The Metamorphosis
Franz Kafka
Contributed by Reynaldo Lenzi
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Chapter 3
Summary

When Gregor wakes up from the shock of his back injury, which leaves him in a motionless state, his family members watch him with sympathy before departing the bedroom, and leaving the door open during the night in the hopes that Gregor could watch them.

While his mother has begun sewing lingerie for a boutique, in the hopes that she could get Grete to music school, Gregor’s father is usually slumped on the sofa upon returning home each day from his bank attendant job, still in his filthy uniform, and complaining about his new life all night long. Over time, Gregor finds out that the family has managed to get additional income through selling jewelry, swapped out the regular cleaning lady (the Maid) with an older, cheaper one (the Charwoman), and realizes that they are no longer at ease with his presence and they begin to neglect him.

Further changes continue to take place in the Samsa family home, which puts Gregor further on edge. The Charwoman braves the sight of his unusual form and attempts to conduct frequent conversation with him, sometimes immediately after having successfully sneaked into the room without Gregor’s knowledge — to which the action eventually disgusts him and leads to a direct confrontation. To make matters worse, the family invites three renters into their home, which leads to most of the furniture being removed, and the Charwoman moves into his room. This was, without a doubt, the final straw for Gregor.

On one of the nights, the renters are at home and the Charwoman inadvertently leaves Gregor’s room door wide open. This gives him the opportunity to observe them dining on her mother and sister’s cooking. Soon, the sound of a violin being played by Grete leads everyone outside the room to gather around and listen, but a lack of appreciation by the renters quickly sets in. Gregor, on the other hand, is moved by the music and creeps slowly out of his room (as it has always been his aspiration to let Grete in on his plans to enrol her into a music school) — which leads to his presence being spotted by one of the now-panicking renters. The commotion leads to Gregor’s father telling them to vacate the house without the need to pay any rent.

Considering how the insect is no longer her brother, Grete suggests that the family should get rid of it, and openly states that Gregor would have already left if he had truly understood. This puts his father in a moral dilemma, albeit slightly, who ultimately comes to the belief that his son would understand such a decision. On learning this, Gregor grows despondent and crawls to his room. His body remains stiff throughout the night while the thought of relieving his family of the burden by going away torments his mind — to which he finally succumbs.

As morning arrives, the Charwoman finds Gregor’s dead and motionless body. On hearing the news, the family gathers around and Grete notices the thinness in his body. After finally vacating the renters and writing their respective apology letters for being absent from work that day, the family decides to take a stroll. Upon their return, the Charwoman asks them about the disposal of Gregor’s body, something that the family shows little to no concern for.

On the same evening, the now-family-of-three discharge the services of the Charwoman, and make plans to move out of their current home and into a smaller one out in the countryside. Over time, they realized the change in their lives had resulted in gaining a greater amount of money than they had before. Grete has also grown to become a fair lady, which — in the mind of her parents — naturally invokes the thought of a potential suitor for their daughter.

Analysis

Despite a significant shift in the mood at home, the Samsas continue tending to Gregor. In a display of kindness, they start leaving Gregor’s door wide open at night to do away with the potential thought of isolating him — which is the family’s attempt at believing that some part of Gregor’s humanity still exists. It also shows that they still consider him as a family member. However, following the incident where Gregor scares the boarders with his presence, Grete finally came to the conclusion that his brother no longer exists, despite his father’s objection to her statement.

When Gregor hears Grete playing the violin, he momentarily forgets about his current insect form and wants to demonstrate his love to Grete, and how he is prepared to send her to music school and catering for the family’s financial needs. Unfortunately, in the eyes of an insect, this has all been reduced to just a fantasy, but also creates a conflict of identity because of his prior existence as a human being. Furthermore, although Gregor has become increasingly isolated from his family (due to his new form), Grete’s jealousy (created by their heightened concern towards his brother) results in her decision to leave Gregor under the care of the Charwoman.

Over time, Gregor’s existence is reduced to little to no meaning, as demonstrated by the family’s decision to use his bedroom for storage when the boarders moved into the house. Similarly, Gregor’s care and sympathy for his family also fades when he starts isolating himself more frequently. Other catalysts, such as the discontent shown at the sight of arguing family members when his room door is left wide open and the boarders’ presence in the family home, were also clear contributing factors — with the latter resulting in the unexpected confrontation between Gregor and the boarders, which led to serious repercussions for everyone involved as well as bringing everything to light.

While Gregor has become the family’s biggest responsibility, the renters are supposed to be their primary source of income. However, as Gregor becomes the reason for the boarders’ departure, Grete — who is already on edge — is unable to tolerate the burden that has been placed on her and the family. At this stage, she no longer considers Gregor as his brother, but simply an insect — one that they should get rid of. Grete’s final straw is also the moment when she is completely devoid of any remaining sympathy for Gregor.

Being a fine woman, Grete culminates the anxiety throughout the story. While the family’s decision to move to the countryside and settle into a smaller house indicates relief, their realization of having more money than expected seems to suggest that their jobs were leading to better opportunities. More importantly, the premise of a better life only seemed out-of-reach because of Gregor, the family’s one-and-only burden. With that behind them, their hope for the future is brighter than ever, thanks partly to the parents’ thoughts of finding a husband for Grete.

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