PHET Sound Simulation physics lab

RatGrnz
timer Asked: Jul 28th, 2018

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I need your help answers the attached physics lab.

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PHET Sound Simulation Purpose – To explore sound (a longitudinal wave) and how it can be modeled as a transverse wave Obtain computer with PHET software on it. Get headphones if possible and plug into sound port. Open PHET simulations and find Sound and Waves simulations. Open the simulation called “Sound”. There are 5 tabs. Open the one called listen to a single source. 1. What is the affect of changing the frequency of the tone generated? 2. What is the affect of changing the amplitude of the tone generated? 3. Using the slide bar as a rough ruler, and the frequency set to 100, how low in amplitude (%) can you still hear the tone? 4. Using the slide bar as a rough ruler, and the frequency set to 1000, how low in amplitude (%) can you still hear the tone? 5. Do you have better “high end”, or “low end” response with your ears? 1 of 6 PHET Sound Simulation Open the panel called “Measure” 1. Using a experiment of your own design, measure the speed of sound. Record any data you obtain here. 2. Based on the speed you measured above, how long would it take for you to hear thunder if you observed lightning and it was seen to be 1620 meters away? Open the panel called Two Source Interference 1. What do you suppose the light and dark bands on the “sound” emanating from the speaker represent? Enable Audio, change to Listener mode, not Speaker mode! 2. Move the head of the listener up and down. What do you note about the locations where the waves intersect? Is there a location in which you hear less sound? What do you think is happening? Don’t forget that sound is due to a change in local pressure. Open the panel called “Interference by Reflection” 1. Explore the affect of changing frequency on the reflected wave angle. Is there any affect? 2. Explore the affect of wall angle and wall position on interference pattern. Can you draw (roughly) a set up that shows interference that would not allow you to hear a certain frequency? In the space below show the speaker, the wall angle, the wall position, and a location where you think the sound would “drop out” due to reflection. 2 of 6 PHET Sound Simulation Open the simulation of Listen with varying Air Pressure 1. Leave the pressure set to 1 atm. Adjust the amplitude of the sound (at a fixed frequency), what do you notice? Make sure you’re in listener mode! 2. Adjust the pressure down, and record the relative loudness at 5 data points. Make up your own scale (for loudness), and record the loudness (y-axis) versus pressure (x-axis). Make a rough plot of the data here. What do you think the relationship is? Go back to the main screen on the Simulations. Choose the Fourier Series simulation Choose the discrete tab 1. Listen to the main tone. What is the affect of adding small amounts of the harmonics (overtones?) 3 of 6 PHET Sound Simulation 2. For a basic simulation, with up to four harmonics, draw below each wave form and the summary wave form. Use different pens/pencils to represent the different waves (label them). 3. What can you say about the regions where the waves have the same phase (are on the same side of the y-axis)? How do they add up in the summary wave? Show a point on the summary wave and label this “constructive”. 4. What can you say about the regions where the waves have opposite phase (are on opposite sides of the y-axis, or are shifted). How do they add up in the summary wave? Show a point on the summary wave and label this “destructive”. Open the “Wave Game” – Play the game, and see how high a level you can go before you can’t match the wave. How high did you make it? Comment here on what you learned in trying to match the wave form. 4 of 6 PHET Sound Simulation Introduction to Fourier Analysis Learning Goal: To gain a qualitative intuitive understanding of Fourier Analysis Open the simulation “Fourier: Making Waves” from the Math Tools section of the PhET simulations website. Try playing with the controls on the “Amplitudes” graph. (Checking the “autoscale” box next to the “Sum” graph may make it easier to see what’s going on.) How does changing the “Amplitudes” graph change the “Harmonics” and “Sum” graph? Explain how these three graphs are related. Hit the “Reset” button so that there is only one sine wave shown. What is the definition of wavelength? Use the horizontal zoom controls next to the “Harmonics” graph so that more than one period is displayed on the graph. Check the “Wavelength Tool” box and use the tool that appears to measure from peak to peak, from trough to trough, and then from some arbitrary point in the wave to the same arbitrary point on cycle farther. Is this consistent with your definition of wavelength? Adjust the amplitudes to show more than one sine wave, and use the pull-down menu for the wavelength tool to compare the wavelengths of different sine waves. In general, does amplitude depend on wavelength? Does changing the amplitude of a wave change its wavelength? Try switching from a function of space to a function of time. What changes? What doesn’t change? Explain why you can’t use the Period Tool in “space” mode or the Wavelength Tool in “time” mode. How are the periods of different harmonics related? Is this consistent with a definition of “harmonics” that you have heard in the context of sound and music? What happens when you switch from showing “sines” to “cosines”? Try out the different options in the “Select Function” pull-down menu. For each function, try increasing and decreasing the number of harmonics. What effect does this have and why? What would happen if you had many more than 11 harmonics? Test your prediction by checking the box labeled, “Show function with infinite number of harmonics.” Explain in words why each harmonic should have the approximate amplitude that it does in order to make up a triangle wave. For example, why are all the even harmonics zero? Why is the third harmonic negative or positive? Are the amplitudes different for sines and cosines? Why? 5 of 6 PHET Sound Simulation What happens if you try to make a sawtooth wave in “cosines” mode? Why? Which harmonics would you need to include to produce the following “Sum” graph? 6 of 6
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