The parallels between Holgrave and both Matthew Maules become even more explicit in this chapter. Hawthorne writes that Holgrave has the temptation to acquire domination over the human spirit, a power that Matthew Maule used against Alice Pyncheon in Holgrave’s story. The wave of his hand that awakens Phoebe echoes the same action that Matthew Maule used against Alice. Where Holgrave departs from the typical Maule prototype is his democratic ethos. As the one modern character in The House of the Seven Gables, Holgrave embodies contemporary values; his respect for individuality aligns with his liberal ideals to counteract his more fantastical tendencies.

Hawthorne leaves the motive for Phoebe’s departure somewhat ambiguous. However, the main reason seems to be the desperation surrounding the house. She is noticeably disturbed by the story that Holgrave tells concerning the Pyncheon history, the event which immediately precedes her decision to depart. Phoebe makes this decision with some regret. She admits to herself that she greatly cares for Hepzibah and Clifford, but still decides to escape from the stifling house. Staying at the House of the Seven Gables has taken a noticeable toll on Phoebe; although she is still as angelic as she was when she first arrived, Phoebe now has the marks of sadness and regret. Holgrave attempts to frame this change in her as a positive attribute that shows new maturity, but this cannot outweigh the feeling that life at the House of the Seven Gables has taken its toll upon her.