Unformatted Attachment Preview
1.
According to tradition, who wrote the Gospel of Mark? Why are modern scholars unable to
verify that tradition? What themes in the Gospel suggest that it was composed after the Jewish
Revolt against Rome had already begun?
2.
Describe the three different categories Mark assigns the Son of Man concept. How is this
concept related to earlier Jewish writings, such as the books of Ezekiel, Daniel, and I Enoch?
3.
Define parable and discuss Jesus’ use of this literary form to describe his vision of God’s
kingdom.
4.
Why do scholars believe that it is unlikely that one of the Twelve wrote Matthew’s Gospel?
From the content of the Gospel, what can we infer about its author and the time and place of
its composition?
5.
Describe some of Luke’s major themes and concerns.
6.
Evaluate the evidence for and against the tradition that Luke, Paul’s traveling companion,
wrote the Gospel bearing his name.
c h a p te r 7
Mark’s Portrait of Jesus
The Hidden Messiah andWEschatological Judge
I
For even the Son of Man did notLcome to be served but to serve
L for many. Mark 10:45
and to give up his life as a ransom
I
S
,
Key Topics/Themes Between about 64 CE, when
Nero began Rome’s first official persecution
of Christians, and 70 CE, when the Romans
destroyed Jerusalem (along with its Temple
and the original apostolic church), the Christian
community faced a series of crises that threatened its survival. Responding to the wars,
revolts, and persecutions that afflicted his
group, Mark composed what appears to be
the earliest narrative account of Jesus’ public
career, presenting Jesus’ story in a way that
was strikingly relevant to the precarious
Kcircumstances of Mark’s intended readers.
Mark’s Gospel thus portrays a Jesus who faces
Aattack on three crucial fronts: from Jewish
Sreligious leaders, local (Herodian) rulers, and
Roman officials. Painting Jesus as a “hidden
SMessiah” who was misunderstood and devalAued by his contemporaries, Mark emphasizes
Jesus came to serve, to suffer, and to
Nthat
die—but also ultimately to triumph by submitDting fully to the divine will.
R
A
The shortest and probably the earliest of the
four canonical Gospels, the narrative “According
to Mark” contains relatively few of Jesus’ teachings. Instead, the author—who was the first to
call his written account an evangelion (gospel)—
presents Jesus as a miracle-working man of action who is almost constantly on the move,
dashing from village to village in Galilee and
adjacent regions and, finally, journeying to
Jerusalem for a fatal confrontation with its religious and political authorities. Mark’s Jesus announces God’s kingdom, exorcizes demons,
heals the sick, and voluntarily sacrifices himself
for others.
136
Mark’s Historical Setting
2
1
Several critical methods are helpful in studying
6Mark, beginning with historical investigation of
1the Gospel’s authorship, date, place of compoTsition, possible sources, and social and religious
environment (see Figure 7.1). The earliest refSerence to Mark’s Gospel comes from Papias, a
Christian writer who was bishop of Hierapolis
in Asia Minor about 130–140 ce (see Box 7.1).
As quoted by Eusebius, Papias states that Mark
had been a disciple of the apostle Peter in Rome
and based his account on Peter’s reminiscences
chapter 7 m ark’s po rtrait o f jes u s
Provincial aristocracy:
Herodian ruling house,
priestly and lay
aristocracy, members
of the Sanhedrin
The Gospel According to Mark
Author: Traditionally John Mark, traveling
companion of Paul and “interpreter” for Peter in
Rome. The writer does not identify himself in the
Gospel text, and scholars, unable to verify the midsecond century tradition of Markan authorship,
regard the work as anonymous.
Date: About 66–70 ce, during the Jewish Revolt
against Rome.
Place of composition: Rome or Syria-Palestine.
Sources: Primarily oral tradition. Many scholars believe that Mark used a few written
sources, such as a collection of Jesus’ parables
(ch. 4), a compilation of apocalyptic prophecies (ch. 13), and, perhaps, an older account of
Jesus’ arrest, trial, and execution (chs. 14–15).
Audience: Gentile Christians suffering persecution.
Elite
(upper-stratum
groups)
Members of the Sanhedrin,
administrative and military
retainers, functionaries,
priests, scribes, local judges,
tax collectors, foreign
traders, wholesalers
W
I
L Prosperous craftsmen,
peasant
L traders,
farmers, tenants,
I service workers
S
farmers,
, Small
tenants,
of Jesus. Papias notes that Mark “had not heard
the Lord or been one of his followers” so that
his Gospel lacked “a systematic arrangement of K
the Lord’s sayings” (Eusebius, History 3.39).
A
Besides his intention to link Mark’s Gospel
to apostolic testimony, a consistent trend among S
church leaders during the second century ce, S
Papias makes two important historical observa- A
tions: The author of Mark was not an eyewitness
N
but depended on secondhand oral preaching,
and Mark’s version of Jesus’ activities is “not in D
[proper chronological] order.” Careful scrutiny R
of Mark’s Gospel has convinced most New
A
Testament scholars that it does not derive from
a single apostolic source, such as Peter, but is
based on a general body of oral teachings about 2
Jesus preserved in the author’s community.
1
Mark’s author offers few hints about where
or for whom he wrote, except for his insistence 6
that following Jesus requires a willingness to suf- 1
fer for one’s faith. Mark’s near equation of disci- T
pleship with suffering suggests that he directed
his work to a group that was then undergoing se- S
vere testing and needed encouragement to remain steadfast (see Mark 8:34–38; 10:38–40). This
theme of “carrying one’s cross” may derive from
the effects of Nero’s persecution (c. 64–65 ce),
when numerous Roman Christians were crucified
137
Nonelite
(lowerstratum
groups)
Minimum existence
businessmen,
day laborers,
fishermen,
shepherds,
widows, orphans,
prostitutes,
beggars, bandits
City
Country
figure 7.1 Social Pyramid 2: Social Stratification of
Jewish Society in the Land of Israel (Without Religious
Groups). In Jesus’ day, Jewish society was sharply divided
between two unequal groups: a powerful elite, representing a tiny percentage of the total population, and the nonelite masses. Whereas the elite upper stratum, such as the
Roman-appointed Herodian kings, aristocratic chief
priests, and large landowners, enjoyed the privileges of political influence, wealth, and prestige, the lower stratum,
encompassing the vast majority of the population, lacked
access to power or social privilege. Nonelite groups ranged
from some relatively prosperous artisans, small farmers,
and merchants to large numbers of landless day laborers
whose families existed in utter penury. Many of Jesus’ parables deal with the social and economic inequities that
pervaded his society. See also Figure 5.7 for the pyramidal
structure of Roman society. (Pyramid figure is reprinted
from The Jesus Movement by Ekkehard W. Stegemann and
Wolfgang Stegemann, English translation by O. C. Dean,
Jr., copyright © 1999 Fortress Press. Used by permission of
Augsburg Fortress.)
138
p art t h r e e d i v e r s e p o r t r aits o f jes u s
box 7 .1 Papias on the Origin of Mark’s Gospel
The oldest surviving reference to Mark’s
authorship of the Gospel bearing his name comes
from Papias, who was a bishop of Hierapolis about
130 or 140 ce. An early church historian, Eusebius of
Caesarea, quotes Papias as writing that an unnamed
presbyter (church elder) was his source:
This, too, the presbyter used to say. “Mark, who
had been Peter’s interpreter, wrote down carefully,
but not in order, all that he remembered of the
Lord’s sayings and doings. For he had not heard
the Lord or been one of his followers, but later, as
I said, one of Peter’s. Peter used to adapt his teachings to the occasion, without making a systematic
arrangement of the Lord’s sayings, so that Mark
was quite justified in writing down some things just
as he remembered them. For he had one purpose
only—to leave out nothing that he had heard, and
to make no misstatement about it.”
(Eusebius, The History of the Church 3.39)
or burned alive. Papias and Irenaeus, another
early church leader, agree that Mark wrote
shortly after Peter’s martyrdom, which, according to tradition, occurred during Nero’s attack
on Rome’s Christian community.
Although Rome is the traditional place of
composition, a growing number of scholars
think it more likely that Mark wrote for an audience in Syria or Palestine. Critics favoring a
Palestinian origin point to Mark’s emphasis on
the Jewish Revolt (66–73 ce) and concurrent
warnings to believers who were affected by the
uprising (Mark 13; see Box 7.6). In Mark’s view,
the “tribulation” climaxing in Jerusalem’s destruction is the sign heralding Jesus’ Parousia,
or return in heavenly glory. The association of
wars and national revolts with persecution of
believers and Jesus’ Second Coming gives an
eschatological urgency to Mark’s account.
Even though Papias and other second-century
writers ascribe the Gospel to John Mark, a companion of Peter and Paul (Philem. 24; Col. 4:10;
Acts 12:12–25; 14:36–40), the author does not
identify himself in the text. The superscription—
“The Gospel According to Mark”—is a later church
Eusebius also quotes Papias’s declaration that he
preferred to learn Christian traditions from the
testimony of persons who had known Jesus’ companions rather than from written documents,
such as the Gospels:
And whenever anyone came who had been a
follower of the presbyters, I inquired into the
words of the presbyters, what Andrew or Peter
had said, or Philip or Thomas or James or John or
Matthew, or any other disciple of the Lord, and
what Aristion and the presbyter John, disciples of
the Lord, were still saying. For I did not imagine
that things out of books would help me as much
as the utterances of a living and abiding voice.
(Eusebius, The History of the Church 3.39)
W
I
L
L
I
S Although Papias is a relatively early witness to the
, Christian tradition, scholars caution that we have no
means of verifying the historicity of his claims.
K
Aembellishment, for second-century churchmen
tried to connect extant writings about Jesus with
Sapostles or their immediate disciples. The Gospel
Sis anonymous; for convenience, we refer to the
Aauthor as Mark.
N
D
Mark’s Puzzling Attitude
R
Toward Jesus’ Close
A
Associates
Jesus’ Family
2
1If scholars are right about assigning the Gospel
to a time when the Jewish War against Rome
6had already begun and the Temple was ex1pected to fall, most of the adult generation that
Thad known Jesus was no longer alive. Even forty
years after Jesus’ death, however, there must
Shave been some persons who had heard the disciples preach or who had known members of
Jesus’ family. James, whom Paul calls “the Lord’s
brother” (Gal. 1:19), was head of the Jerusalem
church until his martyrdom in about 62 ce
( Josephus, Antiquities 20.9; Acts 12:17; 15:13–21;
chapter 7 m ark’s po rtrait o f jes u s
139
b ox 7 .2 Mark’s Leading Characters*
John the Baptist (1:4–9); executed (6:17–29)
Jesus introduced (1:9); final words (15:34)
Simon Peter and his brother Andrew (1:16–18);
Peter’s imperfect discipleship (8:27–33; 9:2–6;
14:26–31, 66–72)
James and John, the fishermen sons of Zebedee
(1:19–20); wish to be first in the kingdom
W
(10:35–45)
I
Levi (Matthew), a tax collector (2:13–17)
The Twelve (3:13–19)
L
Judas Iscariot, Jesus’ betrayer (3:19; 14:17–21, 43–46)
L
Mary, Jesus’ mother, and other family members
I
(3:20–21, 31–35; 6:3)
The Gerasene demoniac (5:1–20)
S
Herod Antipas, ruler of Galilee (ruled 4 bce–
,
39 ce) (6:17–29; 8:15)
The Syrophoenician (Canaanite) woman (7:14–30)
K
A
21:16), making him a contemporary of Mark. S
Through his surviving associates, James pre- S
sumably would have been an invaluable source A
of information when Mark began compiling
N
data for a biography of Jesus.
Strangely, Mark does not seem to have re- D
garded Jesus’ relatives—or any other ordinary R
source a modern biographer would consult—as
A
worthy informants. One of the author’s prevailing themes is his negative presentation of virtually everyone associated with the historical 2
Jesus. (Box 7.2 lists Mark’s leading characters.) 1
From “his mother and brothers” (3:31) to his
most intimate followers, Mark portrays all of 6
Jesus’ companions as oblivious to his real na- 1
ture and/or as obstacles to his work. Mark’s T
Gospel consistently renders all Jesus’ Palestinian
associates as incredibly obtuse, unable to grasp S
his teachings, and blind to his value.
The Markan picture of Jesus’ family implies
that they, too, failed to appreciate or support
him: “When his relatives heard of this [his drawing large crowds around him], they set out to
A rich young man (10:17–22)
The woman who anoints Jesus at Bethany (14:3–9)
The High Priest Caiaphas (14:53–64)
Pontius Pilate, prefect of Judea (governed 26–36 ce)
(15:1–15, 43–44)
Barabbas, the terrorist released in place of Jesus
(15:6–15)
Simon of Cyrene, the man impressed to carry
Jesus’ cross (15:21)
Joseph of Arimathaea, the Sanhedrin member
who buries Jesus (15:42–46)
Mary of Magdala (in Galilee) (15:40–41, 47; 16:1)
Mary, mother of James and Joseph (15:40, 47; 16:1)
*Characters are listed in general order of appearance,
along with the chief quality or event that distinguishes
them in Mark’s narrative.
take charge of him, convinced he was out of his
mind” (3:21, Jerusalem Bible). When “his mother
and his brothers” send a message asking for him,
apparently demanding that he cease making a
public spectacle of himself, Mark has Jesus declare “whoever does the will of God is my brother,
my sister, my mother.” This is a startling repudiation of his blood ties and an implication that in
the Markan Jesus’ view, his relatives were not doing the divine will (3:31–35). The force of this
antifamily episode is intensified because Mark
uses it to frame a controversy in which Jesus’ opponents accuse him of expelling demons by the
power of Beelzebub, another name for the devil.
Jesus countercharges that those who oppose his
work are defying the Holy Spirit (God’s presence
active in human life), an “unforgivable sin”
(3:22–30). At this point in the narrative, Mark
shows Jesus’ family attempting to interrupt his
ministry, thus subtly associating them with his adversaries (see also John 7:1–9).
Mark also depicts Jesus’ acquaintances
in Nazareth as hostile to a local carpenter’s
140
p art t h r e e d i v e r s e p o r t r aits o f jes u s
unexpected emergence as prophet and healer,
questioning his credentials as sage and teacher.
“Where does he get it from?” his neighbors ask.
“‘What wisdom is this that has been given him?’
and ‘How does he work such miracles? Is not
this the carpenter, the son of Mary, the brother
of James and Joseph and Judas and Simon?
And are not his sisters here with us?’ So they
[turned against] him” (6:2–3). In this incident
in which Jesus revisits his home turf, Mark argues that those who thought they knew Jesus
best doubted not only his right to be a religious
leader but also his legitimacy—note Mark’s reference to “the son of Mary,” a contrast to the
biblical custom of identifying a son through his
male parentage even if his father was dead. The
Nazarenes’ refusal to see any merit in him results in a troubling diminution of Jesus’ power:
“He could work no miracle there” except for some
routine healings (6:6; emphasis added). Mark
thus seems to dismiss both family and hometown
citizens as acceptable channels of biographical
tradition: They all fail to trust, comprehend, or
cooperate with his hero.
Mark’s allusion to Jesus’ “brothers” and
“sisters” (see also Matt. 13:54–56) may disturb
some readers. Because his Gospel does not include a tradition of Jesus’ virginal conception
or birth, the existence of siblings may not have
been an issue with the Markan community (as
it apparently was not for the Pauline churches;
none of Paul’s letters allude to a virgin birth).
Matthew, however, explicitly affirms that Jesus
was virginally conceived (Matt. 1:18–25), and
Luke strongly implies it (Luke 1:26–38). Some
Protestant Christians believe that, following
Jesus’ delivery, his mother may have borne
other children in the ordinary way. According
to Roman Catholic doctrine, however, Mary remains perpetually virgin. Jesus’ “brothers”
(translating the Greek adelphoi) are to be understood as close male relatives, perhaps cousins or stepbrothers (sons of Mary’s husband,
Joseph, by a previous marriage). (An apocryphal infancy Gospel, the Protevangelium
of James, which probably dates from the second century ce, depicts James as Jesus’ older
stepbrother and Mary as eternally virgin; see
Chapter 20.)
The Disciples
Mark’s opinion of the Galilean disciples whom
Jesus calls to follow him (3:13–19) is distinctly
unsympathetic, although these are the Twelve
Apostles on whose testimony the Christian faith
is traditionally founded. Almost without exception, Mark paints the Twelve as dull-witted, inW
ept, unreliable, cowardly, and, in at least one
I case, treacherous. When Jesus stills a storm, the
Ldisciples are impressed but unaware of the act’s
Lsignificance (4:35–41). After his feeding of the
multitudes, the disciples “had not understood
I the intent of the loaves” because “their minds
Swere closed” (6:52). The harshness of Mark’s
, judgment is better rendered in the phrase “their
hearts were hardened” (as given in the New
Revised Standard Version). This is the same
Kphrase used to describe the Egyptian pharaoh
Awhen he arrogantly “hardened his heart” and
refused to obey Yahweh’s commands (Exod.
S7:14–10:27). After listening for months to Jesus’
Steaching, the disciples are such slow learners
Athat they are still ignorant of “what [Jesus’ referto] ‘rising from the dead’ could mean”
Nence
(9:9–10). Not only do they fail to grasp the conDcept of sharing in Jesus’ glory (10:35–41), but
Reven the simplest, most obvious parables escape
Atheir comprehension (4:10–13). As Jesus asks,
“You do not understand this parable? How then
will you understand any parable?” (4:13).
2 Although he has “explained everything”
1(4:33–34; see also 8:31–32), and the disciples
have presumably recognized him as the Messiah
6(8:27–32), they desert him after his arrest
1(14:30). Peter, who had earlier acknowledged
TJesus as the Messiah, three times denies knowing him (14:66–72). Almost the only character
Sin Mark shown as recognizing the significance
of Jesus’ death is an unnamed Roman soldier
who perceives that “truly this man was a son of
God!” (15:39).
Mark’s recurring motif that all of Jesus’ original associates, including family, former neighbors,
chapter 7 m ark’s po rtrait o f jes u s
and followers, were almost preternaturally
blind to his true identity and purpose carries
through to the end of his Gospel. At the empty
tomb, an unnamed youth in white directs a
handful of women disciples not to linger in
Jerusalem but to seek their Lord in Galilee, but
they are too frightened to obey (16:1–8). The
Gospel thus ends with the only disciples who
had followed Jesus to the cross—a few Galilean
women—inarticulate with terror, unable to
cope with the news of his resurrection!
W
Mark’s view that the resurrected Jesus will not
be found near his burial site—Jerusalem— I
contrasts with the Lukan tradition that Jesus in- L
structed his followers to remain in Jerusalem
L
awaiting the Holy Spirit (Luke 24:47–53; Acts
1–2). Whereas Luke makes Jerusalem the center I
of Christian growth and expansion, the Spirit- S
empowered mother church led by Peter and ,
James, Jesus’ “brother” (Acts 1:4–3:34; 15:13–21;
21:16), Mark paints it as a hotbed of conniving
hypocrites who scheme to murder the Son of God. K
Mark’s antipathy toward the historical Jesus’ A
closest associates and the original Jerusalem
church is puzzling. Does this apparent hostility S
mean that the group for which Mark wrote S
wished to distance itself from the Jerusalem A
community, whose founders included Jesus’
N
closest family members, Mary and James (Acts
1:14; 12:17, etc.)? Does Mark’s negative atti- D
tude indicate a power struggle between his R
branch of Gentile Christianity and the Jewish
A
Christians who (until 70 ce) headed the original church? Some scholars caution that one
should not necessarily postulate a historical 2
tension between the Markan community and 1
Palestinian Jewish Christians. Ancient historians and biographers commonly portray their 6
heroes as enormously superior to their peers, 1
depicting a subject’s followers or disciples as T
constitutionally incapable of rising to his level
of thought or achievement. Writing in this liter- S
ary tradition, Mark may have emphasized the
deficiencies of Jesus’ contemporaries to underscore his hero’s unique status: By magnifying
Jesus’ image, Mark demonstrates that Jesus
alone does God’s work and declares God’s will.
141
Mark as a Literary Narrative
Organization and Bipolar Structure
Whatever the historicity of Mark’s version of
Jesus’ career, it eventually exerted a tremendous influence on the Christian community
at large, primarily through the expanded and
revised editions of Mark that Matthew and
Luke produced (see Chapter 6). Because the
two other Synoptic Gospels generally follow
Mark’s order of events in Jesus’ life, it is important to understand the significance of
Mark’s bipolar organization. Mark arranges
his narrative around a geographical north–
south polarity. The first half of his narrative
takes place in Galilee and adjacent areas of
northern Palestine, a largely rural area of peasant farmers where Jesus recruits his followers,
performs numerous miracles, and—despite
some opposition—enjoys considerable success. The second half (after ch. 8) relates Jesus’
fatal journey southward to Judea and
Jerusalem, where he is rejected and killed (see
Figure 7.2). Besides dividing Jesus’ career according to two distinct geographical areas,
Mark’s Gospel presents two contrasting aspects of Jesus’ story. In Galilee, Jesus is a figure
of power, using his supernatural gifts to expel
demons, heal the sick, control natural forces,
and raise the dead. The Galilean Jesus speaks
and acts with tremendous authority, effortlessly refutes his detractors, and affirms or
invalidates the Mosaic Torah at will. Before
leaving Caesarea Philippi, however, Jesus
makes the first of three Passion predictions,
warning his uncomprehending disciples that
he will go to Jerusalem only to suffer humiliation and death (8:30–38; 9:31–32; 10:33–34).
By using the Passion predictions as a device
to link the indomitable miracle worker in
Galilee with the helpless figure on the cross in
Judea, Mark reconciles the two seemingly irreconcilable components in his portrait of Jesus.
The powerful Son of God who astonishes vast
crowds with his mighty works is also the vulnerable Son of Man who, in weakness and apparent
p art t h r e e d i v e r s e p o r t r aits o f jes u s
Palestine During the Ministry of
Jesus (c. 30 CE)
Decapolis
Tetrarchy of Philip
Under Pontius Pilate
Tetrarchy of Herod Antipas
Areas under special control
Cities of the Decapolis
Leont MT
.
es
Ri LIBA
ve
NU
r
S
Sidon
I A
Sarepta
Damascus
T.
M
ON
RM
HE
Caesarea Philippi
I C
Tyre
PA
N
IT
E
N
S
IA
UL
AT
H
AEA
UR
A
Jordan R.
IS
EE Chorazin
IL
AL Capernaum
Bethsaida-Julius
Plain of
Sea
Gennesaret
Gergasa
Cana
of
Magdala
Galilee Hippos
G
EA
W
I
L Tiberias
Sepphoris
Gaba L Nazareth
Ki
sh
I Nain MT.
on
TABOR
Ri
ve r
S
,Ginaea
GAU
LA
NI
T
NA
TA
BA
H
O
Lake Semechonitis
Ptolemais
Chabulon
P
MEDITERRANEAN
MT. CARMEL
SEA
Gadara
D
E
Caesarea
Pella
C
Jamnia
Azotus
Ascalon
Gaza
Hebron
Machaerus
r n o n R i ve
A
r
2
E A Masada
1
A
M
U
6
D
I
1
T
Political divisions of Palestine duringSthe ministry of Jesus (c. 30 ce). Note that Rome
Jorda
Raphia
0
0
figure 7.2
S
L I
P O
K
Jacob’s
A
Well
S A M AS
R I A
S
A
Jericho
Emmaus
N
Bethany Beyond Jordan
Jerusalem Bethphage
D
Qumran
Bethany
Bethlehem
R
J U D A E AA
R A E A
P E
Joppa
Lydda
Jordan R
iver
A
Samaria Sebaste
Sichem
Sychar
Plain of
Sharon MT. GERIZIM
DEA D
SEA
142
10
10
20
20
30 Miles
30 Kilometers
directly administered Judea and Samaria through its governor Pontius Pilate; Herod Antipas ruled
Galilee (Jesus’ home district) and Peraea; another son of Herod the Great, Philip, ruled an area to the
northeast. The Decapolis was a league of ten Greek-speaking cities on the east side of the Jordan River.
chapter 7 m ark’s po rtrait o f jes u s
143
b ox 7 .3 Mark’s Order of Events in Jesus’ Life
beginning of jesus’ ministry (c. 27 or 29 ce)
Jesus is baptized by John at the Jordan River (1:9–11).
Jesus begins preaching in Galilee (1:14–15).
Jesus recruits Peter, Andrew, James, and John to
be his first disciples (1:16–20).
Jesus performs miraculous cures and exorcisms in
Capernaum and throughout Galilee (1:21–3:12). W
Jesus appoints twelve chief disciples from among
I
his many followers; he explains the meaning
L
of parables to this inner circle (3:13–4:34).
Jesus returns to Nazareth, where his neighbors
L
reject him (6:1–6).
I
Herod Antipas beheads John the Baptist (6:14–29).
Jesus miraculously feeds a Jewish crowd of 5,000 S
(6:30–44).
,
end of jesus’ ministry (c. 30 or 33 ce)
Jesus leaves Galilee and travels through non-Jewish
territories in Phoenicia and the Decapolis
(7:24–37).
Jesus miraculously feeds a second crowd, this
time of Gentiles (8:1–10, 14–21).
Jesus cures a blind man, and near the town of
Caesarea Philippi, Peter’s eyes are opened to
Jesus’ true identity as the Messiah; Jesus
rebukes Peter for failing to understand that
the Messiah must suffer and die (8:22–9:1).
Jesus is gloriously transfigured before Peter,
James, and John (9:1–13).
Jesus travels south to Judea, teaching the crowds
and debating with Pharisees (10:1–33).
On the road to Jerusalem, Jesus for the third time
predicts his imminent suffering and death
K
A
S
S
A
N
D
R
A
2
1
6
1
defeat, sacrifices his life “as a ransom for many” T
(10:45). Thus, the author balances older Christian
traditions of his hero’s phenomenal deeds with S
a bleak picture of Jesus’ sufferings, devoting the
last six chapters to a detailed account of the
Passion. Although Matthew and Luke follow
Mark in his north–south, power–weakness dichotomy, John’s Gospel shows that there were
other ways to arrange events in Jesus’ story. In
(the Passion predictions) (8:31–33; 9:30–32;
10:32–34).
events of the last week of jesus’ life
On Palm Sunday, Jesus arranges his public entry
into Jerusalem; his followers hail him in terms
of the Davidic kingdom (11:1–11).
Jesus drives the moneychangers out of the
Temple (11:15–19).
Seated on the Mount of Olives opposite Jerusalem,
Jesus predicts the imminent destruction of the
Temple (13:1–37).
Jesus’ enemies conspire to kill him; Judas betrays
Jesus (14:1–11).
Jesus holds a final Passover meal with the Twelve
(14:12–31).
After the Last Supper, Jesus is arrested at Gethsemane
on the Mount of Olives outside Jerusalem
(14:32–52).
Jesus is tried on charges of blasphemy before the
High Priest Caiaphas and the Sanhedrin
(14:53–65).
On Good Friday, Jewish leaders accuse Jesus before
Pontius Pilate; Jesus is declared guilty of treason,
flogged, and condemned to crucifixion (15:1–20).
A group of Galilean women witness the Crucifixion; Joseph of Arimathaea provides a tomb for
Jesus (15:40–47).
On Easter Sunday, Mary of Magdala and other
women discover that Jesus’ tomb is empty; a
young man instructs them to look for Jesus in
Galilee, but the women are too frightened to
tell anyone of their experience (16:1–8).
John, Jesus repeatedly travels back and forth between Galilee and Judea, performing miracles in
both regions. As Papias’s remark about the
Gospel’s lack of historical order warned, the
Markan sequence of events, with its emphasis on
a single, final visit to Jerusalem, appears to
express the writer’s theological vision of Jesus’
life rather than a literal reconstruction of his
subject’s actual movements (see Box 7.3).
144
p art t h r e e d i v e r s e p o r t r aits o f jes u s
Mark’s Gospel can be divided into six parts:
1.
2.
3.
4.
5.
Prelude to Jesus’ public ministry (1:1–13)
The Galilean ministry (1:14–8:26)
The journey to Jerusalem (8:27–10:52)
The Jerusalem ministry (11:1–15:47)
Mark’s Passion narrative: Jesus’ trial and
cruifixion
6. Postlude: the empty tomb (16:1–8)
Prelude to Jesus’
Public Ministry
Like the writer of a classical epic, Mark plunges
into the middle of the action, providing no
background about his hero but introducing
him with apocalyptic suddenness. The opening
line, “Here begins the gospel [good news] of
Jesus Christ” (1:1), simultaneously announces
his epic theme and echoes Genesis 1, alerting
readers to see that, in Jesus, God has begun a
new creative activity. Jesus is the Christ (Greek
translation of the Hebrew mashiah) and “the
Son of God,” titles that Mark seldom uses in his
narrative, for one of his purposes is to demonstrate that in his lifetime the majority of people
did not recognize Jesus’ divine Sonship. No
person calls Jesus “a son of God” until almost
the very end of Mark’s Gospel (see Box 7.4).
Significantly, at that point Jesus is already dead,
and the speaker is neither a Jew nor a disciple
but a Roman centurion (15:39).
By citing, as if from memory, a blend of
passages from Isaiah (40:3) and Malachi (3:1)—
that a divinely appointed “herald” and a “voice
crying aloud in the wilderness” are preparing a
path for the Lord—Mark immediately places
Jesus’ story in the context of the Hebrew Bible.
Mark identifies the “herald” with John the
Baptist, a desert ascetic then conducting a religious campaign at the Jordan River, where
John baptizes converts “in token of repentance,
for the forgiveness of sins” (1:4). Jesus, implicitly included among the repentant, appears for
baptism, perhaps as John’s disciple. Mark has
John predict a “mightier” successor, although
he does not show the Baptist as explicitly identifying Jesus as such.
The biographer’s decision to introduce
Jesus at the Jordan River is significant, for the
Jordan was the gateway by which the Israelite
tribes originally entered Palestine, their Promised
Land. Mark may also have expected his readers
to remember that “Jesus” is the Greek version of
“Joshua,” the name of Moses’ successor who led
Israel across Jordan into its homeland. Mark’s
W
brief reference to Jesus’ being tested for forty
I days in the Judean wilderness also has biblical
Lconnotations. As the Israelites wandered for forty
Lyears through the Sinai wilderness, undergoing
trials and temptations, so Jesus is tempted by
I Satan in the desert, the untamed haunt of hostile
Sentities. Jesus vanquishes Satan, just as Joshua
, conquered the Canaanite nations that opposed
Israel (Josh. 1–6).
Mark’s allusion to Jesus’ overcoming the
KEvil One introduces another of the author’s
Aprincipal themes: God’s Son will break the
devil’s hold on humanity. Jesus’ exorcisms—
Sthe casting out of demons who have possessed
Shuman beings—are an important part of
AJesus’ ministry and are given proportionately
space in Mark than in any other
Ngreater
Gospel. (In contrast, John’s Gospel does not
Dcontain a single reference to Jesus’ performRing exorcisms.)
A
The Galilean Ministry:
2
Inaugurating the Kingdom
1
6Mark’s Eschatological Urgency
1Mark launches Jesus’ career with a startlingly
Teschatological message: “The time has come,
the kingdom of God is upon you; repent and
Sbelieve the Gospel” (1:15). Mark’s sense of
eschatological urgency permeates his entire
Gospel, profoundly affecting his portrayal of
Jesus’ life and teaching. With the tradition that
Jesus had prophesied the Temple’s fall about to
be realized, Mark, writing about 70 ce, sees the
chapter 7 m ark’s po rtrait o f jes u s
145
b ox 7 .4 Mark’s Identification of Jesus as “Son of God”
Although Mark’s preferred designation
of Jesus is “Son of Man,” he also identifies Jesus as
“Son of God” at strategic places in his narrative.
In most editions of Mark, the first reference to
Jesus’ divine parentage occurs in the opening
verse and is addressed directly to readers, who
must be aware of Jesus’ supernatural identity if
Mark’s way of telling his hero’s story—an ironic
contrast between who Jesus really is and who peo- W
ple mistake him for—is to succeed. Because some I
early manuscripts omit the phrase “Son of God” in L
Mark 1:1, however, it is possible that the author
L
originally intended for readers to learn of Jesus’
special relationship to the Father in the same man- I
ner that Jesus did, at his baptism, when a heavenly S
voice privately confides, “You are my beloved Son;
,
in you I take delight” (Mark 1:11).
The “voice from heaven” paraphrases Psalm 2,
a poem sung at the coronation of Israel’s mon- K
archs, a royal ceremony at which Yahweh is repreA
sented as adopting the newly consecrated king:
“You are my son, . . . this day I become your father” S
(Ps. 2:7). Because Mark contains no reference to S
Jesus’ virginal conception, many scholars think A
that the author regards Jesus as becoming God’s
son by adoption, his baptism and visitation by the N
Holy Spirit the equivalent of Davidic kings’ being D
anointed with holy oil.
R
In an ironic counterpoint to God’s voice, Mark
A
next uses the speech of a demon to reveal Jesus’
hidden identity. When driven from a man he has
possessed, the demon angrily declares: “I know who 2
you are—the Holy One of God” (1:25). Whereas
1
Mark’s human characters fail to recognize Jesus’
true nature until after his death, supernatural 6
1
T
S
it—
eschaton—the end of history as we know
about to take place (13:1–4, 7–8, 14–20, 24–27,
30, 35–37). He therefore paints Jesus as an eschatological figure whose words are reinterpreted as
specific warnings to Mark’s generation. In the
thought world Mark creates, the apocalyptic
entities, including “unclean spirits,” know and fear
him. In a typically Markan paradox, human opponents accuse Jesus of being an agent of Beelzebub,
“the prince of demons”—allegedly the source of his
supernatural power—while the demons themselves
testify that Jesus is “the Son of God” (3:11, 22–28).
Mark draws further on the questionable testimony
of evil spirits when describing the Gerasene demoniac: The satanic “Legion” boldly announces that
Jesus is “son of the Most High God” (5:1–13).
In contrast, when Peter finally perceives that
Jesus is “the Christ,” he apparently does not also
intuit Jesus’ divinity, confining his witness to his
leader’s messianic (political) role. In Mark’s narrative, Jesus’ closest disciples lack the perceptiveness
of Beelzebub’s imps! (Compare Mark’s account of
Peter’s “confession” with Matthew’s version, where
the author has Peter employ a major Christological
title, “Son of the living God,” absent in Mark [Matt.
16:13–16].) Even after Jesus is miraculously transfigured before their eyes and the celestial voice
again affirms that he is God’s son (9:8), the Galilean
disciples remain oblivious.
At Jesus’ trial before the Sanhedrin, Mark presents a darkly paradoxical glimpse of his hero’s real
identity. When the High Priest asks if his prisoner
is indeed the “Son of the Blessed One” (a pious
circumlocution for God), Jesus, for the first time in
Mark’s account, admits that he is—a confession of
divinity that condemns him to death. Only when
Jesus hangs lifeless on the cross does a human
figure—a Roman centurion—belatedly speak of
Jesus as “a son of God,” a Hellenistic Gentile’s recognition that Jesus had died a heroic death worthy
of divine honor (see also Box 11.2).
Son of Man who is about to appear in glory
(13:24–31) is the same as the Son of Man who
came forty years earlier to die on the cross (8:31,
38; 9:9–13, 31). The splendor of the one to come
casts its radiance over Mark’s portrait of the
human Jesus (9:1–9).
146
p art t h r e e d i v e r s e p o r t r aits o f jes u s
Mark’s style conveys his urgency: He uses
the present tense throughout his Gospel and
repeatedly connects the brief episodes (pericopes) of his narrative with the transition word
immediately. Jesus scarcely finishes conducting a
healing or exorcism in one Galilean village before he “immediately” rushes off to the next
town to perform another miracle. In Mark’s
breathless presentation, the world faces an
unprecedented crisis. Jesus’ activity proclaims
that history has reached its climactic moment.
Hence, Mark measures time in mere days (during
the Galilean ministry) and hours (during the
Jerusalem episodes). Reduced to tiny increments,
time is literally running out.
Mark represents Jesus as promising his
original hearers that they will experience the
eschaton—“the present generation will live to
see it all” (13:30). The kingdom, God’s active
rule, is so close that some of Jesus’ contemporaries “will not taste death before they have
seen the kingdom of God already come in
power” (9:1). The long-awaited figure of Elijah,
the ancient prophet whose reappearance is to
be an infallible sign of the last days (Mal. 4:5),
has already materialized in the person of John
the Baptist (9:12–13). Such passages indicate
that Mark’s community anticipated the imminent consummation of all things.
Mark as Apocalypse
So pervasive is Mark’s eschatology that some
scholars regard the entire Gospel as a modified
apocalypse (apokalypsis), a literary work that reveals unseen realities and discloses events destined soon to climax in God’s final intervention
in human affairs. Mark’s use of apocalyptic devices is particularly evident at the beginning and
ending of his Gospel. God speaks directly as
a disembodied voice (a phenomenon Hellenistic
Jews called the bath qol) at Jesus’ baptism
and again at the Transfiguration, an epiphany
(manifestation of divine presence) in which the
disciples see Jesus transformed into a luminous
being seated beside the ancient figures of Moses
and Elijah (1:11; 9:2–9). In this apocalyptic
scene, Jesus converses with Moses and Elijah
(who represent, respectively, the Torah and the
prophets) to demonstrate his continuity with
Israel’s biblical tradition. Jesus thus embodies
God’s ultimate revelation to humanity. Mark’s
declaration that at Jesus’ baptism the heavens
are “torn apart,” suddenly giving access to the
spirit realm, anticipates a later apocalyptic vision in the Book of Revelation. Revelation’s
author similarly describes “a door opened in
heaven” and hears a voice inviting him to “come
W
up here” and receive a preview of future history
I (Rev. 4:1–2).
L At the most important event in his Gospel,
LJesus’ crucifixion, Mark repeats his image of the
heavens being “torn” asunder. He states that at
I the instant of Jesus’ death “the curtain of the
Stemple was torn in two from top to bottom,” a
, phenomenon that inspires a Gentile soldier to
recognize Jesus’ divinity (15:37–39). In describing this incident, Mark apparently assumes that
Khis readers will understand the symbolism
Aof the Temple curtain. According to Josephus,
the outer room of the Temple was separated from
Sthe innermost sanctuary—the Holy of Holies
Swhere God’s “glory” was believed to dwell
Ainvisibly—by a huge curtain that was embroiwith astronomical designs, images of the
Ndered
visible heavens that hid God’s celestial throne
Dfrom mortal eyes. In Mark’s view, Jesus’ reRdemptive death “tore apart” the curtain, openAing the way to a heavenly reality that the earthly
Temple had symbolized. For Mark, this rending
of the sacred veil functions as an apocalypse or
2revelation of Jesus’ supreme significance.
1
Jesus as Son of Man The author presents virtu6ally all the events during Jesus’ final hours as
1revelatory of God’s unfolding purpose. At the
TLast Supper, Jesus emphasizes that the eschatological “Son of Man is going the way appointed
Sfor him” and that he will “never again” drink
wine with his disciples until he will “drink it
new in the kingdom of God” (14:21, 25). At his
trial before the Sanhedrin, the Jewish leaders’
highest judicial council, Jesus reveals his true
identity for the first time: He confesses that he
chapter 7 m ark’s po rtrait o f jes u s
147
b ox 7 .5 The Synoptic Gospels’ Use of the Term “Son of Man”
The authors of the Synoptic Gospels use
the expression “Son of Man” in three distinct ways,
all of which they place on the lips of Jesus to denote
three important aspects of his ministry. The three
categories identify Jesus as the Son of Man who
serves on earth, the Son of Man who must suffer and
die, and the Son of Man who will be revealed in eschatological judgment. Representative examples of
W
these three categories appear below.
the suffering son of man
Mark 8:31 (Luke 9:22): Must suffer.
Mark 9:12 (Matt. 17:12): Will suffer.
Mark 10:45 (Matt. 20:28): Came to serve and give
his life.
Matthew 12:40 (Luke 11:30): Will be three days
in the earth.
the eschatological son of man
I
L
L
I
S
,
Mark 8:38 (Matt. 16:27; Luke 9:26): Comes in
glory of the Father and holy angels.
Mark 14:26 (Matt. 24:30; Luke 21:27): Will be seen
coming with clouds and glory.
Mark 14:62 (Matt. 26:64; Luke 22:69): Will be seen
sitting at the right hand of power.
Luke 17:26 (Matt. 24:27): As it was in days of Noah,
so in days of Son of Man.
K
A
S
S
A
N
is the Messiah and that the officiating High
Priest “will see the Son of Man seated at the D
right hand of God and coming with the clouds R
of heaven” (14:62–63).
A
For a fuller discussion of the Son of Man concept and its
use by the Synoptic authors, see George Eldon Ladd, A
Theology of the New Testament (Grand Rapids, Mich.:
Eerdmans, 1974), pp. 145–158.
the earthly son of man
Mark 2:10 (Matt. 9:6; Luke 5:24): Has authority
to forgive sins.
Mark 2:27 (Matt. 12:8; Luke 6:5): Is Lord of the
Sabbath.
Matthew 11:19 (Luke 7:34): Comes eating and
drinking.
Matthew 8:20 (Luke 9:58): Has nowhere to lie his
head.
Luke 19:20: Came to seek and save the lost.
This disclosure—found only in Mark—
associates Jesus’ suffering and death with his ultimate revelation as the eschatological Son of 2
Man. A designation that appears almost exclu- 1
sively in the Gospels and then always on the lips
of Jesus, Son of Man is Mark’s favored expres- 6
sion to denote Jesus’ three essential roles: an 1
earthly figure who teaches with authority, a ser- T
vant who embraces suffering, and a future esS
chatological judge (see Box 7.5). Although
many scholars question whether the historical
Jesus ever used this title, many others regard it
as Jesus’ preferred means of self-identification.
Still other scholars postulate that Jesus may have
used the title Son of Man to designate another,
future-coming figure who would vindicate Jesus’
own ministry and that the later church, because
of its faith in Jesus’ resurrection, retrojected
that title back into the account of Jesus’ life at
points where it originally did not appear. In
Mark’s view, however, Jesus himself is clearly the
eschatological Son of Man.
Son of Man in Hellenistic-Jewish Literature The
Hebrew Bible offers few clues to what Jesus may
have meant if he employed this title. The
phrase appears frequently in the Book of
Ezekiel, where “son of man” is typically synonymous with “mortal” or “human being,” commonly the prophet himself. In the Book of
Daniel, however, “one like a [son of] man” appears as a celestial figure who receives divine
authority (Dan. 7:14). Most scholars think that
this human figure (contrasting with the mystic
148
p art t h r e e d i v e r s e p o r t r aits o f jes u s
“beasts” in Daniel’s vision) originally symbolized a collective entity, Israel’s faithful. By Jesus’
time, Daniel’s Son of Man apparently had assumed another identity, that of a supernatural
individual who will come to judge the world.
The composite Book of 1 Enoch, which belongs to noncanonical Hellenistic-Jewish writings known as the Pseudepigrapha, contains a
long section (called the Similitudes or Parables)
that prominently features the Son of Man as the
one who, at the consummation of history,
passes judgment on humanity (1 Enoch 37–71).
Although some scholars dispute this claim,
many believe that this section of 1 Enoch was
written by the first century ce. Fragments of
Enoch (but not yet the Similitudes) have been
found among the Dead Sea Scrolls, and the canonical Epistle of Jude cites Enoch as if it were
Scripture (Jude 14–15). It seems likely that ideas
about Enoch’s Son of Man were current in Jesus’
day and that he—or his immediate followers—
applied them to his role in history.
The major element that Mark’s Jesus adds
to the Son of Man concept is that he is a servant
who must suffer and die before attaining the
kind of heavenly glory that Daniel 7 and 1
Enoch ascribe to him (cf. Mark 8:30–31; 10:45;
13:26–27; 14:62).
“The Son of Man Has the Right on Earth . . .” It is
as the earthly Son of Man that Mark’s Jesus
claims the right to wield immense religious
power (see Box 7.5). As Son of Man, the Markan
Jesus assumes the authority to prescribe revolutionary changes in Jewish Law and custom
(2:10). Behaving as if he already reigns as
cosmic judge, Jesus forgives a paralytic’s sins
(2:1–12) and permits certain kinds of work on
the Sabbath (3:1–5). In both instances, Jesus’
pronouncements outrage Jewish leaders. Who
but God can forgive sins? And who has the audacity to change Moses’ inspired command to
forbid all labor on God’s day of rest (cf. Exod.
20:8–10; Deut. 5:12–15)?
In the eyes of Jews scrupulously observing
Torah regulations, Jesus dishonors the Sabbath
by healing a man’s withered arm on that holy
day. The Pharisees interpreted the Torah to
permit saving a life or dealing with other comparable emergencies on the Sabbath, but in
this case (2:23–28), Jesus seems to have violated
the Torah for no compelling reason.
As Mark describes the situation, it is Jesus’
flexible attitude toward Sabbath keeping that
incites some Pharisees and supporters of Herod
Antipas to hatch a murder plot against him
(3:5–6). To most readers, Jesus’ opponents overreact inexplicably. To many law-abiding Jews,
W
however, Jesus’ Sabbath-breaking miracles and
I declaration that the Sabbath was created for
Lhumanity’s benefit (2:27–28) seem to strike at
Lthe heart of Jewish faith. Many devout Jews
believed that the Torah was infallible and eterI nal. According to the Book of Jubilees, the
STorah existed before God created the universe,
, and people were made to keep the Sabbath.
Jesus’ assertion that the Sabbath law is not absolute but relative to human needs appears to
Kdeny the Torah’s unchanging validity and to
Aquestion its status as God’s final and complete
revelation.
S
S
Teaching the Mysteries of the Kingdom
A
Jesus’ Parables Many of Israel’s prophets, and
Nvirtually all its apocalyptic writers, use highly
Dsymbolic language to convey their visions of
Rthe divine will. In depicting Jesus as the eschaAtological Son of Man, it is not surprising that
Mark states categorically that Jesus never taught
publicly without using parables (or other fig2ures of speech) (4:34). The root meaning of
1the word parable is “a comparison,” the discernment of similarities between one thing
6and another. Jesus’ simplest parables are typi1cally similes, comparisons using as or like to
Texpress unexpected resemblances between
ostensibly unrelated objects, actions, or ideas.
SThus, Jesus compares God’s kingdom—which
he never explicitly defines—to a number of
items, including a mustard seed. Like the tiny
seed, God’s rule begins in an extremely small
way, but eventually, like the mustard plant, it
grows to an unexpectedly large size (4:30–32).
chapter 7 m ark’s po rtrait o f jes u s
(Jesus’ intent in this parable may have been
ironic, for farmers do not want wild mustard
plants taking over their fields any more than
most people wanted the kind of divine rule that
Jesus promoted.) Like the parable of the growing seed (4:26–29), which appears in Mark
alone, the mustard plant analogy stresses the unnoticed evolution of divine sovereignty rather
than explaining its nature or form. Most parables
are open-ended: They do not provide a fixed
conclusion but invite the hearer to speculate
W
about many possibilities inherent in the comparison. According to Mark, understanding parables I
involving germination and growth suggests the L
“secret” of God’s kingdom, a glimpse into the
L
mysterious principles by which God rules.
Other parables take the form of brief sto- I
ries that exploit familiar situations or customs S
to illustrate a previously unrecognized truth. In ,
the parable of the sower, a farmer plants seeds
on different kinds of ground with distinctly different results (4:2–9). The lengthy interpreta- K
tion that Mark attaches to the image of sowing A
seeds (4:13–20) transforms what was originally
a simple parable into an allegory. An allegory is S
a complex literary form in which each element S
of the narrative—persons, places, actions, even A
objects—has a symbolic value. Because every
N
item in the allegory functions as a symbol of
something else, the allegory’s meaning can be D
puzzled out only by identifying what each indi- R
vidual component in the story represents.
A
Almost all scholars believe that Mark’s elaborate allegorical interpretations, equating different kinds of soil with the different responses 2
people make when they receive the “seed” (gos- 1
pel message), do not represent Jesus’ original
meaning. By the time Mark incorporated the 6
sower pericope into his Gospel, the Christian 1
community had already used it to explain peo- T
ple’s contrasting reactions to their preaching.
Jesus’ pithy tale based on everyday agricultural S
practices was reinterpreted to fit the later experience of Christian missionaries. The reference
to “persecution” (4:17) places the allegorical
factor in Mark’s time rather than in the context
of Jesus’ personal experience in Galilee.
149
In one of his most controversial passages,
Mark states that Jesus uses parables to prevent
the public from understanding his message
(4:11–12). To many readers, it seems incredible that Jesus deliberately teaches in a way intended to confuse or alienate his audience.
Mark justifies his hero’s alleged practice by
quoting from Isaiah (6:9–10), which pictures
Yahweh telling the prophet that his preaching
will be useless because Yahweh has already
made it impossible for the Israelites to comprehend Isaiah’s meaning. Mark’s attempt to explain why most people did not follow Jesus
seems contrary to the gracious goodwill that
the Gospel writers normally associate with him
and probably does not express the policy of the
historical Jesus. In the historical experience of
Mark’s community, however, it appears that the
kingdom’s secrets were reserved for a few chosen disciples, such as those whom Mark says
privately received Jesus’ esoteric teaching (4:11).
(In Luke’s edition of Mark, he removes Isaiah’s
pessimistic declaration from Jesus’ lips and transfers the saying to his sequel, the Book of Acts,
where he places it in Paul’s mouth to explain
why the apostle gave up trying to convert fellow
Jews and concentrated instead on the more receptive Gentiles; cf. Mark 4:11–12; Luke 8:10;
Acts 28:25–28.)
Jesus and the Demons Eschatological beliefs
are concerned not only with the end of the world
but also with visions of invisible spirit beings,
both good and evil (see Chapter 19). Apocalyptic
literature, such as Daniel and 1 Enoch, typically
presents God’s defeat of spiritual evil as the ultimate victory that completes God’s sovereignty
over the entire universe. Given Mark’s strongly
eschatological point of view, it is not surprising
that he makes a battle between supernatural
forces—God’s Son versus Satan’s demons—an
integral part of his apocalyptic Gospel. After
noting Jesus’ resistance to Satan (1:12–13),
Mark reinforces the theme of cosmic struggle
by making Jesus’ first miracle an exorcism.
Remarkably, the demon that Jesus expels from
a human victim is the first character in the
150
p art t h r e e d i v e r s e p o r t r aits o f jes u s
Markan narrative to recognize Jesus as “the
Holy One of God”—who has come “to destroy”
the agents of evil (1:23–26).
Following his exorcisms at Capernaum,
Jesus performs similar feats in Gentile territory,
“the country of the Gerasenes.” Driving a whole
army of devils from a Gerasene madman, Jesus
casts them into a herd of pigs. The religiously
unclean animals become a fit home for spirits
who drive people to commit unclean acts (5:1–
20). The demons’ name—“legion”—is an unflattering reference to the Roman legions (large
military units) then occupying Palestine (and
in Mark’s day assaulting Jerusalem). When in
Capernaum, a Galilean Jewish city, Jesus commands the demons to remain silent, whereas in
the Gerasene region, he orders the dispossessed
Gentile to tell others about his cure.
Mark arranges his material to show that
Jesus does not choose to battle evil in isolation. At the outset of his campaign through
Galilee, Jesus gathers followers who will form
the nucleus of a new society, one presumably
free from demonic influence. Recruiting a
band of Galilean fishermen and peasants,
Jesus selects two sets of brothers, Simon Peter
(also called Cephas) and Andrew, and James
and John—sons of Zebedee also known as
“sons of thunder (Boanerges)”—to form his
inner circle (1:16–20). Later, he adds another
eight disciples to complete the Twelve, a number probably representing the twelve tribes of
Israel: Philip; Bartholomew; Matthew; Thomas;
James, son of Alphaeus; Thaddeus; Simon the
Canaanite; and Judas Iscariot (3:16–19; cf. the
different list in Acts 1). Mark states that, when
Jesus commissions the Twelve to perform exorcisms (6:7–13), they fail miserably (9:14–18,
28–29), a sad contrast to the success enjoyed by
some exorcists who are not Jesus’ followers
(9:38–41).
occurs when “doctors of the law” (teachers and
interpreters of the Torah) from Jerusalem accuse Jesus of using black magic to perform exorcisms. Denying that evil can produce good,
Jesus countercharges that persons who attribute good works to Satan “slander the Holy
Spirit,” the divine force manifested in Jesus’
actions.
Matthew’s version of the incident explicitly
links Jesus’ defeat of evil spirits with the arrival
of the kingdom of God. The Matthean Jesus
W
declares, “If it is by the Spirit of God that I drive
I out the devils, then be sure the kingdom of
LGod has already come upon you” (Matt. 12:28).
LTo both Evangelists, Jesus’ successful attack on
demonic control is a revelation that through
I his presence God now rules. Willful refusal to
Saccept Jesus’ healings as evidence of divine power
, is to resist the Spirit, an obstinacy that prevents
spiritual insight.
Jesus Accused of Sorcery In another incident
involving demonic possession (3:22–30), Mark
dramatizes a head-on collision between Jesus as
God’s agent for overthrowing evil and persons
who see Jesus as a tool of the devil. The clash
the Persian religion Zoroastrianism, the whole
universe, visible and invisible, is divided into
two contending powers of light and darkness,
good and evil. Only after historical contact with
Zoroastrian dualism does the figure of Satan
KThe Existence of Demons Mark, like other New
ATestament authors, reflects a common Hellenistic
belief in the existence of unseen entities that
Sinfluence human lives. Numerous Hellenistic
Sdocuments record charms to ward off demons
Aor free one from their control. In Judaism,
works like the deuterocanonical Book of Tobit
Nreveal a belief that demons could be driven out
Dby the correct use of magical formulas (Tob.
R6:1–8; 8:1–3). Josephus, who was Mark’s conAtemporary, relates a story about Eleazar, who allegedly exorcised a demon in the presence of
the emperor Vespasian (69–79 ce), drawing the
2malign spirit out through its victim’s nose
1(Antiquities 8.46–49).
6Zoroastrianism A belief in devils and demonic
1possession appears in Jewish literature primarTily after the period of Persian domination (539–
330 bce), when Persian religious ideas seem to
Shave influenced Jewish thought. According to
chapter 7 m ark’s po rtrait o f jes u s
emerge as humanity’s adversary in biblical literature (Job 1–2; Zech. 3). Angels and demons
thereafter populate Hellenistic-Jewish writings,
such as the books of Daniel and 1 Enoch.
Belief in Supernatural Evil Although Hellenistic
Greek and Judeo-Christian writers may express their beliefs about supernatural evil in
terms considered naive or irrational to today’s
scientifically disciplined mind, they reflect a
viewpoint with important implications for conW
temporary society. Surrounded by threats of
terrorism, lethal diseases such as cancer and I
AIDS, and frightening disregard for human life, L
people may wonder if the forces of cruelty and
L
violence are not greater than the sum of their
human agents. Does evil exist as a power inde- I
pendent of human volition? Such diverse works S
as the Synoptic Gospels, Ephesians (6:10–17), ,
151
and Revelation show a keen awareness of evil so
pervasive and so profound that it cannot be explained solely in terms of human acts, individual or collective. Whatever philosophical view
we choose to interpret the human predicament, the Gospel portrayal of Jesus’ struggle to
impart wholeness and health to others expresses the Evangelists’ conviction that humanity cannot save itself without divine aid.
Jesus the Healer Physical cures, as well as exorcisms, characterize Jesus’ assault on evil. In
Mark’s portrayal, one of Jesus’ most important
functions is to bring relief to the afflicted (see
Figure 7.3). He drives a fever from Simon Peter’s
mother-in-law (1:29–31), cleanses a leper (1:40–
42), enables a paralyzed man to walk (2:1–12),
restores a man’s withered hand (3:1–6), stops a
woman’s chronic hemorrhaging (5:25–34), and
K
A
S
S
A
N
D
R
A
2
1
6
1
T
S
figure 7.3 Christ with the Sick Around Him, Receiving Little Children. In this etching by Rembrandt
(1606–1669), healing light radiates from the central figure of Jesus and creates a protective circle of illumination
around those whom he cures.
152
p art t h r e e d i v e r s e p o r t r aits o f jes u s
resuscitates the comatose daughter of Jairus, a
synagogue official (5:21–24, 35–43). To Mark,
Jesus’ restoration of physical health to suffering
humanity is an indispensable component of divine rule, tangible confirmation that God’s kingdom is about to dawn.
Mark’s Narrative Techniques
In assembling from various oral sources a series
of brief anecdotes about Jesus’ ability to cure
the sick, Mark stitches the miracle stories together like pearls on a string. Weaving these
originally independent pericopes into the fabric of his narrative, Mark re-creates them with
vividness and immediacy. Besides using a wealth
of concrete detail to help readers visualize the
scene or feel its emotional impact, Mark commonly employs the technique of intercalation,
inserting one story inside another. This sandwiching device typically serves to make the story
placed inside another narrative function as interpretative commentary on the framing story.
In telling of Jesus’ family’s attempt to impede
his ministry (3:21, 31–35), for example, Mark
inserts a seemingly unrelated anecdote about
Jesus’ opponents accusing him of sorcery
(3:22–30), implicitly associating his “mother
and brothers” with his adversaries.
Mark uses the same device of wrapping
one story around another when describing the
resuscitation of Jairus’s daughter, interrupting
the Jairus episode to incorporate the anecdote
about a hemorrhaging woman into the middle
of the narrative. Pushing through the crowds
surrounding him, Jesus is on his way to help
Jairus’s seriously ill daughter (5:22–24) when
a woman—who Mark says had suffered for
twelve years from unstoppable bleeding (and
was therefore ritually unclean)—suddenly
grabs his cloak and, as if by force of desperate
need, draws into her ailing body Jesus’ curative energy. This incident is doubly unique:
It is the only Gospel healing to occur without
Jesus’ conscious will and the Evangelists’ only
hint about the physical nature of Jesus’ ability
to heal. Mark states that Jesus can feel his power
flow out when the woman touches him, as if
he were a dynamo being drained of electrical
energy (5:25–34). The Markan Jesus, moreover, does not know at first who is tapping
his power.
Mark then resumes the Jairus narrative: Although a messenger reports that the girl has
already died, Jesus insists that she is only
“asleep.” Taking his three closest disciples into
the girl’s room, he commands her to “get up”—
“Talitha cum,” an Aramaic phrase that Mark’s
W
community probably revered for its association
I with Jesus’ power over death (5:35–43). The auLthor links the two stories by a simple numerical
Ldevice—the mature woman had been afflicted
for a dozen years and the young girl is twelve
I years old—and by the assertion that it
Sis the participants’ faith that cures them. The
, woman demonstrates unconditional trust in
Jesus’ power, and Jairus presumably accepts
Jesus’ advice to replace fear for his daughter’s
Ksafety with “faith.”
A
Mark’s Ironic Vision In the Nazareth episode,
Swhere Jesus appears as a prophet without honor
S(6:4–6), Mark invites his readers to share Jesus’
Aastonishment that people who should have
better reject a golden opportunity to
Nknown
benefit from Jesus’ help. As Mark presents
DJesus’ story—which is largely a tale of humanity’s
Rself-defeating rejection of God’s attempt to reAdeem it—such disparities abound. Demons
steeped in evil instantly recognize who Jesus is,
but most people—including his peasant neigh2bors and the educated religious elite—do not.
1The wind and waves obey him during a storm
on the Sea of Galilee (4:35–41) (see Figures 7.4
6and 7.5), but his disciples ultimately prove dis1loyal. He miraculously feeds hungry multitudes
T(an incident Mark records in two different versions [6:30–44; 8:1–10]) and can suspend the
Slaws of physics by striding across Galilee’s waters (6:30–52; 8:1–10), but Jesus’ closest followers are unable to grasp the meaning of his
control over nature. Among the very few who
respond positively to him, the majority are social outcasts or nobodies such as lepers, blind
chapter 7 m ark’s po rtrait o f jes u s
153
W
I
L
L
I
f i gure 7.4 Fishing boat returning to Capernaum on the
S Sea of Galilee. The village of Capernaum,
home to Peter and his brother Andrew, served as a center for Jesus’ early Galilean ministry.
,
f i gure 7.5 Excavations at Capernaum. Dated to the
first century ce, the ruins of these small private houses are
located near the shore of the Sea of Galilee, an appropriate location for the dwellings of fishermen. Archaeologists
have found considerable evidence indicating that one of
these humble structures belonged to Peter. According to
Mark, Jesus cured Peter’s mother-in-law of a fever there
(Mark 1:29–31; cf. 2:1–12).
K
The Journey to Jerusalem:
A
Jesus’ Predestined Suffering
S
Mark’s Central Irony: Jesus’
S
Hidden Messiahship
A
In chapter 8, which forms the central pivot on
N which the entire Gospel turns, Mark ties together
D several motifs that convey his essential vision
R of Jesus’ ministry. Besides repeating the theme
the disciples’ obtuseness, chapter 8 also
A of
sounds Mark’s concurrent themes of the hidden
2
1
6
1
T
the S
mendicants, ritually unclean women, and
diseased. This irony, or logical incongruity between normal expectation and what actually
happens in the narrative, determines both
Mark’s structuring of his Gospel and his characterization of Jesus’ messiahship.
or unexpected quality of Jesus’ messiahship—
especially the necessity of his suffering—and the
requirement that all believers be prepared to
embrace a comparably painful fate. In contrast
to John’s Gospel, in which Jesus’ identity is publicly affirmed at the outset of his career, Mark has
no one even hint that Jesus is Israel’s Messiah
until almost the close of the Galilean campaign,
when Peter—in a flash of insight—recognizes
him as such (8:29). The Markan Jesus then
swears the disciples to secrecy, as he had earlier
ordered other witnesses of his deeds to keep silent (1:23–24, 34; 3:11–12; 5:7; 7:36; 8:30; see
also 9:9). Jesus’ reluctance to have news of his
154
p art t h r e e d i v e r s e p o r t r aits o f jes u s
miracles spread abroad is known as the messianic secret, a term coined by the German scholar
William Wrede (1901).
Some commentators have suggested that
Mark’s picture of Jesus’ forbidding others to
discuss him merely reflects historical fact: that
during Jesus’ lifetime most of his contemporaries did not regard him as God’s special agent
and that he himself made no public claims to
be Israel’s Messiah. Most scholars, however, believe that Mark’s theme of the messianic secret
represents the author’s theological purpose.
For Mark, people could not know Jesus’ identity until after he had completed his mission.
Jesus had to be unappreciated in order to be
rejected and killed—to fulfill God’s will that he
“give up his life as a ransom for many” (10:45).
A conviction that Jesus must suffer an unjust death—an atonement offering for others—
to confirm and complete his messiahship is the
heart of Mark’s Christology (concepts about the
nature and function of Christ). Hence, Peter’s
confession at Caesarea Philippi that Jesus is the
Christ (Messiah) is immediately followed by
Jesus’ first prediction that he will go to Jerusalem
only to die (8:29–32). When Peter objects to
this notion of a rejected and defeated Messiah,
Jesus calls his chief disciple a “Satan.” Derived
from a Hebrew term meaning “obstacle,” the
epithet Satan labels Peter’s attitude an obstacle
or roadblock on Jesus’ predestined path to the
cross. Peter understands Jesus no better than
outsiders, regarding the Messiah as a Godempowered hero who conquers his enemies,
not as a submissive victim of their brutality. For
Mark, however, Jesus’ true identity must remain
shrouded in darkness until it is revealed in the
painful glare of the cross (see Figure 7.6).
At the end of chapter 8, Mark introduces a
third idea: True disciples must expect to suffer
as Jesus does. In two of the three Passion predictions, Jesus emphasizes that “anyone who
wishes to be a follower of mine must leave self
behind; he must take up his cross, and come
with me” (8:27–34; 10:32–45). Irony permeates
the third instance when James and John, sons
of Zebedee, presumptuously ask to rule with
W
I
L
L
I
S
,
K
A
S
Sfigure 7.6 Christ with the Crown of Thorns. In this
carving of Jesus crowned with thorns, an anonymous
Awooden
twentieth-century African sculptor beautifully captures both
Nthe sorrow and the mystery of Mark’s suffering Son of Man.
D
R
AJesus, occupying places of honor on his right
and left. As Jesus explains that reigning with
him means imitating his sacrifice, Mark’s read2ers are intended to remember that when Jesus
1reaches Jerusalem the positions on his right
and left will be taken by the two brigands cruci6fied next to him (15:27).
1 In reiterating the necessity of suffering,
TMark addresses a problem that undoubtedly
troubled members of his own community: how
Sto explain the contrast between the high expectations of reigning with Christ in glory (10:35–37)
and the believers’ actual circumstances. Instead
of being vindicated publicly as God’s chosen
faithful, Christians of the late 60s ce were being
treated like outcasts or traitors by Jewish Zealots
chapter 7 m ark’s po rtrait o f jes u s
and like criminals by the Roman emperor.
Mark offers fellow believers the consolation
that their hardships are foreshadowed by Jesus’
experience; Christians must expect to be
treated no more justly than their Master.
Mark’s device of having a delegation of
Jewish leaders conspire against Jesus in Galilee
(3:6) and having Jesus repeatedly prophesy his
death serves to cast the shadow of the cross
backward in time over the Galilean ministry.
These foreshadowing techniques help unify the
W
polar opposites of Mark’s narrative: They not
only connect the powerful healer of Galilee I
with the sacrificial victim in Jerusalem but also L
link Jesus’ experience with that of Mark’s
L
implied readers.
The Jerusalem Ministry:
A Week of Sacred Time
I
S
,
155
joyous reception in the holy city with the tragedy
of his crucifixion five days later. A crowd, probably of Galilean supporters, enthusiastically welcomes Jesus to Jerusalem, hailing him as restorer
of “the coming kingdom of our father David”
(11:9–10). As Mark reports it, Jesus had carefully
arranged his entry to fulfill Zechariah’s prophecy that the Messiah would appear in humble
guise, riding on a beast of burden (Zech. 9:9).
Mark thus portrays Jesus suddenly making a
radical change in policy: Instead of hiding his
messianic identity, Jesus now seems to “go
public”—challenging Jerusalem to accept him
as God’s Anointed. Jesus’ appearance as a messianic claimant also challenges Roman authority.
Because the Messiah was commonly expected to
reestablish David’s monarchy, the Roman prefect Pontius Pilate was likely to interpret Jesus’
actions as a political claim to Judean kingship
and, hence, to Rome, an act of treason (15:2–3).
K Focus on the Temple
In the third section of his Gospel, Mark focuses A
exclusively on the last week of Jesus’ life, from
S
the Sunday on which Jesus enters Jerusalem to
the following Sunday’s dawn, when some S
Galilean women find his tomb empty (11:1– A
16:8). To Mark, this is a sacred period during N
which Jesus accomplishes his life’s purpose, sacrificing himself for humanity’s redemption. D
Mark’s Christian Holy Week also corresponds R
to Passover week, when thousands of Jews from A
throughout the Greco-Roman world gather in
Jerusalem to celebrate Israel’s deliverance from
slavery in Egypt. As he narrates Jesus’ rejection 2
by Jewish leaders and execution by Roman offi- 1
cials, Mark celebrates the irony of events: Blind
6
to Jesus’ value, no one recognizes Jesus as a deliverer greater than Moses and a sacrifice that 1
epitomizes the essential meaning of Passover. T
The Triumphal Entry
If Mark was aware of Jesus’ other visits to
Jerusalem (narrated in John’s Gospel), he dismisses them as unimportant compared with his
last. In bold strokes, the author contrasts Jesus’
S
Once Jesus is in Jerusalem, his activities center
around the Temple: His entrance into the city
is not complete until he enters the Temple
courts (11:1–10). On the Monday following
his arrival, he creates a riot in the sanctuary,
overturning moneychangers’ tables and disrupting the sale of sacrificial animals (11:15–19).
This assault on the Sadducean administration
brands him as a threat to public order and
probably seals his fate with the chief priests and
Temple police.
As Mark describes his actions, Jesus visits
the Temple, not to worship, but to pronounce
eschatological judgment: Jesus’ last teaching is
a prophecy of the sanctuary’s imminent destruction (ch. 13)—a prediction that may lie
behind later charges that Jesus conspired to destroy the center of Jewish religion (14:56).
Jesus’ negative verdict on the Temple begins to
take effect at his death, when the jeweled curtain veiling its inner sanctum is split apart
(15:38), exposing its interior to public gaze and
foreshadowing its imminent desecration by
Gentiles (see Figure 7.7).
156
p art t h r e e d i v e r s e p o r t r aits o f jes u s
figure 7.7 Warning inscription from Herod’s Temple.
Illustrating the barrier erected between Jews and Gentiles,
this inscription warned Temple visitors that no Gentile could
enter the inner courtyards except on pain of death.
Besides condemning the Temple’s sacrificial system and the Sadducean priests who control it, Mark uses other devices to indicate that
Jesus’ Jerusalem ministry is fundamentally an
adverse judgment on the city. Jesus’ cursing an
unproductive fig tree—the curse (11:12–14) and
its fulfillment (11:20–24) bracketing the story
of his attack on Temple practices—represents
Mark’s intent to condemn the Jerusalem leaders
who, in his opinion, do not bear “good fruit” and
are destined to wither and die.
The parable of the wicked tenants who kill
their landlord’s son (12:1–11) has the same
function: to discredit Jesus’ enemies. In Mark’s
view, the landlord (God) has now given his
vineyard, traditionally a symbol for Israel, to
“others”—the author’s Christian community.
Confrontations at the Temple
In Jerusalem, clashes between Jesus and Jewish
leaders intensify, becoming a matter of life or
death. Mark pictures Jesus scoring success after
success in a series of hostile encounters with
representatives of leading religious parties
as he moves through the Temple precincts,
thronged with Passover pilgrims. The Pharisees
and Herod Antipas’s supporters attempt to trap
Jesus on the controversial issue of paying taxes
to Rome, a snare he eludes by suggesting that
people return government coins to their source
while reserving for God the rest of one’s life.
The Sadducees also suffer defeat when
they try to force Jesus into an untenable position they hope will illustrate the illogic of a belief in resurrection to future life. When asked
to which husband a woman who has been widowed six times will be married when all the former spouses are raised, Jesus states that there
will be no ethical problem because resurrected
W
persons escape the limits of human sexuality and
I become “like the angels in heaven” (12:18–25).
LCiting the Torah, apparently the only part of
Lthe Hebrew Bible that the Sadducees accept,
he quotes Yahweh’s words to Moses at the burnI ing bush—that Yahweh is the God of Abraham,
SIsaac, and Jacob (Exod. 3:6)—arguing that, be, cause Yahweh is “not God of the dead but of the
living,” the ancient patriarchs must still be alive
from the Deity’s perspective (12:26–27).
K Interestingly, Mark closes Jesus’ Temple
Adebates with a friendly encounter in which the
Galilean and a Torah expert agree on the esSsence of true religion. Answering a “lawyer’s”
Squestion about the Bible’s most important reAquirement, Jesus cites the Shema, or Jewish
of monotheism: There is only one
Ndeclaration
God, and Israel must love him with all its force
Dand being (Deut. 6:4–5). To this he adds a
Rsecond Torah command: to love one’s neighAbor as oneself (Lev. 19:18). In agreement, the
“lawyer” and Jesus exchange compliments.
Although not a follower, the Jerusalem leader
2sees that active love is the essence of divine
1rule, a perception that Jesus says makes him
“not far from the kingdom of God”—a more
6favorable verdict than Jesus ever passes on the
1Twelve (12:28–34).
T
SJesus’ Prophecy of the Temple’s Fall
In chapter 13, Mark underscores his eschatological concerns. In response to the disciples’
question about when his prediction of Jerusalem’s destruction will take place, Jesus delivers
his longest speech, associating the Temple’s fall
chapter 7 m ark’s po rtrait o f jes u s
with an era of catastrophes that culminate in
the Son of Man appearing as eschatological
judge. The author seems to have composed
this discourse from a variety of sources, combining Jesus’ words with older Jewish apocalyptic literature and perhaps with prophetic
oracles from his own community as well. A considerably expanded version of the speech is
preserved in Matthew 24, and a significantly
modified version of Mark’s eschatological expectations appears in Luke 21. John’s Gospel
W
contains no parallel to the Synoptic prophecies
I
about the eschaton.
Readers will notice that Mark incorporates L
two somewhat contradictory views of the End.
L
He states that a swarm of disasters and frightening astronomical phenomena will provide un- I
mistakable “signs” that the Parousia is near, just S
as the budding fig tree heralds the arrival of ,
spring (13:8, 14–20, 24–31). Conversely, neither the Son nor his followers can surmise the
time of Final Judgment, so one must keep con- K
stant watch, because the End will occur without A
previous warning (13:32–37).
S
Oracles of Disaster Mark’s strong emphasis on S
political and social upheavals as portents of the A
End reflects the turbulent era in which he comN
posed his “wartime” Gospel. If, as historians believe, Mark wrote during the Jewish Revolt, D
when battles and insurrections were daily oc- R
currences, he seems to have viewed these
A
events as a turning point in history, an unprecedented crisis leading to the final apocalypse.
In addition to witnessing the intense suffering 2
of Palestinian Jews, the Markan community was 1
undoubtedly aware of recent persecutions in
Rome that resulted in numerous deaths, in- 6
cluding the executions of Christianity’s two 1
chief apostles, Peter and Paul (mid-60s ce). T
Between about 67 and 70 ce, Zealots may also
have attacked Palestinian Christians who ac- S
cepted Gentiles into their communities, for
those extreme revolutionaries regarded virtually all Gentiles as enemies of the Jewish nation.
These ordeals may well account for Mark’s references to “persecutions” and assertions that
157
unless this period of testing was “cut short,” no
believers could survive (13:9–13).
The “Abomination” Mark incorporates a cryptic
passage from the Book of Daniel into his eschatological discourse. When believers see “‘the abomination of desolation’ usurping a place which is
not his,” they are to abandon their homes in
Judea and take refuge in nearby hills (13:14–20;
cf. Daniel 9:27; 11:31; 12:11). Directly addressing
his readers, the author alerts them to the importance of understanding this reference (13:14).
Some scholars believe that Mark here refers to
the Zealots’ violent occupation of the Temple in
67–68 ce and their pollution of its sacred precincts with the blood of their victims, which may
have included some Christians (see Box 7.6).
This tribulation, which threatens the people of God, will be concluded by the Son of
Man’s appearing with his angels to gather the
faithful. Mark shows Jesus warning disciples that
all these horrors and wonders will occur in the
lifetime of his hearers, although no one knows
the precise day or hour (13:24–32). Mark’s eschatological fervor, which Matthew and Luke
subsequently mute in their respective versions
of the Markan apocalypse (cf. Matt. 24–25 and
Luke 21), vividly conveys both the fears and
hopes of the author’s Christian generation.
Mark’s eschatology, in fact, closely resembles
that of Paul, who—a few years earlier—wrote
the church in Corinth that “the time we live in
will not last long” (1 Cor. 7:29). As his first letter
to the Thessalonians makes clear, Paul fully expected to be alive at the Parousia (1 Thess. 4:13–
18; see Chapters 14 and 15).
The Last Supper and Jesus’ Betrayal
Following the eschatological discourse, Jesus
withdraws with his disciples to a private “upper
room” in Jerusalem. On Thursday evening, he
presides over a Passover feast of unleavened
bread, an observance that solemnly recalls
Israel’s last night in Egypt, when the Angel of
Death “passed over” Israelites’ houses to slay
the Egyptian firstborn (Exod. 11:1–13:16). In a
158
p art t h r e e d i v e r s e p o r t r aits o f jes u s
box 7 .6 The Desecrating “Abomination”
and Mark’s Eschatological Community
The longest speech that Mark assigns to Jesus is his
prediction of Jerusalem’s imminent destruction
(Mark 13), suggesting that for Mark’s intended audience this event was of great importance, a warning that the Parousia (Jesus’ return in glory) was
near. Mark’s cryptic reference to the “abomination
of desolation,” an apocalyptic image borrowed
from Daniel (Dan. 9:27; 11:31; 12:11), signifies a
Gentile pollution of the Jerusalem Temple. Mark
pointedly advises his readers to take careful note of
this profanation of the sanctuary and, when they
see it occurring, abandon their homes in Judea
and take refuge in the surrounding hills.
In Daniel, the “abomination” was Antiochus
IV’s defilement of the Temple by sacrificing swine
on its altar and erecting an altar to Zeus, king of the
Hellenic gods, in its courtyard. Some scholars suggest that the “abomination” to which Mark refers
was the occupation of the Temple area by brigands
shortly before the Roman siege began.
According to Josephus, in the winter of 67–68 ce,
a mixed band of Jewish guerrilla fighters moved
into Jerusalem from the countryside and seized control of the Temple. Led by Eleazar, son of Simon
(see Chapter 3), this revolutionary group formed
the Zealot party, which resolved not only to expel
the Romans but also to purge the city of any Jewish
leaders who cooperated with them. Adopting a policy of radical egalitarianism, the Zealots fiercely attacked Jerusalem’s wealthy aristocracy and the
Temple’s priestly administration, which they condemned as traitors to the Jewish nation for having
collaborated with the Romans. The Zealots assassinated many of the Jewish landowners and priests,
staining the Temple pavements with the blood of
ritual at the close of their meal, Jesus gives the
Passover a new significance, stating that the
bread he distributes is his “body” and the wine
his “blood of the [New] Covenant, shed for
many” (14:22–25)—liturgical symbols of his
Jerusalem’s leadership, acts that outraged Josephus
and may have been regarded as a polluting “abomination” by other Jews.
The Zealots also held illegal trials for and executions of those they suspected of not sharing their
total commitment to the war against Rome. It is possible that Jerusalem’s Christian community, which
W
by then included Gentiles (an anathema to the
I Zealots), suffered Zealot persecution and that the
Lshedding of Christian blood, both Jewish and
Gentile, also contaminated the holy place, an
L“abominable” guarantee of its impending fall.
I The church historian Eusebius records that
Sshortly before Jerusalem was obliterated Christians
there received an “oracle” inciting them to escape
, from the city and settle in Pella, a mostly Gentile
town in the Decapolis, a territory east of the Jordan
Kdominated by a league of ten Hellenistic cities (Eccl.
3.5.3). Scholars still debate the historicity of
AHist.
this episode, but Josephus reveals that such “inSspired” predictions about Jerusalem’s dire fate were
Scirculating among Jews during the war with Rome.
AHe states that some Jews prophesied that the
Temple would be destroyed “when sedition and naNtive hands [the Zealots] should be the first to defile
DGod’s sacred precincts” (The Jewish War 4.6.3; see
Ralso 4.3.10 and 4.3.12). In Christian circles, oral traditions about Jesus’ pronouncement on Jerusalem
Amay have been the source of Mark’s declaration to
flee the city when the “abomination” (Zealot defile2ment of the sanctuary?) occurred.
1For a detailed analysis of the Jewish Revolt’s influence on
13, see Joel Marcus, “The Jewish War and the Sitz
6Mark
im Leben of Mark,” Journal of Biblical Literature 3(3)
1(1992): 441–462.
T
S
crucifixion. Mark’s account of this Last Supper,
the origin of the Christian celebration of the
Eucharist, or Holy Communion, closely resembles Paul’s earlier description of the ceremony
(1 Cor. 11:23–26).
chapter 7 m ark’s po rtrait o f jes u s
Mark’s Passion Narrative:
Jesus’ Trial and Crucifixion
Mark’s Suffering Messiah
In describing Jesus’ Passion—his final suffering
and death—Mark’s narrative irony reaches its
height. Although the author emphasizes many
grim details of Jesus’ excruciatingly painful execution, he means his readers to see the enormous disparity between the appearance of Jesus’
W
vulnerability to the world’s evil and the actual
reality of his spiritual triumph. Jesus’ enemies, I
who believe they are ridding Judea of a danger- L
ous radical, are in fact making possible his
L
saving death—all according to God’s design.
I
Jesus’ Arrest in Gethsemane Even so, Mark’s S
hero is tested fully—treated with vicious cruelty ,
(14:65; 15:15–20), deserted by all his friends
(14:50), and even (in human eyes) abandoned
by God (15:34). The agony begins in Gethsemane, K
a grove or vineyard on the Mount of Olives op- A
posite Jerusalem, to which Jesus and the disciples
S
retreat after the Last Supper. In the Gethsemane
episode (14:28–52), Mark places a dual empha- S
sis on Jesus’ fulfilling predictions in the Hebrew A
Bible (14:26–31, 39) and on his personal anN
guish. By juxtaposing these two elements, Mark
demonstrates that, while the Crucifixion will D
take place as God long ago planned (and re- R
vealed in Scripture), Jesus’ part in the drama of
A
salvation demands heroic effort. While the disciples sleep, Jesus faces the hard reality of his
impending torture, experiencing “grief” and 2
“horror and dismay.” To Mark, his hero— 1
emotionally ravaged and physically defenseless—provides the model for all believers 6
whose loyalty is tested. Although Jesus prays 1
that God will spare him the humiliation and T
pain he dreads, he forces his own will into harS
mony with God’s. Mark reports that, even
during this cruel testing of the heavenly
Father–Son of Man relationship, Jesus addresses the Deity as Abba, an Aramaic term expressing a child’s trusting intimacy with the
parent (14:32–41).
159
Jesus’ Hearing Before Caiaphas Mark’s skill as
a storyteller—and interpreter of the events he
narrates—is demonstrated in the artful way
he organizes his account of Jesus’ Passion.
Peter’s testing (14:37–38) and denial that he
even knows Jesus (15:65–72) provide the frame
for and ironic parallel to Jesus’ trial before the
Sanhedrin, the Jewish council headed by
Caiaphas, the High Priest. When Peter fulfills
Jesus’ prediction about denying him, the disciple’s failure serves a double purpose: confirming Jesus’ prophetic gifts and strengthening
readers’ confidence in Jesus’ ability to fulfill
other prophecies, including those of his resurrection (14:28) and reappearance as the glorified Son of Man (14:62).
Mark contrasts Peter’s fearful denial with
Jesus’ courageous declaration to the Sanhedrin
that he is indeed the Messiah and the appointed
agent of God’s future judgment (14:62). The
only Gospel writer to show Jesus explicitly accepting a messianic identity at his trial, Mark
may do so to highlight his theme that Jesus’
messiahship is revealed primarily through humility and service, a denial of self that also
effects humanity’s salvation (10:45). Like the
author of Hebrews, Mark sees Jesus’ divine
Sonship earned and perfected through suffering and death (Heb. 2:9–11; 5:7–10).
Pilate’s Condemnation of Jesus At daybreak on
Friday, the “whole council held a consultation”
(15:1)—perhaps implying that the night meeting had been illegal and therefore lacked authority to condemn Jesus—and sends the
accused to Pontius Pilate, the Roman prefect
(governor) who was in Jerusalem to maintain
order during Passover week. Uninterested in
the Sanhedrin’s charge that Jesus is a blasphemer, Pilate focuses on Jesus’ reputed political crime, seditiously claiming to be the Jewish
king. After remarking that it is Pilate himself
who has stated the claim, Jesus refuses to answer further questions. Because Mark re-creates
almost the entire Passion story in the context of
Old Testament prophecies, it is difficult to know
if Jesus’ silence represents his actual behavior
160
p art t h r e e d i v e r s e p o r t r aits o f jes u s
or the author’s reliance on Isaiah 53, where
Israel’s suffering servant does not respond to
his accusers (Isa. 53:7).
As Mark describes the proceedings, Pilate
is extremely reluctant to condemn Jesus and
does so only after the priestly hierarchy pressures him to act. Whereas the Markan Pilate
maneuvers to spare Jesus’ life, the historical
Pilate (prefect of Judea from 26 to 36 ce),
whom Josephus describes, rarely hesitated to
slaughter troublesome Jews (cf. Antiquities
18.3.1–2; The Jewish War 2.9.4). When a mob
demands that not Jesus but a convicted terrorist named Barabbas be freed, Pilate is pictured
as having no choice but to release Barabbas
(the first person to benefit from Jesus’ sacrifice) and order the Galilean’s crucifixion.
Jesus’ Crucifixion Stripped, flogged, mocked,
and crowned with thorns, Jesus is apparently
unable to carry the crossbeam of his cross, so
Roman soldiers impress a bystander, Simon of
Cyrene, to carry it for him (15:16–21). Taken to
Golgotha (Place of the Skull) outside Jerusalem,
Jesus is crucified between two criminals (traditionally called “thieves” but probably brigands
similar to those who formed the Zealot party in
Mark’s day). According to Pilate’s order, his
cross bears a statement of the political offense
for which he is executed: aspiring to be the
Jewish king—a cruelly ironic revelation of his
true identity (15:22–32).
Mark’s description of the Crucifixion is almost unendurably bleak (see Figure 7.8). To
bystanders, who mock him for his assumed pretensions to kingly authority, Jesus—nailed to
the cross—appears powerless and defeated
(15:29–30). As Mark so darkly paints it, the
scene is a tragic paradox: Despite the seeming
triumph of religious and political forces allied
against him, Jesus is neither guilty nor a failure.
The failure lies in humanity’s collective inability
to recognize the sufferer’s inestimable value, to
see in him God’s hand at work. To emphasize
the spiritual blindness of Jesus’ tormenters,
Mark states that a midday darkness envelops the
earth (15:33).
Unlike Luke or John, who show Jesus dying
with serene confidence (see Box 10.7), Mark
focuses only on Jesus’ isolation and abandonment, making his last words (in Aramaic) a cry
of despair: “Eli, Eli, lema sabachthani?”—“My
God, my God, why hast thou forsaken me?”
(15:34). In placing this question—a direct quotation of Psalm 22:1—on Jesus’ lips, the author
may echo a memory of Jesus’ last words. Mark’s
main purpose, however, is probably to create a
paradigm for Christians facing a similar fate
W
and to show that out of human malice the diI vine goal is accomplished. From the author’s
Lperspective, there is an enormous disparity beLtween what witnesses to the Crucifixion think is
happening and the saving work that God actuI ally achieves through Jesus’ death. In Mark’s
Seschatological vision, the horror of Jesus’ agony
, is transformed by God’s intervention to raise
his son in glory.
KJesus’ Burial
A
Although some scholars believe that Mark’s
Swealth of concrete detail indicates that he drew
Son a well-developed oral form of the Passion
Astory for his Gospel, others think that the narrative of Jesus’ last week is basically a Markan
Ncomposition. In contrast to the geographical
Dvagueness of much of his Galilean narrative,
Rthe author’s Passion account is full of the
Anames of specific places and participants, from
Gethsemane, to Pilate’s courtyard, to Golgotha.
As in all four Gospels, Mary of Magdala pro2vides the key human link connecting Jesus’
1death and burial and the subsequent discovery
that his grave is empty (15:40–41, 47; 16:1).
6Joseph of Arimathea, a mysterious figure intro1duced suddenly into the narrative, serves a
Tsingle function: to transfer Jesus’ body from
Roman control to that of the dead man’s disciSples. Acquainted with Pilate, a member of the
Sanhedrin and yet a covert supporter of Jesus’
ministry, he bridges the two opposing worlds of
Jesus’ enemies and friends. Not only does Joseph
obtain official permission to remove Jesus’ body
from the cross—otherwise, it would routinely
chapter 7 m ark’s po rtrait o f jes u s
W
I
L
L
I
S
,
K
A
S
S
A
N
D
R
A
2
1
6
1
T
S
f i gu r e 7 .8 The Small Crucifixion. Painted on wood by Matthias Grünewald (c. 1470–1528), this small
version of Jesus’ tortured death heightens the sense of the sufferer’s physical pain and grief. Although his
emphasis on Jesus’ agony reflects Mark’s account, Grünewald follows John’s Gospel in showing Jesus’
mother and the beloved disciple (as well as another Mary) present at the cross.
161
162
p art t h r e e d i v e r s e p o r t r aits o f jes u s
be consigned to an anonymous mass grave—
but he also provides a secure place of entombment, a rock-hewn sepulcher that he seals by
rolling a large, flat stone across the entrance
(15:42–47).
Postlude: The Empty Tomb
Because the Jewish Sabbath begins at sundown
on Friday, the day of Jesus’ execution, the female disciples cannot prepare the corpse for
interment until Sunday morning. Arriving at
dawn, the women find the entrance stone already rolled back and the crypt empty except
for the presence of a young man dressed in
white. (Is he the same unidentified youth who
fled naked from Gethsemane in 14:50–51?)
Mark’s scene at the vacant tomb recalls
themes recurring throughout his Gospel. Like
the male disciples who could not understand
Jesus’ allusion to resurrection (9:9–10), the
women are bewildered, unable to accept the
youth’s revelation that Jesus is “risen.” Fleeing
in terror, the women say “nothing to anybody”
about what they have heard (16:8), leaving readers in suspense, wondering how the “good news”
of Jesus’ resurrection was ever proclaimed. The
Gospel thus concludes with a frightened silence,
eschewing any account of Jesus’ post resurrection appearances (16:8).
Mark’s Challenge to the Reader
Some interpreters suggest that the double failure of Jesus’ disciples—the Eleven who desert
him in Gethsemane and the Galilean women
too paralyzed by fear to proclaim the good
news of his resurrection—is intended to challenge the reader. If all Jesus’ closest followers
fail him, who but the readers, who now know
conclusively that God has acted through their
crucified Lord, can testify confidently that he is
both Israel’s Messiah and universal king (see
Tolbert in “Recommended Reading”)?
Mark’s Inconclusiveness:
Resurrection or Parousia?
Other commentators propose that Mark’s belief in the nearness of Jesus’ Parousia may explain why the risen Jesus does not manifest
himself in the earliest Gospel. The mysterious
youth in white tells the women how to find
Jesus—the risen Lord has already started a posthumous journey “to Galilee,” where Peter and
the other disciples “will see him” (16:6–7).
W
Some scholars think that Mark, convinced that
I the political and social chaos of the Jewish
LRevolt will soon climax in Jesus’ return, refers
not to a resurrection phenomenon but to the
LParousia. Forty years after the Crucifixion,
I Mark’s community may believe that their wanSdering through the wilderness is almost over:
They are about to follow Jesus across Jordan
, into “Galilee,” his promised kingdom.
Mark’s inconclusiveness, his insistence on
Kleaving his story open-ended, must have seemed
as unsatisfactory to later Christian scribes as it
Adoes to many readers today. For perhaps that
Sreason, Mark’s Gospel has been heavily edited,
Swith two different conclusions added at differAent times. All the oldest manuscripts of Mark
end with the line stressing the women’s terriNfied refusal to obey the young man’s instruction
Dto carry the Resurrection message to Peter. In
Rtime, however, some editors appended post resurrection accounts to their copies of Mark,
Amaking his Gospel more consistent with
Matthew and Luke (Mark 16:8b and 16:9–20).
2
1
Summary
6
1
Christianity’s first attempt to create a sequential
Taccount of Jesus’ public ministry, arrest, and exeScution, Mark’s Gospel includes relatively little
of Jesus’ teaching. Focusing on Jesus’ actions—
exorcisms, healings, and other miracles—the author presents his mighty works as evidence that
God’s kingdom has begun to rule, breaking up
Satan’s control over suffering humanity. Writing
under the shadow of Roman persecution and the
chapter 7 m ark’s po rtrait o f jes u s
impending Roman destruction of Jerusalem, Mark
presents Jesus as an eschatological Son of Man,
who will soon reappear to judge all people.
Mark’s ironic vision depicts Jesus as an unexpected and unwanted kind of Messiah who is
predestined to be misunderstood, rejected, and
crucified—a Messiah revealed only in suffering
and death. God, however, uses humanity’s blindness and inadequacy to provide a ransom sacrifice
in his Son, saving humankind despite its attempts
to resist him.
2.
W 3.
Questions for Review
I
1. According to tradition, who wrote the Gospel ac- L
cording to Mark? Why are modern scholars unable to verify that tradition? What themes in the L 4.
Gospel suggest that it was composed after the I
Jewish Revolt against Rome had already begun?
2. Outline and summarize the major events in S
Jesus’ public career, from his baptism by John ,
and his Galilean ministry through his last week
in Jerusalem. Specify the devices that Mark
uses to connect the powerful miracle worker in K
Galilee with the seemingly powerless sacrificial A
victim in Jerusalem. Why does Mark devote so
much space and detail to narrating the Passion S
story? Why does he have Jesus predict his own S
death three times?
3. Describe the three different categories Mark A
assigns the Son of Man concept. How is this N
concept related to earlier Jewish writings, such
D
as the books of Ezekiel, Daniel, and 1 Enoch?
4. Define parable, and discuss Jesus’ use of this lit- R
erary form to illustrate his vision of God’s king- A
dom. Why does Mark state that Jesus used
parables to prevent people from understanding
his message?
2
5. Explain a possible connection between the
messianic secret concept and Mark’s picture of 1
the disciples as hopelessly inept and Jesus’ op- 6
ponents as mistakenly seeing him as the devil’s
1
agent. What devices does the author employ to
convey his view that Jesus had to be misunder- T
stood for hi...