Melanie’s is the main deathbed scene in the book — although there are many deaths — and there is a reason for that. Losing Melanie wakes Scarlett up to some hard realities. Likewise, it revives old pains. Scarlett never got the opportunity to say farewell to Ellen, her mother, and scarcely had sufficient energy to mourn; Melanie’s passing resembles losing Ellen all over again.
Her passing ought not to come as a surprise, either to Scarlett or the reader. She appeared to be in pain, as Beau’s birth was troublesome, and medics cautioned her against having another child. However, regardless of all these troubles, Melanie’s demise is a massive blow. As a parent, Melanie has been ever-present since the novel’s initial stages. Besides, Scarlett and others have depended on her without acknowledging it.
Regularly in pieces of literature, a parent’s death acts as an impetus, compelling a character to grow up. Scarlett grows a bit when her mother passes, while Gerald, her father, loses his mind — yet, she advances in character when Melanie dies. Presently, she is taking care of Ashley, who appears to occupy her thoughts intensely. During the awful years back at Tara, Scarlett must be in charge of weaker individuals — but this time, she will do it without Melanie’s assistance.
At the point when Scarlett, at long last, acknowledges she does not love Ashley, it is not really amazement to a keen reader. Hitherto, Scarlett’s affections for Ashley have appeared to be shallow, a creation of her own imagination. She really liked Ashley, similar to how a young person may have for a celebrity or musician. Presently, out of the blue, Scarlett loathes Ashley for the manner in which he has disappointed her, Melanie, and himself. Rhett has made this proposal for a considerable length of time, and Scarlett fervently shielded Ashley. Presently, she understands Rhett to be correct.