Running Head: PROJECT PROPOSAL
1
Project Proposal
DeAnna Gambrell
Prof. Stieber
BUS 375
5/14/17
PROJECT PROPOSAL
2
Introduction
In the recent past, there has been an upsurge and renewed interest in consumption of movies
and television series. From the foregoing, Siret Films proposes to partner with other film
production companies to roll out a comprehensive public outreach program for the purpose of free
public screening of films and training the youth on film production (Mamer and Rosenberg, 2013).
Beginning a screen revolution and star culture which borrows from what we have
established as the background for this project proposal will make all those people who love
watching films be able to get them without travelling far from home, taking the films to the
people where they are will not only create national cohesion and integration but also cultivate a
sense of national pride and belonging (Stranger, 2013). The power of film to unite, educate,
transform, engineer national optimism and synergize cohesion will be a major turning point for
this initiative.
Goals of the project
i.
Enhancing the Film Data Bank
The project will involve the local communities, this means that all those who practice the process
of creation and distribution of content will be identified in all regions, locations, and centers using
all means available so that they can join the spirit of the movement and identify the aspirations
thereof.
PROJECT PROPOSAL
ii.
3
Identify Unclassified Content
There is a law that requires that all the content screened on the televisions as well as in all other
platforms. By involving the local film production companies, this will help the film regulatory
body identify the films that are not classified and take the necessary measures.
iii.
Identify genres of films
With the kind of movies that will be brought forward by different production companies, it will be
possible to collect data on the genres of films being produced in the country
Objectives of the project
i.
Train the youth on filmmaking
The project aims at training the youth on filmmaking techniques, marketing and distribution of
movies for economic gain. This will enlighten the youth on how they can utilize their talents and
the resources around them to earn income, thus reducing dependency on white-collar jobs.
ii.
Encourage the Youth to Form Film Associations
The project also aims at encouraging the youth to come together and form associations. Through
these associations, the youth can nurture their talents and in the long run empower the whole
community.
iii.
Ascertain Film Operators Resources and Skills
With the data and information that will be collected, it will be possible to evaluate the number of
practitioners in a given area and the number of youth interested in joining the industry. This will
further help in identifying those groups and practitioners in the industry at the grassroots level
and hence form a basis of advising on the Youth Fund to the needy areas (Dunlop, 2014).
PROJECT PROPOSAL
4
Proposed Budget
We envisage screening about 50 movies, distributing 50,000 branded DVDs and 2,000 USB flash
drives in a period of four months. For every movie, we will make one Electronic Press Kit and 100
posters.
Quantity Description
Cost
per
unit Total (USD)
(USD)
50
Public messages in the movies 30,000
1,5,000.00
50,000
Branded DVDs
30
1,5,000.00
10,000
Posters
50
5,000.00
2,000
1GB branded USB flash disks
with 5 local movies
300
6,000.00
Resource persons
25 x 24 stops
6,000.00
10
GRAND TOTAL 47,000.00
Activity schedule
The project envisages the following activities: i.
Preparation of the content to be screened.
ii.
Identification of screening locations, venues and date.
iii.
Promotion of the screening event.
iv.
Training the youth in different areas on various aspects of film production.
PROJECT PROPOSAL
v.
5
Screening of the movies.
Project’s challenge
The greatest challenge that the project is likely to face is the lack of adequate funds to travel
to different regions to train the youth on film production. This challenge will be addressed by
soliciting for funds from the film regulation body as well as from the government so as to make
the project self-sufficient (Cadle, Paul and Turner, 2013).
PROJECT PROPOSAL
6
References
Cadle, J., Paul, D., & Turner, P. (2013). Business analysis techniques: 72 essential tools for
success. London: British Computer Society.
Dunlop, R. (2014). Production pipeline fundamentals for film and game.
Mamer, B., & Rosenberg, M. (2013). Film Production Technique. Stamford, CT: Cengage
Learning.
Stranger, A. (2013). What would your contemporary art project proposal be if you were invited
by. Place of publication not identified: Lulu Com.
Running Head: PROJECT PROPOSAL
1
Project Proposal
DeAnna Gambrell
Prof. Stieber
BUS 375
5/14/17
PROJECT PROPOSAL
2
Introduction
In the recent past, there has been an upsurge and renewed interest in consumption of movies
and television series. From the foregoing, Siret Films proposes to partner with other film
production companies to roll out a comprehensive public outreach program for the purpose of free
public screening of films and training the youth on film production (Mamer and Rosenberg, 2013).
Beginning a screen revolution and star culture which borrows from what we have
established as the background for this project proposal will make all those people who love
watching films be able to get them without travelling far from home, taking the films to the
people where they are will not only create national cohesion and integration but also cultivate a
sense of national pride and belonging (Stranger, 2013). The power of film to unite, educate,
transform, engineer national optimism and synergize cohesion will be a major turning point for
this initiative.
Goals of the project
i.
Enhancing the Film Data Bank
The project will involve the local communities, this means that all those who practice the process
of creation and distribution of content will be identified in all regions, locations, and centers using
all means available so that they can join the spirit of the movement and identify the aspirations
thereof.
PROJECT PROPOSAL
ii.
3
Identify Unclassified Content
There is a law that requires that all the content screened on the televisions as well as in all other
platforms. By involving the local film production companies, this will help the film regulatory
body identify the films that are not classified and take the necessary measures.
iii.
Identify genres of films
With the kind of movies that will be brought forward by different production companies, it will be
possible to collect data on the genres of films being produced in the country
Objectives of the project
i.
Train the youth on filmmaking
The project aims at training the youth on filmmaking techniques, marketing and distribution of
movies for economic gain. This will enlighten the youth on how they can utilize their talents and
the resources around them to earn income, thus reducing dependency on white-collar jobs.
ii.
Encourage the Youth to Form Film Associations
The project also aims at encouraging the youth to come together and form associations. Through
these associations, the youth can nurture their talents and in the long run empower the whole
community.
iii.
Ascertain Film Operators Resources and Skills
With the data and information that will be collected, it will be possible to evaluate the number of
practitioners in a given area and the number of youth interested in joining the industry. This will
further help in identifying those groups and practitioners in the industry at the grassroots level
and hence form a basis of advising on the Youth Fund to the needy areas (Dunlop, 2014).
PROJECT PROPOSAL
4
Proposed Budget
We envisage screening about 50 movies, distributing 50,000 branded DVDs and 2,000 USB flash
drives in a period of four months. For every movie, we will make one Electronic Press Kit and 100
posters.
Quantity Description
Cost
per
unit Total (USD)
(USD)
50
Public messages in the movies 30,000
1,5,000.00
50,000
Branded DVDs
30
1,5,000.00
10,000
Posters
50
5,000.00
2,000
1GB branded USB flash disks
with 5 local movies
300
6,000.00
Resource persons
25 x 24 stops
6,000.00
10
GRAND TOTAL 47,000.00
Activity schedule
The project envisages the following activities: i.
Preparation of the content to be screened.
ii.
Identification of screening locations, venues and date.
iii.
Promotion of the screening event.
iv.
Training the youth in different areas on various aspects of film production.
PROJECT PROPOSAL
v.
5
Screening of the movies.
Project’s challenge
The greatest challenge that the project is likely to face is the lack of adequate funds to travel
to different regions to train the youth on film production. This challenge will be addressed by
soliciting for funds from the film regulation body as well as from the government so as to make
the project self-sufficient (Cadle, Paul and Turner, 2013).
PROJECT PROPOSAL
6
References
Cadle, J., Paul, D., & Turner, P. (2013). Business analysis techniques: 72 essential tools for
success. London: British Computer Society.
Dunlop, R. (2014). Production pipeline fundamentals for film and game.
Mamer, B., & Rosenberg, M. (2013). Film Production Technique. Stamford, CT: Cengage
Learning.
Stranger, A. (2013). What would your contemporary art project proposal be if you were invited
by. Place of publication not identified: Lulu Com.
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