Description
In this thread, let's discuss the power and limitations of theatrical imagination. Please feel free to draw from productions you have seen. (The old high school productions count, too!) Why are we willing to suspend disbelief when we see a play, yet we demand so much more from a film production? Do you think that the limitation on special effects and alternative demand on the audience member to suspend disbelief is a weakness or a strength of the theatrical experience? Would you rather see The Tempest from Shakespeare stage or in film? Why?
Minimum of 3 full paragraphs required to answer questions above and to elaborate regarding the general theme of the discussion .References and citations in APA style required as needed.
Explanation & Answer
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Running head: POWER AND LIMITATION OF THEATRICAL IMAGINATION
Power and Limitations of Theatrical Imagination
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POWER AND LIMITATION OF THEATRICAL IMAGINATION
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Theoretical Imagination is the ability of the actor to make an audience imagining of thing
which does not exist in the realty be real as they are watching a play. By using imaginations in an
act or play, it creates a relationship between the actor and the audience's mind thus making them
be able to imagine of thing which is not real to be real. People tend to suspend ...
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