!

lock_open Sign Up
Showing Page:
3/4

Sign up to view the full document!

lock_open Sign Up
End of Preview - Want to read all 4 pages?
Access Now
Unformatted Attachment Preview
1 Donatello, Mary Magdelene, 1455, Wood sculpture Name Institution Course Professor Date 2 Donatello, Mary Magdelene, 1455, Wood sculpture Mary Magdelene by Donato di Niccolò di Betto Bardi, famously known as Donatello, is a wooden sculpture of the titular character, a famous biblical figure often associated with Jesus Christ. The sculpture features a disheveled figure in contrapposto, with the left leg holding her full weight, creating an s-curve at the torso. Her long hair covers her entire figure and even goes around her waist similar to a belt and clothing over her body. The skin on her face and neck is wrinkled. Her hands are placed in front of her in a praying position yet slightly parted. Her arms are considerably masculine, contrasting the rest of her feminine physique. Her cheeks are sunken, and her mouth reveals missing teeth. She is thin like she had been fasting, considering the praying posture. Although her eyes look pitiful and sympathetic, she looks straight ahead as if imploring someone. There is a sense of weariness about her, more so from the expression on her face. As opposed to the popular media of marble and bronze from the renaissance period, Donatello Ma ...
Purchase document to see full attachment
User generated content is uploaded by users for the purposes of learning and should be used following Studypool's honor code & terms of service.
Studypool
4.7
Indeed
4.5
Sitejabber
4.4

Similar Documents