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Anton Webern Versus Alban Berg

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Anton Webern versus Alban Berg in the application of the 12 tone technique
Anton Webern was a composer from the Austrian origin. His colleague, Alban Berg was
also an Austrian composer. They were both mentees of Arnold Schoenberg and they composed
distinct compositions of their own. Each person was instrumental in shaping a movement under
their distinct compilations. Alban’s style was a combination of the romantic lyricism with an
adaptation of the 12-tone technique. His composition was generally emotional having felt the
effect of the romantic era. His work was backed up by a huge orchestra, with the best example of
the performance of the five songs on picture postcard texts. Despite the failure of the
performance, Berg was to find success in Wozzeck. Lulu, a 3 act opera was elaborate in form of
design, text and vocal styling. The instrumentation in Berg’s work included the use of violin,
piano and 13 wind instrument.
Webern’s approach was slightly different from Berg’s in his application of the 12 tone
technique. He applied a lot of atonality in his music. The implication was that his music lacked a
key or tonal center. During this era, atonality referred to a hierarchy of pitches. His music was
seen as radical in its rigorous nature and complete understanding of the 12 note technique. His
was a good organization of rhythm, articulation, pitch as well as melodic contour. His style was a
nuance, sensitive and emotional performance an understanding of how music worked from an
intellectual perspective. One of his famous works was the orchestration of the five Franz
Schuberts lieder.

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Anton Webern versus Alban Berg in the application of the 12 tone technique Anton Webern was a composer from the Austrian origin. His colleague, Alban Berg was also an Austrian composer. They were both mentees of Arnold Schoenberg and they composed distinct compositions of their own. Each person was ...
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