. Oscar Hammerstein allegedly set the young Sondheim a set of tasks for writing a musical

Jul 13th, 2016
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Nobody individual made the musical. It developed over the long haul and joins an assortment ofimpacts and components. As a matter of first importance, obviously, there is the music. Minstreltunes and the cakewalk; Irish ditties and devoted jingles; jazz walks and blending soul; powerfullight melodies and jazz tunes; totemic songs of praise and rock musical show the musical hascaught each phrase of American articulation. There is without a doubt a "Broadway" sound,regularly alluded to as Tin Pan Alley, a musical structure spearheaded by lyricists like IrvingBerlin and Richard Rodgers. Then again, this is in no way, shape or form the main sort of musicto show up on Broadway (Maslon, n.d.)Lorraine Hansberrys 1959 play A Raisin in the Sun was groundbreaking as it was the first playwritten by a black woman to be produced on Broadway, as well as one of the first to depict the

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