Complete worksheet below

User Generated

Puhopuho

Humanities

Description

Complete and follow the instructions on the worksheet below.

Unformatted Attachment Preview

Cinematography, Sound and Editing HUM/150 Version 11 University of Phoenix Material Cinematography, Sound, and Editing Choose a movie that you have viewed in the past and can re-watch to complete the below worksheet. Please refer to our course readings. Part I: Examining Cinematography at least 250 words Questions Answers Discuss your film’s point of view. How are camera angles used within your film? Be sure to point to at least two specific scenes. Discuss how your film is framed. Discuss one scene and depth of field. Using at least one scene examine the ideas of contrast and color. Discuss one scene and the concept of movement. Copyright © 2016 by University of Phoenix. All rights reserved. 1 Cinematography, Sound and Editing HUM/150 Version 11 Part II: Analyzing Editing at least 250 words Questions Answers Analyze a cut within your film. Discuss two types of shots. Examine the concept of temporality within your film. Part III: Examining Sound at least 250 words Questions Answers How are voice and dialogue used in your film? Locate one scene with music. How does music work within that scene? Be specific. Discuss the sound effects used within your film. Copyright © 2016 by University of Phoenix. All rights reserved. 2
Purchase answer to see full attachment
User generated content is uploaded by users for the purposes of learning and should be used following Studypool's honor code & terms of service.

Explanation & Answer

Attached.

Cinematography, Sound and Editing
HUM/150 Version 11

University of Phoenix Material
Cinematography, Sound, and Editing
Choose a movie that you have viewed in the past and can re-watch to complete the below worksheet.
Please refer to our course readings.
Part I: Examining Cinematography at least 250 words
Questions

Answers

Discuss your film’s point of view.

The subject is a short film authored by
Ambrose Bierce has an exclusive plot twist in
the point of view. The short story begins out
with some Northern soldiers called Yankees at
Owl Creek Bridge with the main character
Peyton Farquhar. The distortion of the
constant forward motion of time disorders the
perception of reality where the reader cannot
detach an actual reality from a perceived
reality. This time disruption allows the
sequence of events to take place in the film.
By traversing through the mind of Peyton
during the flashes prior to his death, his
incredible escape, and his impulsive snap back
into the present, the viewer is left in suspense
of the true nature of time and the impact it
causes on the awareness of reality.

Copyright © 2016 by University of Phoenix. All rights reserved.

1

Cinematography, Sound and Editing
HUM/150 Version 11
How are camera angles used within your film? Be
sure to point to at least two specific scenes.

Nolan's Interstellar filming technique is a bit
rare—he used a single handheld IMAX
camera and shot in 35mm and 65mm film. The
shoot was taken from one angle half a dozen
times, and then move to another angle and do
the same again. Most markedly of all,
however, is that the intimate shot scenes with
IMAX, and major visual shots and action
series. It also takes place in the space. The
characters hover freely about the large space.
There are plenty angles for the openness. A
look at the matching Interstellar the camera
angle focuses primarily on visual shots, and
there is not much difference for the focus
being the crafted film.

Discuss how your film is framed.

The shot 'Interstellar' film has an arrangement
of anamorphic 35mm and 70mm frame. This
frame changes the aspect ratio of the film, as
seen which could be jolting for some viewers.
But the benefits outweigh a negative point.
Shooting with two different frame allows
filmmakers like Nolan to paint on a bigger

Copyright © 2016 by University of Phoenix. All rights reserved.

2

Cinematography, Sound and Editing
HUM/150 Version 11

frame.

Discuss one scene and depth of field.

Depth of Field is defined as the choice of
acceptable focus on a shot. Depth of field is an
important perception for cinematographers to
master since they frequently need to
manipulate focus to attain a desired effect. The
film has a beautifully sharp contrasted focus
and exquisite depth of field, that can easily be
seen plus an acetate print that stashed away in
ideal shot focus. But there was a touch I have
never quite seen before but in the film: a silver
field depth sheen to the film’s mid-shot that
grays, just a slight difference in effect that
gave even the darkest, most shadowy shots of
Manderlay, an indescribable radiance.

Using at least one scene examine the ideas of
contrast and color.

From the film, and as the film rolled, I realized
the differences flanked by nitrate and the later
acetate film patterns were not huge. The film
had a beautifully high-pitched contrasted color
and exquisite clarity, but one could easily see
that in an acetate duplication that was hoard...


Anonymous
Great study resource, helped me a lot.

Studypool
4.7
Trustpilot
4.5
Sitejabber
4.4

Similar Content

Related Tags