Description
In this exercise, you're going to choose one artwork from the week's materials ( I attached the four pictures for you. You should choose one of them )
that you think encapsulates the main themes and concepts you've learned this week.
***
Be sure to include in your post...
- An attached JPEG of the artwork.
- A clear identification of the artwork (artist name, title, date, art historical movement, medium).
- A brief analysis of form, noting how this connects to the larger trends of its art historical movement.
- A brief analysis of subject matter, noting how this connects to the larger trends of its art historical movement.
- A brief analysis of any larger themes, symbols, or messages present in this work, noting how this connects to its larger trends of the art historical movement.
- A brief explanation why you think this one work best sums up what you learned this week.
extra help:
Unformatted Attachment Preview
Figure 25.2 Gustave Courbet, The Stone Breakers
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Courbel
1849. Oil on canvas, 5'3" X 8'6" (1.6 x 2.59 m). Gallerie Neue Meister, Dresden (believed to have been
destroyed in World War II).
Credit: © Staatliche Kunstsammlungen Dresden/The Bridgeman Art Library
III.
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SOLUTION: Comparing and Contrasting two works of art -...
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Figure 25.3 Jean-François Millet, The Sower
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ca. 1850. Oil on canvas, 40 x 32 1/2" (101.6 x 82.6 cm). Museum of Fine Arts, Boston. Gift of Quincy
Adams Shaw through Quincy A. Shaw, Jr., and Mrs. Marion Shaw Haughton. 17.1485.
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SOLUTION: Comparing and Contrasting two works...
Canvas at SMC
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Figure 25.17 Auguste Renoir, Luncheon of the Boating Party
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1881. Oil on canvas, 51 1/4 x 68 1/8" (130.2 x 175.6 cm). Acquired 1923. The Philips Collection,
Washington, D.C.
Website
Credit: The Phillips Collection
Luncheon of the Boating Party was made shortly before Renoir abandoned Impressionism.
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25.4: Photography: A Mechanical Medium For Mass-Produced ...
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Figure 25.36 Julia Margaret Cameron, Sister Spirits
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ca. 1865. Albumen print, 127/16 ~ 10 1/2" (31.6 x 26.6 cm). George Eastman House, Rochester, New York.
Gift of Eastman Kodak Company.
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Sister Spirits reflects the impact of the Pre-Raphaelites and Aesthetic Movement, in particular
their preference for spiritual images set in the Late Gothic or Early Renaissance periods. Her
women look as though they have stenned out of a Perugino nainting and suggest such saints
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