Description
A final paper (3-5 pages for undergraduate students; 7-10 for graduate students) is due at the last class session. Paper topic must relate to the course but is otherwise open; it may concern a single writer, a selection of writers, or a general writing topic that came out of course discussions (and references the semester's readings). Not infrequently students find their own creative work affected by the writers they come into contact with in this course. Creative responses are permissible but must include a prose analysis of the relationship between your own new work and the aspect of your course experience that inspired the work. Students wishing to do a creative final project should touch base with Prof. Gelineau (in person or by e-mail) before proceeding.
Final papers must be typed. Should average 250 words per page (the average for double-spaced, normal margins, 12pt Times New Roman, no double spacing between paragraphs).
Letitia Moffitt & R. Flowers Rivera |
Moffitt: SIDEWALK DANCING; TRACE |
Lindsey Drager |
winner of the BU John Gardner Fiction Book Award for THE SORROW PROPER |
Yusef Komunyakaa |
winner of the BU Milt Kessler Poetry Book Award for THE EMPEROR OF WATER CLOCKS; has 17 other books including NEON VERNACULAR; WARHORSES; TABOO; PLEASURE DOME; TALKING DIRTY TO THE GODS; THIEVES OF PARADISE; THE CHAMELEON COUCH; and TESTIMONY: A TRIBUTE TO CHARLIE PARKER |
Mermer Blakeslee |
SAME BLOOD; IN DARK WATER; WHEN YOU LIVE BY A RIVER |
Maria Mazziotti Gillan |
What Blooms In Winter, The Silence In the Empty House, The Place I Call Home , Ancestors' Song, Writing Poetry to Save Your Life: How to Find the Courage to Tell Your Stories |
Explanation & Answer
Good luck in your study and if you need any further help in your assignments, please let me know Can you please confirm if you have received the work? Once again, thanks for allowing me to help you R MESSAGE TO STUDYPOOL NO OUTLINE IS NEEDED AS IT IS A CREATIVE WRITINGLet me know if you need anything to be changed or added
RUNNING HEAD: THE REAL MEANING OF GOOD AND EVIL
THE REAL MEANING OF GOOD AND EVIL
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RUNNING HEAD: THE REAL MEANING OF GOOD AND EVIL
It's an unsafe over-improvements to trust that a couple people are actually
"extraordinary" while others are intrinsical "insightfulness" or "horrendous." This tricky
thought underpins the value game plan of various countries - "appalling" people complete
wrongdoings, and since they are typically 'dreadful', they should be shot away so they can't
hurt us with their "insidious" lead.. It makes groups assume that they are doing combating a
respectable inspiration against a "detestable" who could be an enemy and once the "noxious"
people have been butchered, peace and goodness will run the show. Human intuition is
endlessly more perplexing than this, clearly. In people, "Extraordinary" and "hatred" are
fluid. People can be a mix of "good" and "dreadful" qualities. A couple people who bear on
uncouthly and extremely can be re-...