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1. What is being attempted? Play right or director for entertainment or
to convey knowledge (InSite into humanity).
2. Was the attempt successful? Did it entertain us? Or did give us an
insight into society? Did I individually have insight into myself? or
socially? or the theatre experience? and what it was?
3. Was the attempt worthwhile? Thinking of all the time and people
going into the play. sit a good play the actors to act in and
why? Directors? Was it worthwhile for students? and for the
playwright? Did the actors learn something new?
I
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09
AD
School of Theatre & Dance Presents:
THE
MOORS
by Jen Silverman
Directed by Professor Lee Blair
Scenic Design Prof. Robert Klingelhoefer. USA
Costume Design Colleen Armstrong
Lighting Design Justin Burns
Sound Design Prof. Alan McEwen
Production Stage Manager Jason M. Pohl
in partial fulfillment of a Bachelor of Fine Arts in Theatre Design/Technology
"The Moors" is presented by special arrangement with SAMUEL FRENCH, ING
On-Broadway premiere produced by The Playwrights Realm (Kathenne Kovner, Artistic Director, Roberta Pereira
Producing Director) in January 2017 World Premiere produced by Yale Repertory Theatre, New Haven,
Connecticut, James Bundy, Artistic Director, Victoria Nolan, Managing Doctor
CAST
AGATHA: Elder spinster sister.
HULDEY: Younger spinster sister.
MARJORY: The scullery maid
EMILIE: The governess
THE MASTIFF: The dog.
A MOOR-HEN: A small chicken
Understudies
Kaxe Fans
Faith Barman
Brittani Hai
Mollie Gott
Trent Hudson
Caroline Dawson
Elise Rucker, Matthew Glen Clark
in partial fullment of a Bachelor of Fine
Pied Amin Acting
TIME/SETTING
The 1840s... ish
The bleak moors... of England?
DIRECTORS NOTES
Human beings crave companionship. And without that companionship, loneliness can
unwanted. We look for that perfect love - sometimes in human form or perhaps in many
fame or power to make us complete, needed, popular or famous Worthy of existence
Loved
les like we are adrift at sea when we are lonely Heating taimlessly with no land in sight.
. No one to help us. We are .
And in finding a true love, someone to love, share a life, talk to care for and vice versa,
something to make us feel important and powerful, human beings make dangerous and
reckless choices. We take a gamble or a chance because we are desperate
Loneliness and love can both be obsessive.
The Moors
- Prof. Lee Blair, Director
From the Publisher
THE VIDEOTAPING OR MAKING OF ELECTRONIC OR OTHER AUDIO
AND/OR VISUAL RECORDINGS OF THIS PRODUCTION OR
DISTRIBUTING RECORDINGS ON ANY MEDIUM, INCLUDING THE
INTERNET, IS STRICTLY PROHIBITED. A VIOLATION OF THE
AUTHOR'S RIGHTS AND ACTIONABLE UNDER UNITED STATES
COPYRIGHT LAW. FOR MORE INFORMATION,
PLEASE VISIT: WWW.SAMUELFRENCH.COM/WHITEPAPER
PRODUCTION STAFF
Technical Director & Production Manager
Assistant Stage Managers
Movement Coach
Vocal Coach
Mandolin Coach
Director of Costuming
Costume Shop Manager.
Draper
Crafts
Millinery
Costume Construction
Wig Construction & Maintenance
Prof. Steven Neuenschwander
Lydia Heimann, Noah Gross
Prof. Jessica Morgan Bishop
Prof. Brianne Taylor
Joshua Eids-Ries
Prof. Mary McClung
Sharon T. Goeres
Prof. Tiffany Delligatti
Laura Plikerd
Katy Fllenish, students in THET 106
Garrett Chewning, Chloe Lateulere,
Sarah Stacy, Dustin Jones, Sarah Beth Ealy, Chloe Cappuccilli,
Katy M. Ellenich. Laura Plikerd, Sarah Stacy, Kelly Bell Alexandra
Wooten,
Ciara Powers, Sharon Gocres, and students in THET 106
Wardrobe Manager
Laura Plikerd
Wardrobe Supervisor
Alexandra Ashworth
Laura Plikerd, Alex Wooten,
and students in THET 106
Caila Shields
Scene Shop Manager
Patrick Rao, Grace Milliken, Chris Sheriff,
Bradley Baldacci, Riley Barriger, Maureen Ghee, Charles Moncure,
Conar McDaniel, Trevon Beckwith, and students in THET 104
Production Electrician
Grace Milliken
Jonathan Dent and students in THET 220
Alexis Allenbaugh
Light Board Operator
Sound Board Operator
Mikayla Harrington
Marcus Geis
Projection Programmer
Jacob Short
Projection Operator
Run Crew Scenery
Jordan Phillips, Makale Honigsblum, Peyton Bosley
Ron Crew Dressers
..Emilce Karalus, Mackenzie Wolcott,
Bonnie Fox, Madison Cope, Michele Schmitz
House Manager
Hannah Thompson
Public Relations & Marketing- Cameron Khoshgam, Bernadette Dombrowski
Administrative Associate
Andrea Teeman
Coordinator of Production Services for the CAC
Jamie Whoolery
Box Otfice .
Jason Gocres
Scenery Construction
Electricians
ACKNOWLEDGEMENTS
CAC Operations Staff
H. Keith Jackson, Interim Dean, College of Creative Arts
Prof. James Mitchell, School of Music
Prof. Laura Knoop Very, School of Music
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