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Critique Sheet Harnett

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Art
School
Northern Virginia Community College
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CRITIQUE SHEET
DESCRIPTION
Artist/ Title /Medium
William Harnett.
A Smoke Backstage.
1877.
Oil on Canvas
17.8 x 20.6 cm | 7 x 8 in
The painting represents a pipe, an
open package of tobacco and matches lying on a table.
ANALYSIS
As many still-life artists, the arrangement of the subjects has an artistic value in itself. He
arranged the objects to represent a pleasant scenery, with a smooth illumination from the
left inferior corner, which gives a special weight to the light colors of the pipe, contrasting
with the darker parts, the table and the darkest zones of the painting. While most of the
colors are warm and earthy, the packaging of the tobacco has a bluish hue, showing a
whiter white, which does not depend on the illumination to catch the eye. The painting is
an example of realism and representational art. The diagonal angle used to place the pipe
and the pack of tobacco gives the piece a sense of depth. The direction of the pipe and its
shadow on the tobacco box, allows the painter to direct the sight to the ragged lines of the
open end of the tobacco package, also contrasting with the regular lines of the newspaper.
The contrast between the warm and cold colors gives the painting a sense of equilibrium.
Figure 1 William Harnett. A Smoke Backstage. 1877. Oil on
Canvas

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CRAFTSMANSHIP
The author used the traditional oil on canvas in this piece. However, oil in canvas was one
of the most used mediums to paint still-life. The colors used in the painting, the contrasting
combination of warm and cold colors, draw the attention of the audience to the primary
focal point. The smooth and clean brush strokes increase the realism of the style and
creates the illusion of the physical presence of the object in front of the observer.
HISTORICAL PRECEDENCE
Harnett outstands from the rest of artists of the period because of being a still life painter
while the rest of the painters used to portray historical figures. His talent was to create
realist images that could “fool the eye.” The technique he used relied on the arrangement
of the objects and the depth obtained by the use of contrasting colors. The sense of depth
obtained by his technique gave his paintings the lifelike qualities that made them so
realistic, which avoided the flatness of the picture.
INTERPRETATION
The painter wanted to attract the attention of the audience creating a lifelike representation
of a pipe. The realism of the painting makes the observer to believe that he is looking at a
physical object instead of a painting. The realism is the result of the sense of depth created
by the angles and the colors.

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Your name: CRITIQUE SHEET DESCRIPTION Artist/ Title /Medium William Harnett. A Smoke Backstage. 1877. Oil on Canvas 17.8 x 20.6 cm | 7 x 8 in Figure 1 William Harnett. A Smoke Backstage. 1877. Oil on Canvas The painting represents a pipe, an open package of tobacco and matches lying on a table. ANALYSIS As many still-life artists, the arrangement of the subjects has an artistic value in itself. He arranged the objects to represent a pleasant scenery, with a smooth illumination from the left inferior corner, which gives a special weight to the light colors of the pipe, contrasting with the darker parts, the table and the darkest zones of the painting. While most of the colors are warm and earthy, the packaging of the tobacco has a bluish hue, showing a whiter white, which does not depend on the illumination to catch the eye. The painting is an example of realism and representational ar ...
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